So many places to see
And I feel like there's never enough
Time for anything else that I
Might have desire to undertake
Something I'd like to pursue
But the world's just spinning around
Keeps me head and foot bound
Don't know what to do
Give me just
Twelve hours to
Add to my day
Keep all your
Wealth and your money
Take your fame and power
Fortune just give me twelve hours
Twelve hours
Twelve
Time isn't cheap
You pay so dearly
I'm trying to
Make every minute count
Spending my time
Seems like all I do
Can't save up for rainy days
Can't invest in an instrument to
Earn satisfaction
To draw from when
Far in the future
I need to feel
Just what my value has been
There's no interest
That's coming or due
Dividends are so
Precious and few
Don't know
Just what to do
Give me just
Twelve hours to
Add to my day
Keep all your
Wealth and your money
Take your fame and power
Fortune just give me twelve hours
Twelve hours
Twelve
Now let's look at this with a somewhat discerning eye. First, our 'objective' news organization thought this 'story' would be best promoted by pointing out that there are two opposing U.S. political parties involved in this 'development'.
Second, it appears that one of the principals in the 'story' (from one of the two opposing U.S. political parties) has an problem or an issue regarding either self-control, addiction or mere lack of discrimination in his personal activities.
So not only is there (and how many times do we see THIS??) no story here whatsoever, but the mere semblance of a story that was perceived by this reporter and his (or her) respective editor thought not only was it his (or her) duty focus public attention on a very personal problem of one individual who happens to be an elected official, but this reporter and his (or her) respective editor thought that possibly there could be no better way to maliciously publicize a potentially serious personal condition to the public than to invoke the currently divisive, polarized political climate and make sure that everyone knows that a "GOP" lawmaker said a "Democrat" drank on the job.
I didn't, haven't and do not intend to even read this story. Quite possibly I have jumped to a conclusion or two in my thoughts and maybe the story is really harmless. But I don't think so. And I don't think so for the mere reason that, in spite of however true, tawdry, misguided, inappropriate, misjudging, naive or merely rebellious the latter personage's conduct truly is, it is in fact, nothing short of irresponsible, inconsiderate and indicative of poor judgement for a news organization to even conceive of, let alone write and publish a headline of this fashion.
Sorry. But that's the way I feel.
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. . . miracle drug or horrendous malady can do all of the below? . . .
Prevent depression
Prevent prostate cancer
Reduce probability of strokes for women
Ward off Alzheimer’s
Reduce probability of breast cancer
Contain antioxidants
Make you smarter
Deliver a jolt deep in the brain
Not make you more alert
Protect you against type 2 diabetes
Trigger heart attack
Stimulate the adrenal hormones leaving your body’s parasympathetic
nervous system (also known as the rest and digest system) inactive
Cause stomach ulcers
Cause birth defects
A newly published study of 400,000 participants says that coffee is not a
guilty pleasure that may do harm. Neal Freedman of the National Cancer Institute says there may actually be a
modest benefit of coffee drinking. Coffee contains many things that can affect
health, from helpful antioxidants to tiny amounts of substances linked
to cancer. And surprisingly, caffeine didn't play a
role in the results of the new study. It's not that earlier studies were wrong. There is evidence that
coffee can raise LDL, or bad cholesterol, and blood pressure (at least
short-term) and those can raise the risk of heart disease.
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do YOU think?
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AMBIENCE & WINE
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Jozwiak
The current infatuation with wine and food pairings is headed down the same wrong road as wine scores. Why? Because people are genetically unique and so are their taste buds. No two people experience the same smell, the same taste — or the same wine/food pairing exactly the same way.
Because of that, it’s unreasonable to expect an individual
wine-tasting/food-pairing experience to coincide with those of a set of
expert high priests/priestesses who pronounce what is “good” and what
is not.
Struggling to find the “right” food/wine combo adds a whole ‘nother'
level of insecurity to the wine experience. And that first level of
insecurity remains as the primary obstacle to broader consumer
acceptance of wine. We’ve seen that wine has recently reached parity with beer as a preferred alcoholic beverage. There are a lot of factors associated with that as are well-studied by the Wine Market Council.
A lot has to do with rising income among America’s growing Latino
population. That follows the trend that wine consumption increases with
income and socioeconomic status.
Some of that growth also comes from Millennials who scorn experts,
tasting notes and snobbism. And more support comes from rising set of
voices such as Tim Hanni, Gary Vaynerchuk
and others who have emphasized and recognized the importance of
individual palate variations and spoken out against the elitism that
still endures as wine’s most prominent paradigm.
