Blowin' . . .

. . . in the wind . . .

A false allegation circulated that the song was written by a high-school student named Lorre Wyatt and subsequently purchased or plagiarized by Dylan before he gained fame.

This allegation was published in a Newsweek article in November 1963; while the story left the claims unconfirmed, it prompted much speculation. Several members of Wyatt's school (Millburn High) and community (Short Hills and Millburn, New Jersey) reported having heard his singing the song and claiming authorship a year before it was released by Dylan, or made famous by Peter, Paul and Mary. Wyatt even told his teacher that he'd sold the song for $1,000 and donated the money to charity, when asked why he had suddenly stopped performing it.

The plagiarism claim was eventually shown to be untrue. Wyatt had performed the song at school and elsewhere months before it was made famous, but not before it had been published and credited to Dylan in Broadside magazine. Wyatt finally explained his deception to New Times magazine in 1974. He credited his initial lie to panic that he wasn't pulling his weight as a songwriter in the school's male folk group, The Millburnaires.

Ironically, an early release of the song appears on The Millburnaires' self-published LP album, "A Time To Sing", released in April 1963. On the disk label, the song is credited to Wyatt, not Dylan. The album later was picked up for national release and renamed "Teenage Hootenanny," by The Millburnaires '63. On "Hootenanny," unlike the self-published album, the song is no longer credited to Wyatt. The Millburnaires' version of the song has a slightly different, somewhat less strident, melody from the versions subsequently released by Dylan and by Peter, Paul & Mary, possibly because Wyatt, who had heard Dylan perform it in a New York club, did not remember it precisely when Wyatt introduced it to his schoolmates.

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OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak

My latest solo release, '2014' of original, instrumental piano music, can be downloaded digitally at:

(or you can copy-and-paste this URL directly to
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Mom Said . . .

. . . be wary of people that have two first names. . .

 . . . maybe she was wrong . . .


(from wikipedia.com)
" . . . Joseph Arthur began writing and playing music in his early teens, after inheriting an electronic keyboard from his aunt. At age 16, he played bass in a blues band called Frankie Starr and the Chill Factor, which disbanded by 1995. Initially, Arthur sought to become a noted bass guitarist, stating: "I never started singing until I was in my early 20s. I remember thinking, ‘OK – I am not a singer, I am a musician.’ I wanted to be this like heroic bass player so I listened to people like Jaco Pastorius, just smoking weed listening to Bitches Brew over and over again. And then like Nirvana came out and I was blown away and then I got into Bob Dylan. Around that time I started playing acoustic guitar and realized I could actually write songs if I wasn’t playing complicated bass lines."

Joseph graduated from Firestone High School in 1990 and continued developing his music. In the early 1990s, Arthur relocated to Atlanta, Georgia, continuing to record home demos, playing local clubs and working as a guitar salesman at Clark Music Store.

In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Björk, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally-wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package. . ."

What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html 

OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD)

My latest solo release, '2014', can be downloaded digitally at:

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak4)

Also, be sure to visit:
http://www.rayjozwiak.com

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Puff. . .

Yeah, sure, Puff the Magic Dragon, blah, blah, blah. . .

Whether you love that song or despise it, Peter, Paul and Mary were much, much more than that!

(from wikipedia.com)
". . .Manager Albert Grossman created Peter, Paul and Mary in 1961, after auditioning several singers in the New York folk scene. After rehearsing them out of town in Boston and Miami, Grossman booked them into The Bitter End, a coffee house, nightclub and popular folk music venue in New York City's Greenwich Village.

They recorded their first self-titled debut album, Peter, Paul and Mary, the following year. It included "Lemon Tree", "500 Miles", and the Pete Seeger hit tunes "If I Had a Hammer" (subtitled "The Hammer Song") and "Where Have All the Flowers Gone?". The album was listed in the Billboard Magazine Top Ten for 10 months, including seven weeks in the #1 position. It remained a main catalog-seller for decades to come, eventually selling over two million copies, earning Double Platinum certification from the RIAA in the United States alone.

In 1963 the group also released "Puff, the Magic Dragon", with music by Yarrow and words based on a poem that had been written by a fellow student at Cornell, Leonard Lipton. Despite urban myths that insist the song is filled with drug references, it is actually about the lost innocence of
childhood. . .

The trio canceled several dates of their summer 2007 tour, as Mary took longer than expected to recover from back surgery and later had to undergo a second surgery, further postponing the tour.

Travers was unable to perform on the trio's tour in mid-2009 because of her leukemia, but Peter and Paul performed the scheduled dates as a duo, calling the show "Peter & Paul Celebrate Mary and 5 Decades of Friendship."

The Peter, Paul and Mary trio came to an end on September 16, 2009, when Mary Travers died at age 72 of complications from chemotherapy, following treatment for leukemia. It was the same year (2009) they were inducted into the Hit Parade Hall of Fame.

In 2010, Peter Yarrow and Paul Stookey, the surviving members of Peter, Paul and Mary, requested that the National Organization for Marriage stop using their recording of "This Land is Your Land" at their rallies, stating in a letter that the organization's philosophy was "directly contrary to the advocacy position" held by the group. . ."

What do you think?
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My latest release, Black & White Then Back,
can be downloaded digitally at:

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

Also, be sure to visit:
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