Wednesday, August 28, 2013

The Grass. . .

. . . is always greener. . .


(from Wolfgang Mieder)
". . . This proverb certainly belongs to one of the most commonly used proverbs in the English language. This should not be surprising since it expresses the only too human idea of discontent, envy, and jealousy in a metaphor which is easily understood. Interestingly enough, the proverb is also literally true as has been demonstrated by James Pomerantz in a scientific article on "'The Grass is always Greener': An Ecological Analysis of an Old Aphorism" (1983).3 This scholar proves that optical and perceptual laws alone will make the grass at a distance look greener to the human eye than the blades of grass perpendicular to the ground. The "truth" of this metaphorical proverb can, of course, also be observed often enough in the countryside when a cow or a horse is trying to get at that juicy green grass just on the other side of the fence. And since people are equally dissatisfied with their lot in life, it should not surprise anyone that a modern psychologist has spoken of "the 'greener grass' phenomenon"4 by which modern individuals continually evaluate supposedly better alternatives for themselves.

The proverb thus expresses a basic behavioral truth in a rather universal metaphor - after all, grass and fences aren't exactly anything new. This should imply that the proverb belongs to those ancient bits of wisdom that everybody knows, but when one consults the standard paremiographical works, it comes as quite a surprise to see that the earliest recorded reference stems from 1957! This appears absurd, and there are bound to be native American speakers who will instantly claim that they have heard or even used this proverb long before the 1950's. But that claim needs to be proven in light of what Archer Taylor has called the apparent "incompleteness of collections of proverbs". The following remarks will present a few precursors to this proverb as well as some synchronic variants, and it will be established that the "grass is always greener" proverb is at least a bit older than proverb collections would have us believe. In addition to tracing the lexicographical history of the proverb it will also be studied in its traditional and innovative use as the title of novels, plays, and magazine or newspaper articles. Its iconographic depiction in cartoons, caricatures, comic strips, postcards, and photographs will also be analyzed with a special emphasis on modern parodies. . ."





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My latest release, Black & White Then Back,
can be downloaded digitally at:
Ray Jozwiak: Black & White Then Back

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Tuesday, August 27, 2013

Some Things . . .

. . . never need be said AGAIN. . .


    At the end of the day
    Back to the drawing board
    Bang for your buck
    Bottom Line
    Close the deal
    Dive deeper
    Drill-down
    End of play
    Game-changing
    Get the ball rolling
    Going forward
    It's on my radar
    Keep your eye on the ball
    Low hanging fruit
    Move the needle
    Move the goal post
    No brainer
    On my plate
    Positive momentum
    Reach out
    Run the numbers
    Shift paradigm
    That Being Said
    Think outside the box
    Touch base
    Touch points
    Value added
    When the rubber hits the road
    Win-win






What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html

My latest release, Black & White Then Back,
can be downloaded digitally at:

Ray Jozwiak: Black & White Then Back

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your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

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Monday, August 26, 2013

More Hero. . .

(. . . further refinement of 'A Hero'. . . )



I know you heard some talk today
It wasn't right but now
She won't be gettin' in my way
'Cause she was telling lies they say
It wasn't right but now
I can look the other way
And do as I please
I'm down on my knees
I'm begging you please

Why does a hero run so slow
Like he's got no place to go
And he will never be a hero again
Why does a hero run so slow
Like he's got no place to go
And he will never be a hero again

With thousands of adoring fans
I tripped the light fantastic
Was nothing more than sleight of hand
Don't underestimate my worth
I tripped the light fantastic
I'm just an ordinary man
I worked very hard
For all that I've got
A killer I'm not

Why does a hero run so slow
Like he's got no place to go
And he will never be a hero again
Why does a hero run so slow
Like he's got no place to go
And he will never be a hero again

Heroes run so slow
Just like the tide
Heroes want to take you
They want to take you for a
They want to take you for a
They want to take you for a ride

They're waiting here with baited breath
What is the actual story
They'll love him or they'll give him death
The verdict seems so clear to some
What is the actual story
He's dead before he's lost or won
The worst of his fears
A jury of peers
Can't turn back the years

Why does a hero run so slow
Like he's got no place to go
And he will never be a hero again
Why does a hero run so slow
Like he's got no place to go
And he will never be a hero again


A Hero
©1994 Raymond M. Jozwiak




What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html

My latest release, Black & White Then Back,
can be downloaded digitally at:
Ray Jozwiak: Black & White Then Back

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

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Sunday, August 25, 2013

Tails?. . .


