Thursday, January 9, 2014

Really True . . .

. . . grit, whistleblowers and more. . .


(from http://www.nytimes.com/2014/01/07/us/burglars-who-took-on-fbi-abandon-shadows.html?_r=0)
The perfect crime is far easier to pull off when nobody is watching.
So on a night nearly 43 years ago, while Muhammad Ali and Joe Frazier bludgeoned each other over 15 rounds in a televised title bout viewed by millions around the world, burglars took a lock pick and a crowbar and broke into a Federal Bureau of Investigation office in a suburb of Philadelphia, making off with nearly every document inside.

They were never caught, and the stolen documents that they mailed anonymously to newspaper reporters were the first trickle of what would become a flood of revelations about extensive spying and dirty-tricks operations by the F.B.I. against dissident groups.

The burglary in Media, Pa., on March 8, 1971, is a historical echo today, as disclosures by the former National Security Agency contractor Edward J. Snowden have cast another unflattering light on government spying and opened a national debate about the proper limits of government surveillance. The burglars had, until now, maintained a vow of silence about their roles in the operation. They were content in knowing that their actions had dealt the first significant blow to an institution that had amassed enormous power and prestige during J. Edgar Hoover’s lengthy tenure as director.

“When you talked to people outside the movement about what the F.B.I. was doing, nobody wanted to believe it,” said one of the burglars, Keith Forsyth, who is finally going public about his involvement. “There was only one way to convince people that it was true, and that was to get it in their handwriting.”

Mr. Forsyth, now 63, and other members of the group can no longer be prosecuted for what happened that night, and they agreed to be interviewed before the release this week of a book written by one of the first journalists to receive the stolen documents. The author, Betty Medsger, a former reporter for The Washington Post, spent years sifting through the F.B.I.’s voluminous case file on the episode and persuaded five of the eight men and women who participated in the break-in to end their silence.

Unlike Mr. Snowden, who downloaded hundreds of thousands of digital N.S.A. files onto computer hard drives, the Media burglars did their work the 20th-century way: they cased the F.B.I. office for months, wore gloves as they packed the papers into suitcases, and loaded the suitcases into getaway cars. When the operation was over, they dispersed. Some remained committed to antiwar causes, while others, like John and Bonnie Raines, decided that the risky burglary would be their final act of protest against the Vietnam War and other government actions before they moved on with their lives.

“We didn’t need attention, because we had done what needed to be done,” said Mr. Raines, 80, who had, with his wife, arranged for family members to raise the couple’s three children if they were sent to prison. “The ’60s were over. We didn’t have to hold on to what we did back then.”

A Meticulous Plan
The burglary was the idea of William C. Davidon, a professor of physics at Haverford College and a fixture of antiwar protests in Philadelphia, a city that by the early 1970s had become a white-hot center of the peace movement. Mr. Davidon was frustrated that years of organized demonstrations seemed to have had little impact.

In the summer of 1970, months after President Richard M. Nixon announced the United States’ invasion of Cambodia, Mr. Davidon began assembling a team from a group of activists whose commitment and discretion he had come to trust.

The group — originally nine, before one member dropped out — concluded that it would be too risky to try to break into the F.B.I. office in downtown Philadelphia, where security was tight. They soon settled on the bureau’s satellite office in Media, in an apartment building across the street from the county courthouse.

That decision carried its own risks: Nobody could be certain whether the satellite office would have any documents about the F.B.I.’s surveillance of war protesters, or whether a security alarm would trip as soon as the burglars opened the door.

The group spent months casing the building, driving past it at all times of the night and memorizing the routines of its residents.

“We knew when people came home from work, when their lights went out, when they went to bed, when they woke up in the morning,” said Mr. Raines, who was a professor of religion at Temple University at the time. “We were quite certain that we understood the nightly activities in and around that building.”

But it wasn’t until Ms. Raines got inside the office that the group grew confident that it did not have a security system. Weeks before the burglary, she visited the office posing as a Swarthmore College student researching job opportunities for women at the F.B.I.

