. . . my friend Bob, also a musician, alerted me to the fact that some jazz players, mainly pianists such as McCoy Tyner and Chick Corea, voiced chords in unique and interesting ways, a fact with which I was quite unfamiliar. At the time mind you, I was entering the twilight of my years of accordion lessons and listening to art/prog-rock bands like Jethro Tull and Gentle Giant. The lessons providing invaluable theory experience and an unrivaled discipline in practice and dedication; the art/prog providing tremendous inspiration and motivation to create; although at the time, I was quite unable to create the kinds of things I would very much have like to created. Nevertheless, this unique voicing of chords, one tactic of which Bob was very explicit, was the use of fourths - resulting in a slightly non-conventional, yet pleasing and ever-adaptable sound as opposed to a major triad or some inversion of same. In any case, although I didn't fully grasp the enormity of this discovery at the time, I did attempt to employ it and have incorporated it into my musical thoughts and deeds ever since. One such composition that utilizes the concept is, as of yet tentatively titled, posted here in all its undecided and raw, new-born glory . . .
Step It Up(in progress)
©2016 Raymond M. Jozwiak
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