My latest solo offering, No Frills, is now available at - No Frills
(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser: http://http://www.cdbaby.com/Artist/RayJozwiak)
(from http://www.newyorker.com/culture/cultural-comment/the-art-of-billie-holidays-life)
" . . . Some biographies of artists take in the whole life—preferably with equal attention to the work, and integrating the two elements to the extent that the work invites it. Others offer a bio-slice or synecdoche, centered on one particular period, relationship, or field of activity to provide an exemplary angle on the life and work. John Szwed’s brief but revelatory new book, “Billie Holiday: The Musician and the Myth” (Viking), which comes out this week—just under the wire for her centenary (Holiday was born April 7, 1915)—is in another category. It’s a meta-biography, about the creation of Holiday’s public image in media of all sorts: print, television, movies, and, of course, her recordings, but with special attention to the composition of her autobiography, “Lady Sings the Blues,” which was published in 1956. . ."
OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak. Please Visit http://www.ohomusic.com
My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music is now available at - Just More Music by Ray Jozwiak
(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser: http://http://www.cdbaby.com/Artist/RayJozwiak)
Jazz originated in the late nineteenth century in the Southern United States combining some European harmony and forms with African musical elements such as blue notes, improvisation, polyrhythms and syncopation.
As it spread many distinctive styles evolved such as New Orleans jazz dating from the early 1910s, big band swing, Kansas City jazz and Gypsy jazz from the 1930s and 1940s, bebop from the mid-1940s, Afro-Cuban jazz, West Coast jazz, ska jazz, cool jazz, Indo jazz, avant-garde jazz, soul jazz, modal jazz, chamber jazz, free jazz, Latin jazz, smooth jazz, jazz fusion and jazz rock, jazz funk, loft jazz, punk jazz, acid jazz, ethno jazz, jazz rap, cyber jazz, M-Base and nu jazz.
Louis Armstrong said to Bing Crosby on the latter's radio show, "Ah, swing, well, we used to call it syncopation, then they called it ragtime, then blues, then jazz. Now, it's swing. Armstrong also said, "If you have to ask what jazz is, you'll never know. In a 1988 interview, jazz musician J. J. Johnson said, "Jazz is restless. It won't stay put and it never will". Ellington said, "By and large, jazz has always been like the kind of a man you wouldn’t want your daughter to associate with."
OHO's
"Ocean City Ditty," the
CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if
you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD)
My latest solo release, '2014', can be downloaded digitally at:
(or you can copy-and-paste this URL directly to
your browser: http://www.cdbaby.com/cd/rayjozwiak4)
. . . be wary of people that have two first names. . .
. . . maybe she was wrong . . .
(from wikipedia.com)
" . . . Joseph Arthur began writing and playing music in his early teens, after inheriting an electronic keyboard from his aunt. At age 16, he played bass in a blues band called Frankie Starr and the Chill Factor, which disbanded by 1995. Initially, Arthur sought to become a noted bass guitarist, stating: "I never started singing until I was in my early 20s. I remember thinking, ‘OK – I am not a singer, I am a musician.’ I wanted to be this like heroic bass player so I listened to people like Jaco Pastorius, just smoking weed listening to Bitches Brew over and over again. And then like Nirvana came out and I was blown away and then I got into Bob Dylan. Around that time I started playing acoustic guitar and realized I could actually write songs if I wasn’t playing complicated bass lines."
Joseph graduated from Firestone High School in 1990 and continued developing his music. In the early 1990s, Arthur relocated to Atlanta, Georgia, continuing to record home demos, playing local clubs and working as a guitar salesman at Clark Music Store.
In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Björk, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally-wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package. . ."
OHO's
"Ocean City Ditty," the
CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if
you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD)
My latest solo release, '2014', can be downloaded digitally at:
(or you can copy-and-paste this URL directly to
your browser: http://www.cdbaby.com/cd/rayjozwiak4)
Over the course of his career, Maryland native Doug Alan Wilcox has traveled a road from solo acoustic artist through numerous electric bands of various stripes and back again, performing along the way at some of the country's more notable venues as well as countless small cafes and concert spaces.
The sound is a singer/songwriter stew of acoustic folk, blues, soul, and jazz — sophisticated yet as comfortable as a well-worn shirt. The message is uplifting - speaking straight to the human condition. Intimate, thought-provoking and on occasion, wryly humorous, Wilcox delivers music that will stick in your head — as well as your heart…
OHO's
"Ocean City Ditty," the
CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if
you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD).
My latest solo release, Black & White Then Back,
can be downloaded digitally at:
(or you can copy-and-paste this URL directly to
your browser: http://www.cdbaby.com/cd/rayjozwiak3)
(based upon http://www.cdbaby.com/cd/tomdews and http://www.cdbaby.com/cd/tomdews2)
Georgia-born singer/songwriter/bluesman TOM DEWS puts guitar/simultaneous harmonica and vocals together to create a satisfying blend of original acoustic folk and blues. Growing up in South Georgia and Central Florida he soaked up roots rhythms and fished the Flint, Ocmulgee, Chatahoochee and Oklawaha rivers. After recent sojourns in North Carolina and Pennsylvania, Dews makes his home now in Washington, DC.