The burglary itself went off largely without a hitch, except for when Mr. Forsyth, the designated lock-picker, had to break into a different entrance than planned when he discovered that the F.B.I. had installed a lock on the main door that he could not pick. He used a crowbar to break the second lock, a deadbolt above the doorknob.

  After packing the documents into suitcases, the burglars piled into getaway cars and rendezvoused at a farmhouse to sort through what they had stolen. To their relief, they soon discovered that the bulk of it was hard evidence of the F.B.I.’s spying on political groups. Identifying themselves as the Citizens’ Commission to Investigate the F.B.I., the burglars sent select documents to several newspaper reporters. Two weeks after the burglary, Ms. Medsger wrote the first article based on the files, after the Nixon administration tried unsuccessfully to get The Post to return the documents.

At The Washington Post, Betty Medsger was the first to report on the contents of the stolen F.B.I. files. Now, she has written a book about the episode. The F.B.I. field office in Media, Pa., from which the burglars stole files that showed the extent of the bureau’s surveillance of political groups. Afterward, they fled to a farmhouse, near Pottstown, Pa., where they spent 10 days sorting through the documents. Other news organizations that had received the documents, including The New York Times, followed with their own reports.

Ms. Medsger’s article cited what was perhaps the most damning document from the cache, a 1970 memorandum that offered a glimpse into Hoover’s obsession with snuffing out dissent. The document urged agents to step up their interviews of antiwar activists and members of dissident student groups.

“It will enhance the paranoia endemic in these circles and will further serve to get the point across there is an F.B.I. agent behind every mailbox,” the message from F.B.I. headquarters said. Another document, signed by Hoover himself, revealed widespread F.B.I. surveillance of black student groups on college campuses.

But the document that would have the biggest impact on reining in the F.B.I.’s domestic spying activities was an internal routing slip, dated 1968, bearing a mysterious word: Cointelpro.

Neither the Media burglars nor the reporters who received the documents understood the meaning of the term, and it was not until several years later, when the NBC News reporter Carl Stern obtained more files from the F.B.I. under the Freedom of Information Act, that the contours of Cointelpro — shorthand for Counterintelligence Program — were revealed.

Since 1956, the F.B.I. had carried out an expansive campaign to spy on civil rights leaders, political organizers and suspected Communists, and had tried to sow distrust among protest groups. Among the grim litany of revelations was a blackmail letter F.B.I. agents had sent anonymously to the Rev. Dr. Martin Luther King Jr., threatening to expose his extramarital affairs if he did not commit suicide.

“It wasn’t just spying on Americans,” said Loch K. Johnson, a professor of public and international affairs at the University of Georgia who was an aide to Senator Frank Church, Democrat of Idaho. “The intent of Cointelpro was to destroy lives and ruin reputations.”

Senator Church’s investigation in the mid-1970s revealed still more about the extent of decades of F.B.I. abuses, and led to greater congressional oversight of the F.B.I. and other American intelligence agencies. The Church Committee’s final report about the domestic surveillance was blunt. “Too many people have been spied upon by too many government agencies, and too much information has been collected,” it read.

By the time the committee released its report, Hoover was dead and the empire he had built at the F.B.I. was being steadily dismantled. The roughly 200 agents he had assigned to investigate the Media burglary came back empty-handed, and the F.B.I. closed the case on March 11, 1976 — three days after the statute of limitations for burglary charges had expired.

Michael P. Kortan, a spokesman for the F.B.I., said that “a number of events during that era, including the Media burglary, contributed to changes to how the F.B.I. identified and addressed domestic security threats, leading to reform of the F.B.I.’s intelligence policies and practices and the creation of investigative guidelines by the Department of Justice.”

According to Ms. Medsger’s book, “The Burglary: The Discovery of J. Edgar Hoover’s Secret F.B.I.,” only one of the burglars was on the F.B.I.’s final list of possible suspects before the case was closed.

