(from the Progressive Change Campaign Committee PAC)
"The president is set to include a major Social Security benefit cut in his budget on Wednesday. President Obama is proposing the so-called chained CPI, which would cut cost-of-living adjustments for grandparents and veterans.
Tuesday, April 9th -- at 12:30PM EST, the Progressive Change Campaign Committee PAC is going to deliver hundreds of thousands of petitions directly to the White House telling Obama: No cuts to Social Security, Medicare or Medicaid benefits. "
Seems to me that is cost-of-living increases can be cut from benefits, (to which, by the way, anyone working in the U.S. contributes throughout his working life) the president must write INTO law that the cost of living can no longer GO UP! Seems only fair.
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My latest release, Black & White Then Back,
can be downloaded digitally at:
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. . . of Obama bashing, well, simply because he is Obama. I’m not sure if it’s a subjective thing like, his face, his ears, his smirk or maybe even, (yes Virginia, I’m afraid it’s true) his color. I’m just sick and tired of it. I don’t want to hear about his birth certificate (if that’s a REAL issue which his haters were able to uncover but the election officials were not before the election to his first term, then the haters should be pursuing the election officials), his salary cut, his dogs or even, although they are beautiful, his kids.
Let me be clear. I am not an Obama fan. But none of the reasons above have anything to do with why I am not an Obama fan. The reasons below however, do. . .
• 20,000 Airstrikes (First Term) Cause Death and Destruction From Iraq to Somalia.
• Signed the NDAA into law - making it legal to assassinate Americans w/o charge or trial.
• Escalated the CIA drone war in Pakistan.
• Maintained a presence in Iraq even after "ending" the war.
• Sharply escalated the war in Afghanistan.
• Secretly deployed US special forces to 75 countries.
• Sold $30 billion of weapons to the dictatorship in Saudi Arabia.
• Opened up deepwater oil drilling, even after the BP disaster.
• Did a TV commercial promoting "clean coal".
• Signed the Patriot Act extension into law.
• Continued Bush's rendition program.
• Signed the Monsanto Protection Act into law.
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do YOU think?
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My latest release, Black & White Then Back,
can be downloaded digitally at:
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your browser: http://www.cdbaby.com/cd/rayjozwiak3)
(from wikipedia.com)
"Hallelujah" is a song written by Canadian singer-songwriter Leonard Cohen, originally released on his album Various Positions (1984). Achieving little initial success, the song found greater popular acclaim through a cover by John Cale, which later formed the basis for a cover by Jeff Buckley. It is the subject of the book The Holy or the Broken: Leonard Cohen, Jeff Buckley & the Unlikely Ascent of "Hallelujah" (2012) by Alan Light. In a New York Times review of this, Janet Maslin praises the book and the song, noting that "Cohen spent years struggling with his song 'Hallelujah.' . . . He wrote perhaps as many as 80 verses before paring the song down." Many cover versions have been performed by many and various singers, both in recordings and in concert, with over 300 versions known. The song has been used in film and television soundtracks, and televised talent contests. It is often called one of the greatest songs of all-time
In 2004, k.d. lang recorded a version of "Hallelujah" on her album Hymns of the 49th Parallel. She has since sung it at several major events, such as at the Canadian Juno Awards of 2005, where it "brought the audience to its feet for a two-minute ovation." Lang also sang it at the 2006 Canadian Songwriters Hall of Fame when Cohen was inducted into the Hall of Fame. Cohen's partner, singer Anjani Thomas, said: "After hearing k.d. lang perform that song at the Canadian Songwriter's Hall of Fame in 2006 we looked at each other and said, 'well, I think we can lay that song to rest now! It's really been done to its ultimate blissful state of perfection'." Lang sang it at the opening ceremony of the 2010 Winter Olympic Games in Vancouver, before a claimed TV audience of three billion.
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http://www.rayjozwiak.com/guestbook.html
My latest release, Black & White Then Back,
can be downloaded digitally at:
(or you can copy-and-paste this URL directly to
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(from wikipedia.com)
. . . (Keith) Jarrett grew up in suburban Allentown, Pennsylvania with significant early exposure to music. He possessed absolute pitch, and he displayed prodigious musical talents as a young child. He began piano lessons just before his third birthday, and at age five he appeared on a TV talent program hosted by the swing bandleader Paul Whiteman. The young Jarrett gave his first formal piano recital at the age of seven, playing works by composers including Mozart, Bach, Beethoven, and Saint-Saƫns, and ending with two of his own compositions.[4] Encouraged especially by his mother, Jarrett took intensive classical piano lessons with a series of teachers, including Eleanor Sokoloff of the Curtis Institute.
In his teens, as a student at Emmaus High School in Emmaus, Pennsylvania, Jarrett learned jazz and quickly became proficient in it. In his early teens, he developed a strong interest in the contemporary jazz scene; a Dave Brubeck performance was an early inspiration. At one point, he had an offer to study classical composition in Paris with the famed teacher Nadia Boulanger—an opportunity that pleased Jarrett's mother but that Jarrett, already leaning toward jazz, decided to turn down.
Following his graduation from Emmaus High School in 1963, Jarrett moved from Allentown to Boston, Massachusetts, where he attended the Berklee College of Music and played cocktail piano in local clubs. After a year he moved to New York City, where he played at the Village Vanguard.
