Showing posts with label playing. Show all posts
Showing posts with label playing. Show all posts

Friday, May 2, 2014

Mom Said . . .

. . . be wary of people that have two first names. . .
 . . . maybe she was wrong . . .


(from wikipedia.com)
" . . . Joseph Arthur began writing and playing music in his early teens, after inheriting an electronic keyboard from his aunt. At age 16, he played bass in a blues band called Frankie Starr and the Chill Factor, which disbanded by 1995. Initially, Arthur sought to become a noted bass guitarist, stating: "I never started singing until I was in my early 20s. I remember thinking, ‘OK – I am not a singer, I am a musician.’ I wanted to be this like heroic bass player so I listened to people like Jaco Pastorius, just smoking weed listening to Bitches Brew over and over again. And then like Nirvana came out and I was blown away and then I got into Bob Dylan. Around that time I started playing acoustic guitar and realized I could actually write songs if I wasn’t playing complicated bass lines."

Joseph graduated from Firestone High School in 1990 and continued developing his music. In the early 1990s, Arthur relocated to Atlanta, Georgia, continuing to record home demos, playing local clubs and working as a guitar salesman at Clark Music Store.

In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Björk, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally-wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package. . ."





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Friday, June 15, 2012

Maybe . . .

 . . . you like the simplicity of solo piano
“The piano ain't got no wrong notes.”
- Thelonious Monk

“I want to play as good as I can, not necessarily as different. I am not interested in consciously changing the essence of my music. I would rather have it reveal itself progressively as I play. Ultimately, what counts is its essential quality, anyway, and differences vanish in a short time.”
- Bill Evans

“To me, the piano in itself is an orchestra.”
- Cecil Taylor

"I would be all over the piano, but Miles would play a few notes that would just wipe out all that fancy stuff I was playing."
- Herbie Hancock

"Only play what you hear. If you don't hear anything, don't play anything."
- Chick Corea

"There are two kinds of music. Good music, and the other kind."
- Duke Ellington

"I always challenge myself. I get out in deep water and I always try to get back. But I get hung up. The audience never knows, but that's when I smile the most, when I show the most ivory."
- Earl Hines

"The first question I ask myself when something doesn't seem to be beautiful is why do I think it's not beautiful. And very shortly you discover that there is no reason."
- John Cage

Ray Jozwiak - Gonzo Piano
7:30 - 8:00PM Monday, June 18, 2012
Monday Night Songwriters Showcase
at Brewer's Alley Restaurant & Brewery
(take the elevator on the right to the 2nd floor)
124 North Market Street Frederick, MD 21701
Telephone: 301-631-0089 Fax: 301-631-1874http://www.brewers-alley.com/

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HOPE
(from AMBIENCE & WINE)
©2010 Raymond M. Jozwiak



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