A Retreat Into Silence
The eight burglars rarely spoke to one another while the F.B.I. investigation was proceeding and never again met as a group.

Mr. Davidon died late last year from complications of Parkinson’s disease. He had planned to speak publicly about his role in the break-in, but three of the burglars have chosen to remain anonymous.

Among those who have come forward — Mr. Forsyth, the Raineses and a man named Bob Williamson — there is some wariness of how their decision will be viewed.

The passage of years has worn some of the edges off the once radical political views of John and Bonnie Raines. But they said they felt a kinship toward Mr. Snowden, whose revelations about N.S.A. spying they see as a bookend to their own disclosures so long ago.

They know some people will criticize them for having taken part in something that, if they had been caught and convicted, might have separated them from their children for years. But they insist they would never have joined the team of burglars had they not been convinced they would get away with it.

“It looks like we’re terribly reckless people,” Mr. Raines said. “But there was absolutely no one in Washington — senators, congressmen, even the president — who dared hold J. Edgar Hoover to accountability.”

“It became pretty obvious to us,” he said, “that if we don’t do it, nobody will.”







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Wednesday, January 8, 2014

Don't Drink the Water . . .

. . . or, in this case, don't eat the burgers. . . 
Can't, in any good conscience, endorse the food they serve at that Scottish restaurant on the the clown commercials.  But I can say that the Ronald McDonald House is a breath of fresh air in world where many seem to place continuously decreasing value on the lives of their fellow human beings.  I had the opportunity to provide some Gonzo Piano music at mealtime at one such house and found it a wonderful experience.


(from http://www.rmhc.org/ronald-mcdonald-house)
Many families travel far from home and spend several weeks or months to get treatment for their seriously ill or injured children – a long time to be away or to divide a family. And, for children facing a serious medical crisis, nothing seems scarier than not having mom and dad close by for love and support. A Ronald McDonald House is that “home-away-from-home” for families so they can stay close by their hospitalized child at little or no cost.

Our Houses are built on the simple idea that nothing else should matter when a family is focused on the health of their child – not where they can afford to stay, where they will get their next meal or where they will lay their head at night to rest. We believe that when a child is hospitalized the love and support of family is as powerful as the strongest medicine prescribed.

. . .Families are stronger when they are together, which helps in the healing process. By staying at a Ronald McDonald House, parents also can better communicate with their child’s medical team and keep up with complicated treatment plans when needed. They can also focus on the health of their child, rather than grocery shopping, cleaning or cooking meals.

. . . When your child is sick, you want the best care possible – even if it is hundreds or thousands of miles away. The Ronald McDonald House allows families to access specialized medical treatment by providing a place to stay at little or sometimes no cost. . .






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Tuesday, January 7, 2014

Available . . .

Everything really is negotiable
Though your initial look may betray
So big and frightening they may appear
Your dedication and intellect take the day

There's one thing you have to remember
You mean so much to me
That's one certainty
When concerns become burdens
Please know I'm the one you need to see
I will always be available
No matter how far life removes you from me

There's no necessity for extreme bravery
All your good qualities I admire
There's no embarrassment and there's no shame
If you accept someone's helping hand when you're tired

There's one thing you have to remember
You mean so much to me
That's one certainty
When concerns become burdens
Please know I'm the one you need to see
I will always be available
No matter how far life removes you from me

Any other time
Any other place
Nothing between us will be any different
You don't have to hide
Feelings deep inside
I'm here to help you so please let me try

You may not understand
You may not care
I know you'll realize what's to bear
I always felt that my responsibility
Is to make sure you find happiness everywhere

There's one thing you have to remember
You mean so much to me
That's one certainty
When concerns become burdens
Please know I'm the one you need to see
I will always be available
No matter how far life removes you from me


Available
©2009 Raymond M. Jozwiak 






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Monday, January 6, 2014

Under Construction . . .

