Showing posts with label peter gabriel. Show all posts
Showing posts with label peter gabriel. Show all posts

Friday, May 2, 2014

Mom Said . . .

. . . be wary of people that have two first names. . .
 . . . maybe she was wrong . . .


(from wikipedia.com)
" . . . Joseph Arthur began writing and playing music in his early teens, after inheriting an electronic keyboard from his aunt. At age 16, he played bass in a blues band called Frankie Starr and the Chill Factor, which disbanded by 1995. Initially, Arthur sought to become a noted bass guitarist, stating: "I never started singing until I was in my early 20s. I remember thinking, ‘OK – I am not a singer, I am a musician.’ I wanted to be this like heroic bass player so I listened to people like Jaco Pastorius, just smoking weed listening to Bitches Brew over and over again. And then like Nirvana came out and I was blown away and then I got into Bob Dylan. Around that time I started playing acoustic guitar and realized I could actually write songs if I wasn’t playing complicated bass lines."

Joseph graduated from Firestone High School in 1990 and continued developing his music. In the early 1990s, Arthur relocated to Atlanta, Georgia, continuing to record home demos, playing local clubs and working as a guitar salesman at Clark Music Store.

In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Björk, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally-wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package. . ."





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Wednesday, October 30, 2013

Jumping. . .

. . . flea. . .

Victoria Davitt (Victoria Vox) claims influence from The Cranberries, Madonna, Cyndi Lauper, Patty Griffin, Sting and Peter Gabriel and specializes in pop music accompanied by her ukulele playing.  A teenage year living in France, graduation from Berklee with honors, a stint in Nashville and a release in England brought her back home to Green Bay in 2003. In 2004 she recorded 'In Between', an acoustic EP that began to experiment with more pop sounds than her previous work. Following this release, the ukulele became her primary instrument and fans requested an album focusing on the uke. In 2006, she released her first album of ukulele music through Obus Records. The album was entitled Victoria Vox and Her Jumping Flea because "jumping flea" is the literal translation of the Hawaiian word "ukulele". While on tour in Hawaii in 2006, Vox was offered an endorsement with KoAloha Ukuleles of Honolulu, Hawaii. Though her professional, performance repertoire contains little traditional Hawaiian ukulele music, with the 2008 release of Chameleon, Vox gained renown for her use of the ukulele with pop music. She is currently also sponsored by Mya-Moe Ukuleles and Petros. Vox is featured in a short segment in the extras on the DVD release of Mighty Uke: The Amazing Comeback of a Musical Underdog, a 2010 documentary on the ukulele.  (source:  wikipedia.com)




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My latest release, Black & White Then Back,
can be downloaded digitally at:
Ray Jozwiak: Black & White Then Back

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

Also, be sure to visit:
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Saturday, August 24, 2013

Connection. . .

. . . maybe. . .


In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of (Joseph) Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Björk, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally-wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package.






What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html

My latest release, Black & White Then Back,
can be downloaded digitally at:
Ray Jozwiak: Black & White Then Back

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

Also, be sure to visit:
http://www.rayjozwiak.com

PIANOGONZOLOGY - Blogged My 
Zimbio
blog search directory Blog Directory