Showing posts with label roots. Show all posts
Showing posts with label roots. Show all posts

Thursday, February 28, 2019

Stick . . .

. . . to your convictions . . .


(from https://www.alicemerton.com/video)
". . . Label reps scoffed at “No Roots” - It’s a minute too long! Take the guitars out! - but by the time it topped Billboard’s Alternative Songs chart in the U.S., hit the Top Ten in further 9 countries, streamed more the 300 million times and sold over a million units which ultimately helped her (Alice Merton) go platinum in seven countries, naysayers turned to supporters. . ."



What do you think?
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http://www.rayjozwiak.com/guestbook.html  or at
http://www.ohomusic.com 


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(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
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Wednesday, October 16, 2013

Dews. . .


. . . Tom, that is. . .

(based upon http://www.cdbaby.com/cd/tomdews and http://www.cdbaby.com/cd/tomdews2)
Georgia-born singer/songwriter/bluesman TOM DEWS puts guitar/simultaneous harmonica and vocals together to create a satisfying blend of original acoustic folk and blues. Growing up in South Georgia and Central Florida he soaked up roots rhythms and fished the Flint, Ocmulgee, Chatahoochee and Oklawaha rivers. After recent sojourns in North Carolina and Pennsylvania, Dews makes his home now in Washington, DC.

Tom released his first recording, EPIPHANIES & EPITAPHS, after a successful tour in Ireland several years ago. The CD features original songs and instrumentals, some collected from years of playing coffeehouses and bars from Savannah to Minneapolis, and some stuff inspired by the time in Ireland. Reflecting on his musical adventures Dews says, " A novelist creates a fictive dream, and when done well there are revelations for the reader. My interest is in creating a mood, at once mirthful and melancholy - a sort of re-creation of the old 'hearth' experience. Created by artist and audience together, this mood-edifice can generate spontaneous improvisations that are nourishing for everybody - a sort of musical epiphany can strike its seal into the world."

Tom surrounds gritty vocals with deft acoustic guitar and haunting harmonica to provide a satisfying foray down the back roads of literate folk/blues. Collected on his third CD (DRIVING DREAMS), are songs of loss and regret, blues to soothe, and anthems of hope. He counts among his influences Mose Allison, Lyle Lovett, J.J. Walker, Delbert McClinton, Pierce Pettis, Keb Mo and Tom Kimmel. You’ll hear him in his familiar mode here doing the simultaneous guitar/harp thing in an inimitable way, but there are also two piano solo pieces and several National Resophonic instrumentals.

Hear the songs.







What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html

My latest release, Black & White Then Back,
can be downloaded digitally at:
Ray Jozwiak: Black & White Then Back

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

Also, be sure to visit:
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Tuesday, March 20, 2012

Heart, soul . . .

. . . warmth, grit, poetry. . . Mark McKay

But listen to what some others say. . .

"Surrealistic cowboy poetry. Springsteen on mescaline. Steve Earle on a literary jag. Wilco with grit. . . expansive, exotic Americana, urgent, whiskey-fed melodies topped with lyrics that often seem to consist of a string of vivid images and striking non sequiturs . . . "  - Jason Warburg , The Daily Vault

". . . punchy roots rock fit for prime time. In their incarnation on Hotel, some of these tracks displayed a raw beauty that tended toward sprawl. . . "  - Nick Zaino III , Paste magazine

". . . Combining many traditional American styles, including rock, bluegrass, country, and even a smidge of blues, Mark McKay, continues his style of mellow and melancholy acoustic (or acoustic-type) rock with heavy country influence . . . "  - Sarah Kantor , Emmie Magazine



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ANOTHER SHOT
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Ray Jozwiak:         Another Shot


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Tuesday, December 6, 2011

(Fish) Bone caught . . .

. . . in your throat?. . .

(from http://fishbone.net/)
"On November 21st, 2011, Republican presidential candidate Michele Bachmann was played on to Late Night with Jimmy Fallon to the Fishbone song "Lyin' Ass Bitch". The Roots drummer Questlove later explained that the playing of the song was "tongue in cheek". Fallon and the NBC network later apologized."

An egregious and unfortunate occurrence indeed. To imply that the singular female, republican presidential candidate intentionally tells untruths is unwarranted and unnecessary. And adding insult to injury, applying terminology normally applicable to canine subjects took the insult over the edge.

More unfortunate however, is the fact that neither Fishbone nor the Roots have written a song with a title like "Lunatic Lady", "Delusional Dame" or "Flaky Female", all of which would have been infinitely more appropriate. (see below)

(from the Huffington Post)
. . . that her campaign is helped by the fact that she hasn't "had a gaffe," an interesting -- though perhaps not surprising -- claim considering her knack for making misstatements.

"As people are looking at the candidate that is the most conservative and the most consistent candidate, I've been that candidate. I haven't had a gaffe or something that I've done that has caused me to fall in the polls," Bachmann told Greta van Susteren in a Fox News interview. "People see in me someone who's genuinely a social conservative, a fiscal conservative, a national security conservative and a Tea Partier. I'm the whole package."




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ANOTHER SHOT
by Ray Jozwiak
Ray Jozwiak: Another Shot



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