Round every corner and fade into blue
The Angelus rings, she comes into view
Nine is her number
In nine she is due
She will never fail you

Singing creation, look into her eyes
Out of her mouth she is speaking the sky
Circling heaven, higher than high
She in time is movement

Why should I move from her world vibration?
Molding this clay into
Paleolithic Goddess Figurines

Streaming to rivers, she floats on the sea
Gathers her children who sit on her knee
Showing and telling them where they are free
She is softly speaking

Holding the line when she seems unpleasant
Molding this clay into
Paleolithic Goddess Figurines

There is no real dilemma
She has her own agenda
Though there's a vulture hovering above our heads
Go on and trust the pattern
Her sun and moon are lanterns
Painting the firmament with stars

She is the vision of attention engaged
Breaking the spell of automaton rage
A circuit of heaven, a luminous wave
All is seen before her

Why should I move from her world vibration?
Molding this clay into
Paleolithic Goddess Figurines

Round every corner and fade into blue
The Angelus rings, she comes into view
Nine is her number
In nine she is due
She will never fail you


Paleolithic Goddess Figurine
written by John P. Graboski
(OHO rehearsal recording-
Jay Graboski, David Reeve and Ray Jozwiak are OHO)





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Sunday, January 5, 2014

If You Build It . . .

. . . you should market it . . .

I know.  I've misquoted the line from Field of Dreams but purposely so.  The members of Oho frequently discuss art, inspiration and commitment in music.  And considering the potential to exploit the business aspects pertaining to your music provided by the current technology, it has become even easier to market your music all by yourself.  So should you decide that you have a musical statement to make and that your talent is sufficient to do that, why simply make a recording and stop at that?  You really have to put that recording in front of every possible set of ears that you can.  That is, of course, unless you really don't need to have your statement heard by too many people. . .


(from http://www.madeforsuccess.com/articles/personal-growth/achievement/seven-steps-to-achieving-your-dream-2/)
1. Dream it
Everything begins in the heart and mind. Every great achievement began in the mind of one person. They dared to dream, to believe that it was possible. Take some time to allow yourself to ask “What if?” Think big. Don’t let negative thinking discourage you. You want to be a “dreamer.” Dream of the possibilities for yourself, your family, and for others. If you had a dream that you let grow cold, re-ignite the dream! Fan the flames. Life is to short to let it go. (Also, check out my article “Dare to Dream Again,” Which has been read by close to a million people in the last 4 months alone. You can see it at the website.)

2. Believe it
Yes, your dream needs to be big. It needs to be something that is seemingly beyond your capabilities. But it also must be believable. You must be able to say that if certain things take place, if others help, if you work hard enough, though it is a big dream, it can still be done. Good example: A person with no college education can dream that he will build a 50 million-dollar a year company. That is big, but believable. Bad example: That a 90 year-old woman with arthritis will someday run a marathon in under 3 hours. It is big alright, but also impossible. She should instead focus on building a 50 million-dollar a year business! And she better get a move on!

3. See it
The great achievers have a habit. They “see” things. They picture themselves walking around their CEO office in their new 25 million-dollar corporate headquarters, even while they are sitting on a folding chair in their garage “headquarters.” Great free-throw shooters in the NBA picture the ball going through the basket. PGA golfers picture the ball going straight down the fairway. World-class speakers picture themselves speaking with energy and emotion. All of this grooms the mind to control the body to carry out the dream.

4. Tell it
One reason many dreams never go anywhere is because the dreamer keeps it all to himself. It is a quiet dream that only lives inside of his mind. The one who wants to achieve their dream must tell that dream to many people. One reason: As we continually say it, we begin to believe it more and more. If we are talking about it then it must be possible. Another reason: It holds us accountable. When we have told others, it spurs us on to actually do it so we don’t look foolish.

5. Plan it
Every dream must take the form of a plan. The old saying that you “get what you plan for” is so true. Your dream won’t just happen. You need to sit down, on a regular basis, and plan out your strategy for achieving the dream. Think through all of the details. Break the whole plan down into small, workable parts. Then set a time frame for accomplishing each task on your “dream plan.”