This elitism, this dogmatic insistence on perfect pairing has
dominated articles and posts that emphasize education, learn, education,
learn … and thus carry the unspoken message that the average wine
drinker must study, study, study. Hell, if I faced that level of strenuous effort at the market, I’d go
for a Jagged Edge IPA or a Racer 5 any day rather than turn my imbibing
experience into sweaty- palm quantum chromodynamics final exam that I
arrived for stark naked. In fact, we frequently go for a brew at our meals — especially when
we’ve gone through several days in a row when we’ve opened a highly
rated bottle of wine and found it unworthy of either the calories or
alcohol intake. Some nights we open two or three of these before heading for beer or a
reliable wine in the cellar. The average wine consumer does not have a
cellar, nor are they likely to persist in one bottle of wine after
another.
This whole emphasis on correct coupling discourages individual
experimentation and raises the perceived risk quotient … and decreases
overall enjoyment of the wine and the food.
And least we forget: constrains wine sales.
Just remember: people do not flock to musicians with perfect pitch.
If that were the case, The Fray, Green Day, Gaslight Anthem and
Matchbox 20 would be non-starters. On the other hand, they WERE
non-starters to the elite music critics. But experimenting with what
band you listen to lacks the financial penalty inherent in wine. Attacks on scores and perfect pairings are heresy. They also endanger the raison d’être
of experts. For, if scores and perfect pairings are not relevant to
average consumers, then what value do vino-gurus bring to the table? Make no mistake, there is a powerful and long-established set of
vested interests who will defend the status quo as brutally as
wholesalers attack the direct shipment of wine. But in the end, we must honor pleasure. Remember enjoyment? That’s what food and wine are about. Just drink it. Just eat it. Just enjoy it.
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. . . time . . . if you're inclined . . . Friday til nine . . . (I get tired of all these attempts at clever etc., don't you????) BUT . . . THIS FRIDAY, beginning at six . . . at Elk Run Vineyard . . .
Doug Alan Wilcox and Ray Jozwiak-Gonzo Piano (joined by Tomy Wright, percussion) These guys [Doug and Tomy] are GOOD. Guaranteed!
. . . The fortified stone shelter was thought to be strong enough to withstand the trauma that would result from the earth's departing its axis. It was however, difficult to enter and not large enough to accommodate everyone. He sat on one of the bus-stop benches, brought into the First National Bank Building to seat the throngs, between his youngest son and his best friend, staring blankly at the obviously futile efforts toward protecting building's inhabitants including the blocking of all windows and doors with concrete. Catching a last glimpse of the the cloudy grey sky as the concrete wall was sliding into place, his son asked compassionately if he thought Mom had safely reached the shelter and was there a plan to re-unite when the disaster passed. He tried, however unconvincingly, to comfort his youngest in the affirmative but harbored greater uncertainty than even he wanted to admit. . .
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(photo and bio from Wikipedia.com)
Ian Anderson was born the youngest of three children. His father, James Anderson, ran the RSA Boiler Fluid Company in East Port, Dunfermline, Fife, Scotland. Anderson spent the first part of his childhood in Edinburgh, Scotland. He was influenced by his father's big band and jazz records and the emergence of rock music, though disenchanted with the "show biz" style of early American rock and roll stars like Elvis Presley.
His family moved to Blackpool, Lancashire in 1959, where he gained a traditional education at Blackpool Grammar School,. In a recent interview, Anderson stated that he was asked to leave Grammar School for refusing to submit to corporal punishment (still permitted at that time) for some serious infraction. He went on to study fine art at Blackpool College of Art from 1964 to 1966.
While a teenager, Anderson took a job as a sales assistant at Lewis' department store in Blackpool, then as a vendor on a newsstand. He later said it was reading copies of Melody Maker and the New Musical Express during his lunch breaks that gave him the inspiration to play in a band.
In 1963, he formed The Blades from among school friends: Barriemore Barlow (drums), John Evan (keyboards), Jeffrey Hammond (bass) and Michael Stephens (guitar). This was a soul and blues band, with Anderson on vocals and harmonica – he had yet to take up the flute.
At this time Anderson abandoned his ambition to play electric guitar, allegedly because he felt he would never be "as good as Eric Clapton". As he himself tells it in the introduction to the video "Live at the Isle of Wight", he traded his electric guitar in for a flute which, after some weeks of practice, he found he could play fairly well in a rock and blues style. According to the sleeve notes for the first Tull album, "This Was", he had been playing the flute only a few months when the album was recorded. His guitar practice was not wasted either, as he continued to play acoustic guitar, using it as a melodic as well as rhythmic instrument. As his career progressed, he added soprano saxophone, mandolin, keyboards and other instruments to his arsenal.
As a flautist, Anderson is self-taught; his style, which often includes a good deal of flutter tonguing and occasionally singing or humming (or even snorting) while playing, was influenced by Roland Kirk. In 2003 he recorded a composition called Griminelli's Lament in honour of his friend, the Italian flautist Andrea Griminelli. In the 1990s he began working with simple bamboo flutes. He uses techniques such as over-blowing and hole-shading to produce note-slurring and other expressive techniques on this otherwise simple instrument.
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at Elk Run Vineyard . . .