In New York, Art Blakey hired Jarrett to play with the Jazz Messengers. During a show with that group he was noticed by Jack DeJohnette who (as he recalled years later) immediately realized the talent and the unstoppable flow of ideas of the unknown pianist. DeJohnette talked to Jarrett and soon recommended him to his own band leader, Charles Lloyd. The Charles Lloyd Quartet had formed not long before and were exploring open, improvised forms while building supple grooves; without quite realizing it at first, they were moving into terrain that was also being explored, although from another stylistic background, by some of the psychedelic rock bands of the west coast. Their 1966 album Forest Flower was one of the most successful jazz recordings of the mid-1960s and when they were invited to play the Fillmore in San Francisco, they won over the local hippie audience. Although the band would become plagued by internal instability and (according to Jarrett) siphoning-off of show revenue by Lloyd, its tours across America and Europe, even to Moscow, made Jarrett a widely noticed musician in rock and jazz underground circles. It also laid the foundations of a lasting musical bond with drummer Jack DeJohnette (who also plays the piano). The two would cooperate in many contexts during their later careers.
In those years, Jarrett also began to record his own tracks as a leader of small informal groups, at first in a trio with Charlie Haden and Paul Motian. Jarrett's first album as a leader, Life Between the Exit Signs (1967), was released on the Vortex label, to be followed by Restoration Ruin (1968), which is arguably the most bizarre entry in the Jarrett catalog. Not only does Jarrett barely touch the piano, but he plays all the other instruments on what is essentially a folk-rock album, and even sings. Another trio album with Haden and Motian, titled Somewhere Before, followed later in 1968, this one recorded live for Atlantic Records.. . . Jarrett has acknowledged that audiences, and even fellow musicians, have at times been convinced he is African American, due to his appearance.[19] He relates an incident when African American jazz musician Ornette Coleman approached him backstage, and said something like, "Man, you've got to be black. You just have to be black", to which Jarrett replied, "I know. I know. I'm working on it.". . . "
What
do YOU think?
http://www.rayjozwiak.com/guestbook.html
My latest release, Black & White Then Back,
can be downloaded digitally at:
(or you can copy-and-paste this URL directly to
your browser: http://www.cdbaby.com/cd/rayjozwiak3)
. . . they're everywhere. Possibly even in your chair right now.
That's right. I would like you to be a critic. Simply visit http://www.cdbaby.com/cd/rayjozwiak3, listen to the samples, (hopefully buy the album), then login to CD Baby.com and write your own review. And you can write anything you want! Tell everyone you love it, hate, find it distasteful, were offended, were bored, danced all night after listening, would never listen to it with a Savignon Blanc. . . WHATEVER YOU WANT! Because, simply because, I would love to hear from you.
Black
& White Then Back transports you to a complete range aural locales
inhabited by emotions, sentiments, memories, hopes, joys and challenges
we've all encountered.
Genre: Jazz: Piano Jazz
Release Date: 2013
available for download only
Tracks
song title
time
1. Cheer
5:47
2. Blood Brother
8:04
3. 12 Hours
6:37
4. Always You
4:19
5. Low Lights
4:44
6. Distraction
6:29
7. 3rd Hand Intelligence
9:55
8. Goosefight
5:42
9. Little Men
6:08
10. Zed
5:49
ABOUT THIS ALBUM
Album Notes
Creative
Musician Ray Jozwiak's new, digital-download only, solo, instrumental
piano music release Black & White Then Back transports you to aural
locales inhabited by emotions, sentiments, memories, hopes, joys and
challenges we've all encountered. You may even hear a snippet of a song
you remember from childhood, have flashes of your first date, recall
aromas from the kitchen when you visited your grandmother, remember your
favorite summer vacation or when you fell in love.
From Eric Boehlert, Senior Fellow, Media Matters for America (http://www.huffingtonpost.com/eric-boehlert/ben-carson-fox-news_b_2998799.html)
". . . Obviously, if (Dr. Ben) Carson aspires to be a serious national leader and wants to groom himself for a possible presidential run he shouldn't have spent the last two months making nearly 20 appearances on Fox News. And he certainly shouldn't have teamed up with comically unserious Fox if one of his crusades is to help educate voters whom Carson thinks are being poorly informed by the press.
"You know, intelligent people tend to talk about the facts," Carson recently said, condemning those who reduce political disagreements to the kind you find on a "third grade playground." He urged partisans to "find some accommodation" and to "tone down the rhetoric a little bit."
He said these things while appearing on Fox News, the cable bastion of name-calling and blind partisanship.
So yes, it's difficult to take Carson's pontificating seriously when he treats Fox News, of all places, as a serious meeting place of ideas. Did Carson not think it was odd that people on Fox were constantly saying things like, "I would vote for you in a heartbeat." "This guy's a star." "Hallelujah. Amen. I don't think that anybody could have said it better." Is that what he considers to be normal political give and take, or did he knowingly sign up for hero worship duty?. . . "
(from Marcela Y., Odenton [MD])
"To say that, and I quote Daniel Rodricks, "Ben Carson had firmly developed, antiquated beliefs that he wants a wide audience to hear," is an understatement ("Ben Carson's conservative views are drawn from the Bible" Mar 30). Dr. Carson is an admirable man because of the contributions in pediatrics that he has made throughout his career, but as a human being and as a member of our society, he needs to educate himself and understand that this is 2013 and we, as a society, need to evolve. How sad to know that such an intelligent man is so narrow minded and ill informed."
What
do YOU think?
http://www.rayjozwiak.com/guestbook.html
My latest release, Black & White Then Back,
can be downloaded digitally at:
(or you can copy-and-paste this URL directly to
your browser: http://www.cdbaby.com/cd/rayjozwiak3)