6. Work it
Boy, wouldn’t life be grand if we could quit before this one! Unfortunately the successful are usually the hardest workers. While the rest of the world is sitting on their couch watching re-runs of Gilligan’s Island, achievers are working on their goal – achieving their dream. I have an equation that I work with: Your short-term tasks, multiplied by time, equal your long-term accomplishments. If you work on it each day, eventually you will achieve your dream. War and Peace was written, in longhand, page by page.

7. Enjoy it
When you have reached your goal and you are living your dream, be sure to enjoy it. In fact, enjoy the trip too. Give yourself some rewards along the way. Give yourself a huge reward when you get there. Help others enjoy it. Be gracious and generous. Use your dream to better others. Then go back to number 1. And dream a little bigger this time!






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Saturday, January 4, 2014

My Ego . . .


Sometimes I can get my point across
And I do it rather well
You can see
What I think
About me

It's just my ego
It gets the best of me
It's just my ego
It's just my ego
It just won't let me be
It just won't let me be alone
It's not one of my most redeeming qualities
Still though it serves me rather well sometimes
It won't be easy to just let it go
It's just my ego

I take such great pride in what I do
Everyone should take some too
Don't you think
Pride in me
Not in you

It's just my ego
It gets the best of me
It's just my ego
It's just my ego
It just won't let me be
It just won't let me be alone
It's not one of my most redeeming qualities
Still though it serves me rather well sometimes
It won't be easy to just let it go
It's just my ego

There's a fine distinction between confidence and pride
There's a fine distinction that I'll never know
Cloaked with some discretion you emerge from the inside
I emerge in all my glory
What is there to hide

Mother said that I would never make
Any friends if I don't see
What I'm like
If I don't lose some pride

It's just my ego
It gets the best of me
It's just my ego
It's just my ego
It just won't let me be
It just won't let me be alone
It's not one of my most redeeming qualities
Still though it serves me rather well sometimes
It won't be easy to just let it go
It's just my ego


My Ego
from Chromatose
©2002 Raymond M. Jozwiak 




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Friday, January 3, 2014

Thelonious. . .


(from http://www.monkzone.com/monkzone.htm)
Minton’s, legend has it, was where the “bebop revolution” began. The after-hours jam sessions at Minton’s, along with similar musical gatherings at Monroe’s Uptown House, Dan Wall’s Chili Shack, among others, attracted a new generation of musicians brimming with fresh ideas about harmony and rhythm—notably Charlie Parker, Dizzy Gillespie, Mary Lou Williams, Kenny Clarke, Oscar Pettiford, Max Roach, Tadd Dameron, and Monk’s close friend and fellow pianist, Bud Powell. Monk’s harmonic innovations proved fundamental to the development of modern jazz in this period. Anointed by some critics as the “High Priest of Bebop,” several of his compositions (“52nd Street Theme,” “Round Midnight,” “Epistrophy” [co-written with Kenny Clarke and originally titled “Fly Right” and then “Iambic Pentameter”], “I Mean You”) were favorites among his contemporaries.

Yet, as much as Monk helped usher in the bebop revolution, he also charted a new course for modern music few were willing to follow. Whereas most pianists of the bebop era played sparse chords in the left hand and emphasized fast, even eighth and sixteenth notes in the right hand, Monk combined an active right hand with an equally active left hand, fusing stride and angular rhythms that utilized the entire keyboard. And in an era when fast, dense, virtuosic solos were the order of the day, Monk was famous for his use of space and silence. In addition to his unique phrasing and economy of notes, Monk would “lay out” pretty regularly, enabling his sidemen to experiment free of the piano’s fixed pitches. As a composer, Monk was less interested in writing new melodic lines over popular chord progressions than in creating a whole new architecture for his music, one in which harmony and rhythm melded seamlessly with the melody. “Everything I play is different,” Monk once explained, “different melody, different harmony, different structure. Each piece is different from the other. . . . [W]hen the song tells a story, when it gets a certain sound, then it’s through . . . completed.”





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