Tom released his first recording, EPIPHANIES & EPITAPHS, after a successful tour in Ireland several years ago. The CD features original songs and instrumentals, some collected from years of playing coffeehouses and bars from Savannah to Minneapolis, and some stuff inspired by the time in Ireland. Reflecting on his musical adventures Dews says, " A novelist creates a fictive dream, and when done well there are revelations for the reader. My interest is in creating a mood, at once mirthful and melancholy - a sort of re-creation of the old 'hearth' experience. Created by artist and audience together, this mood-edifice can generate spontaneous improvisations that are nourishing for everybody - a sort of musical epiphany can strike its seal into the world."
Tom surrounds gritty vocals with deft acoustic guitar and haunting harmonica to provide a satisfying foray down the back roads of literate folk/blues. Collected on his third CD (DRIVING DREAMS), are songs of loss and regret, blues to soothe, and anthems of hope. He counts among his influences Mose Allison, Lyle Lovett, J.J. Walker, Delbert McClinton, Pierce Pettis, Keb Mo and Tom Kimmel. You’ll hear him in his familiar mode here doing the simultaneous guitar/harp thing in an inimitable way, but there are also two piano solo pieces and several National Resophonic instrumentals.
(from the desk of Rod Deacey, Frederick (MD) area impresario, bluesman, singer/songwriter, poet, gentleman and scholar)
". . . The featured singer-songwriter at Brewer’s Alley Songwriters’ Showcase on Monday, August 26, is Maryland resident, frequent Nashville visitor and studio musician JACK BOND, who regularly returns to Music City to record, co-write and to perform at the famous Bluebird Café and other venues. Jack’s songwriting credits include the title cut on Roy Buchanan’s album, “That’s What I'm Here For.” http://www.youtube.com/watch?v=pGLL_yzNkZ0
In his Maryland performances, Jack is known for his rich baritone voice and exceptional guitar work, both on his own compositions and his covers of classic rock and country songs. We have seen him many times accompanying other performers here, such as our friend DULCIE TAYLOR (now in California; hi Dulcie!), but it is always a treat to hear Jack on his own! Ron put a video link of Jack playing a Telecaster up on Facebook, but he will be playing an acoustic for us…
The gonzo piano prelude will be played by our favorite piano workout instructor ROCKIN’ RAY JOZWIAK, http://www.rayjozwiak.com/ who keeps the embryonic grand in shape with his rigorous monthly routines – a dose of Oscar Peterson, an infusion of Thelonious Monk and a liberal application of Keith Jarrett and the keys are ready to play themselves out of any corner… Come and hear Ray put them through their paces, including finding them some especially difficult corners from which to escape… Don't be scared off by the jazz references, Ray is also a highly respected classical composer; he has even been known to wear tails to play, and he doesn't smoke funny tobacco… https://www.youtube.com/watch?v=lPqB_8BDXUk. . . "
(from wikipedia.com)
The Hammond organ was invented by Laurens Hammond and John M Hanert and first manufactured in 1935. Various models were produced, which originally used tonewheels to generate sound via additive synthesis, where component waveform ratios are mixed by sliding drawbars. Around 2 million Hammond organs have been manufactured, and it has been described as one of the most successful organs ever. The organ is commonly used with, and associated with, the Leslie speaker.
The organ was originally marketed and sold by the Hammond Organ Company to churches as a lower-cost alternative to the wind-driven pipe organ, and as an alternative to the piano. It quickly became popular with professional jazz musicians, who found it to be a cheaper alternative to the big band. Jimmy Smith's use of the Hammond B-3, with its additional harmonic percussion feature, inspired a generation of organ players, and its use became more widespread in the 1960s and 1970s in rhythm and blues, rock and reggae, as well as being an important instrument in progressive rock.
The Hammond Organ Company struggled financially during the 1970s as they abandoned tonewheel organs and switched to manufacturing instruments using integrated circuits. These instruments never caught on with notable musicians and groups as the tonewheels had done before, and the company went out of business in 1985. The Hammond name was purchased by Suzuki Musical Instrument Corporation who proceeded to manufacturer digital simulations of the most popular tonewheel organs. This culminated in the production of the "New B-3" in 2002, which provided an accurate recreation of the original B-3 organ using modern digital technology.
Hammond-Suzuki continues to manufacturer a variety of organs for both the professional player and the church. Other companies, such as Korg, Roland and Clavia have also achieved success in providing emulations of the original tonewheel organs. The sound of a tonewheel Hammond can also be emulated in modern software such as Native Instruments B4.
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