Showing posts with label discontent. Show all posts
Showing posts with label discontent. Show all posts

Wednesday, August 22, 2018

Você . . .

Voices of all hue and stripe
Can be heard throughout each day and night
Some are worth aBosley Beachten
But many are not
Yours is to choose

There's a voice of reason
There's a voice of discontent
There's a voice of great dishonesty
And a voice of great lament

But the voice I find most desirable
Is a voice I hear quite much
And I've always found it all I need
It's power can literally touch


Você

©2018 Raymond M. Jozwiak



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Monday, August 17, 2015

Thomas Mann . . .


(from https://en.wikipedia.org/wiki/Thomas_Mann)
". . .Thomas Mann's works were first translated into English by H. T. Lowe-Porter beginning in 1924. Mann was awarded the Nobel Prize in Literature in 1929, principally in recognition of his popular achievement with the epic Buddenbrooks (1901), The Magic Mountain (Der Zauberberg, 1924) and his numerous short stories. (Due to the personal taste of an influential committee member, only Buddenbrooks was cited at any great length.) Based on Mann's own family, Buddenbrooks relates the decline of a merchant family in Lübeck over the course of three generations. The Magic Mountain (Der Zauberberg, 1924) follows an engineering student who, planning to visit his tubercular cousin at a Swiss sanatorium for only three weeks, finds his departure from the sanatorium delayed. During that time, he confronts medicine and the way it looks at the body and encounters a variety of characters, who play out ideological conflicts and discontents of contemporary European civilization. The tetralogy Joseph and His Brothers is an epic novel written over a period of sixteen years, which is one of the largest and most significant works in Mann's oeuvre. Later, other novels included Lotte in Weimar (1939), in which Mann returned to the world of Goethe's novel The Sorrows of Young Werther (1774); Doktor Faustus (1947), the story of composer Adrian Leverkühn and the corruption of German culture in the years before and during World War II and Confessions of Felix Krull (Bekenntnisse des Hochstaplers Felix Krull, 1954), which was unfinished at Mann's death. . . In 1930, Mann gave a public address in Berlin titled "An Appeal to Reason", in which he strongly denounced National Socialism and encouraged resistance by the working class. This was followed by numerous essays and lectures in which he attacked the Nazis. At the same time, he expressed increasing sympathy for socialist ideas. In 1933 when the Nazis came to power, Mann and his wife were on holiday in Switzerland. Due to his strident denunciations of Nazi policies, his son Klaus advised him not to return. But Thomas Mann's books, in contrast to those of his brother Heinrich and his son Klaus, were not among those burnt publicly by Hitler's regime in May 1933, possibly since he had been the Nobel laureate in literature for 1929. Finally in 1936 the Nazi government officially revoked his German citizenship. . ."








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Wednesday, August 28, 2013

The Grass. . .

. . . is always greener. . .


(from Wolfgang Mieder)
". . . This proverb certainly belongs to one of the most commonly used proverbs in the English language. This should not be surprising since it expresses the only too human idea of discontent, envy, and jealousy in a metaphor which is easily understood. Interestingly enough, the proverb is also literally true as has been demonstrated by James Pomerantz in a scientific article on "'The Grass is always Greener': An Ecological Analysis of an Old Aphorism" (1983).3 This scholar proves that optical and perceptual laws alone will make the grass at a distance look greener to the human eye than the blades of grass perpendicular to the ground. The "truth" of this metaphorical proverb can, of course, also be observed often enough in the countryside when a cow or a horse is trying to get at that juicy green grass just on the other side of the fence. And since people are equally dissatisfied with their lot in life, it should not surprise anyone that a modern psychologist has spoken of "the 'greener grass' phenomenon"4 by which modern individuals continually evaluate supposedly better alternatives for themselves.

The proverb thus expresses a basic behavioral truth in a rather universal metaphor - after all, grass and fences aren't exactly anything new. This should imply that the proverb belongs to those ancient bits of wisdom that everybody knows, but when one consults the standard paremiographical works, it comes as quite a surprise to see that the earliest recorded reference stems from 1957! This appears absurd, and there are bound to be native American speakers who will instantly claim that they have heard or even used this proverb long before the 1950's. But that claim needs to be proven in light of what Archer Taylor has called the apparent "incompleteness of collections of proverbs". The following remarks will present a few precursors to this proverb as well as some synchronic variants, and it will be established that the "grass is always greener" proverb is at least a bit older than proverb collections would have us believe. In addition to tracing the lexicographical history of the proverb it will also be studied in its traditional and innovative use as the title of novels, plays, and magazine or newspaper articles. Its iconographic depiction in cartoons, caricatures, comic strips, postcards, and photographs will also be analyzed with a special emphasis on modern parodies. . ."





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