School . . .

 . . . of jazz


Jazz originated in the late nineteenth century in the Southern United States combining some European harmony and forms with African musical elements such as blue notes, improvisation, polyrhythms and syncopation.

As it spread many distinctive styles evolved such as  New Orleans jazz dating from the early 1910s, big band swing, Kansas City jazz and Gypsy jazz from the 1930s and 1940s, bebop from the mid-1940s, Afro-Cuban jazz, West Coast jazz, ska jazz, cool jazz, Indo jazz, avant-garde jazz, soul jazz, modal jazz, chamber jazz, free jazz, Latin jazz, smooth jazz, jazz fusion and jazz rock, jazz funk, loft jazz, punk jazz, acid jazz, ethno jazz, jazz rap, cyber jazz, M-Base and nu jazz.

Louis Armstrong said to Bing Crosby on the latter's radio show, "Ah, swing, well, we used to call it syncopation, then they called it ragtime, then blues, then jazz. Now, it's swing.  Armstrong also said, "If you have to ask what jazz is, you'll never know. In a 1988 interview, jazz musician J. J. Johnson said, "Jazz is restless. It won't stay put and it never will".  Ellington said, "By and large, jazz has always been like the kind of a man you wouldn’t want your daughter to associate with."

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OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
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Apology. . .

. . . really?. . .

Like the Catholic church in 1992, an overdue, yet impotent apology. . .

(from http://www.cnn.com/2013/01/14/showbiz/lance-armstrong-interview/index.html)
". . . For more than a decade, Armstrong has denied he used performance-enhancing drugs, but he was linked to a doping scandal by nearly a dozen other former cyclists who have admitted to doping. What Armstrong said or did not say to Winfrey could have ramifications. Some media outlets have reported that Armstrong has been strongly considering the possibility of a confession, possibly as a way to stem the tide of fleeing sponsors and as part of a long-term redemptive comeback plan. But such a confession might lend weight to the lawsuits that could await him. . . "


(from http://4thefirsttime.blogspot.com/2007/09/1992-catholic-church-apologizes-to.html
". . . 1992: Catholic Church apologizes to Galileo, who died in 1642
In 1610, Century Italian astronomer/mathematician/inventor Galileo Galilei used a a telescope he built to observe the solar system, and deduced that the planets orbit the sun, not the earth. This contradicted Church teachings, and some of the clergy accused Galileo of heresy. One friar went to the Inquisition, the Church court that investigated charges of heresy, and formally accused Galileo. . . Soon, Galileo wrote up a similar dialogue called "Dialogue on the Two Great Systems of the World." This book talked about the Copernican system. "Dialogue" was an immediate hit with the public, but not, of course, with the Church. The pope suspected that he was the model for Simplicio. He ordered the book banned, and also ordered Galileo to appear before the Inquisition in Rome for the crime of teaching the Copernican theory after being ordered not to do so. Galileo was 68 years old and sick. Threatened with torture, he publicly confessed that he had been wrong to have said that the Earth moves around the Sun. Legend then has it that after his confession, Galileo quietly whispered "And yet, it moves." Unlike many less famous prisoners, Galileo was allowed to live under house arrest. Until his death in 1642, he continued to investigate science, and even published a book on force and motion after he had become blind. . ."

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Ah, the critics . . .

. . . gotta love 'em. . .

2012 marks 50 years of the Beatles. On Jan. 1, 1962, the Beatles flunked an audition at Decca Records in London. Label executive Dick Rowe’s brush-off: “Guitar groups are on the way out.”

Tommy Dorsey claimed, "Bebop has set music back 20 years."

Louis Armstrong complained that beboppers were playing wrong chords.

A prominent New York critic said, "Bebop sounds to me like a hardware store in an earthquake."

"He plays like somebody is standing on his foot." Miles Davis on Eric Dolphy

One critic said that Monk's music was "like missing the bottom step in the dark."

Critics called Thelonious Monk "the elephant on the keyboard."

Emperor Joseph II on Wolfgang Amadeus Mozars's The Marriage of Figaro,  "too many notes, Mozart"

Diana Krall is this decade’s Harry Connick Jr., Krall is popping up everywhere these days at festivals, in clubs and on CD sales and airplay charts. An adequate pianist, she’s a tentative, dry-voiced vocalist whose torpid, sorority-girl versions of classic songs barely measure up to hotel piano bar standards. Her eminence must seem like a slap in the face to vastly more gifted and creative singers, like Rebecca Parris and Ian Shaw.

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AMBIENCE & WINE

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