(from the desk of Rod Deacey, Frederick (MD) area impresario, bluesman, singer/songwriter, poet, gentleman and scholar)


". . . The featured singer-songwriter at Brewer’s Alley Songwriters’ Showcase on Monday, August 26, is Maryland resident, frequent Nashville visitor and studio musician JACK BOND, who regularly returns to Music City to record, co-write and to perform at the famous Bluebird CafĂ© and other venues. Jack’s songwriting credits include the title cut on Roy Buchanan’s album, “That’s What I'm Here For.” http://www.youtube.com/watch?v=pGLL_yzNkZ0

In his Maryland performances, Jack is known for his rich baritone voice and exceptional guitar work, both on his own compositions and his covers of classic rock and country songs. We have seen him many times accompanying other performers here, such as our friend DULCIE TAYLOR (now in California; hi Dulcie!), but it is always a treat to hear Jack on his own! Ron put a video link of Jack playing a Telecaster up on Facebook, but he will be playing an acoustic for us…

The gonzo piano prelude will be played by our favorite piano workout instructor ROCKIN’ RAY JOZWIAK, http://www.rayjozwiak.com/  who keeps the embryonic grand in shape with his rigorous monthly routines – a dose of Oscar Peterson, an infusion of Thelonious Monk and a liberal application of Keith Jarrett and the keys are ready to play themselves out of any corner… Come and hear Ray put them through their paces, including finding them some especially difficult corners from which to escape… Don't be scared off by the jazz references, Ray is also a highly respected classical composer; he has even been known to wear tails to play, and he doesn't smoke funny tobacco…  https://www.youtube.com/watch?v=lPqB_8BDXUk. . . "






What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html

My latest release, Black & White Then Back,
can be downloaded digitally at:

Ray Jozwiak: Black & White Then Back

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

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Saturday, August 24, 2013

Connection. . .

. . . maybe. . .


In 1996, Peter Gabriel's A&R associate Harvey Schartz presented Gabriel with a demo of (Joseph) Arthur's first EP, Cut and Blind. Gabriel and Schwartz arranged a live audition at The Fez nightclub in New York City, and Arthur flew up from Atlanta. The night was a success; not only was Lou Reed a guest in the audience, but within a few months Arthur was officially signed, making him the first American recording artist signed to Gabriel's label Arthur recorded his debut album at Gabriel's Real World Studios in England with producer Markus Dravs (Björk, Coldplay, Arcade Fire). The debut album Big City Secrets was released worldwide in spring 1997, and Arthur joined Gabriel's WOMAD tour in Europe. Big City Secrets displayed Arthur's often angsty and emotionally-wrought lyrics coupled with diverse instrumentation, which he himself described as "someone struggling to heal over experimental folk-rock", but went virtually unnoticed by the mainstream. Two years later, he recorded an EP called Vacancy, which earned him a Grammy nomination in 2000 for best recording package.






What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html

My latest release, Black & White Then Back,
can be downloaded digitally at:
Ray Jozwiak: Black & White Then Back

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

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Friday, August 23, 2013

A Hero. . .

. . . ???
(An old composition, old story, new recording,  still a work in progress . . . )


I know you heard some talk today
It wasn't right but now
She won't be gettin' in my way
'Cause she was telling lies they say
It wasn't right but now
I can look the other way
And do as I please
I'm down on my knees
I'm begging you please

Why does a hero run so slow
Like he's got no place to go
And he will never be a hero again
Why does a hero run so slow
Like he's got no place to go
And he will never be a hero again

With thousands of adoring fans
I tripped the light fantastic
Was nothing more than sleight of hand
Don't underestimate my worth
I tripped the light fantastic
I'm just an ordinary man
I worked very hard
For all that I've got
A killer I'm not

Why does a hero run so slow
Like he's got no place to go
And he will never be a hero again
Why does a hero run so slow
Like he's got no place to go
And he will never be a hero again

Heros run so slow
Just like the tide
Heros want to take you
They want to take you for a
They want to take you for a
They want to take you for a ride

They're waiting here with baited breath
What is the actual story
They'll love him or they'll give him death
The verdict seems so clear to some
What is the actual story
He's dead before he's lost or won
The worst of his fears
A jury of peers
Can't turn back the years

Why does a hero run so slow
Like he's got no place to go
And he will never be a hero again
Why does a hero run so slow
Like he's got no place to go
And he will never be a hero again


A Hero
©1994 Raymond M. Jozwiak








What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html

My latest release, Black & White Then Back,
can be downloaded digitally at:
Ray Jozwiak: Black & White Then Back

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

Also, be sure to visit:
http://www.rayjozwiak.com

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Thursday, August 22, 2013

Words . . .


. . . new, and/or/but old. . .


(with thanks to Tom Chatfield theguardian.com and Betsy Towner, from: AARP Bulletin)

geek - socially awkward children obsessed with new technological devices.

spam - unwanted email.

LOL - "laughing out loud" in digital communication.

hashtag - formerly shorthand for weight in pounds, now on Twitter to denote popularity.

meh - an flexible contemporary species of digital indifference or "OK, whatever".

big media - Primary mass communication sources, e.g., TV and the press.

bromance - close platonic male friendship.

chillax - to calm down and relax.

cougar - older woman who dates younger men.

flash mob - brief gathering for a common purpose, announced by e-mail or text.

frenemy - friend with whom one has frequent conflict.

gal pal - female friend.f

heart - to like very much; love.

matchy-matchy - excessively color-coordinated.

megachurch - huge church congregation, typically evangelical Christian.

pimp - pimp to make something more showy or impressive.

riff - to expound on a particular subject.

social media - websites and applications used for social networking.

staycation - vacation spent at home.

nakation - nude vacation.

unfriend - to remove from a list of personal associates on a website.







What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html

My latest release, Black & White Then Back,
can be downloaded digitally at:
Ray Jozwiak: Black & White Then Back

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

Also, be sure to visit:
http://www.rayjozwiak.com

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