. . . should hear Andrew. One of the most spontaneous, humorous, entertaining and gifted musicians around . . .
(http://www.washingtonpost.com/wp-srv/WPcap/2000-01/21/104r-012100-idx.html)
". . . Still, White is at his best when he's paying homage to his spiritual mentor John Coltrane with an expansive, exultant multi-theme performance featuring pianist Allyn Johnson, bassist Steve Novosel and drummer T. Howard Curtis. Curtis is particularly effective on "E.J.'s Blues," prodding, pushing and ultimately propelling White's far-reaching harmonic flights. The album concludes with two renditions of "Andrew's Theme," providing further evidence of the saxophonist's seemingly inexhaustible spirit and stamina. . . "
My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music is now available at - Just More Music by Ray Jozwiak
(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser: http://http://www.cdbaby.com/Artist/RayJozwiak)
(photo and bio from Wikipedia.com)
Ian Anderson was born the youngest of three children. His father, James Anderson, ran the RSA Boiler Fluid Company in East Port, Dunfermline, Fife, Scotland. Anderson spent the first part of his childhood in Edinburgh, Scotland. He was influenced by his father's big band and jazz records and the emergence of rock music, though disenchanted with the "show biz" style of early American rock and roll stars like Elvis Presley.
His family moved to Blackpool, Lancashire in 1959, where he gained a traditional education at Blackpool Grammar School,. In a recent interview, Anderson stated that he was asked to leave Grammar School for refusing to submit to corporal punishment (still permitted at that time) for some serious infraction. He went on to study fine art at Blackpool College of Art from 1964 to 1966.
While a teenager, Anderson took a job as a sales assistant at Lewis' department store in Blackpool, then as a vendor on a newsstand. He later said it was reading copies of Melody Maker and the New Musical Express during his lunch breaks that gave him the inspiration to play in a band.
In 1963, he formed The Blades from among school friends: Barriemore Barlow (drums), John Evan (keyboards), Jeffrey Hammond (bass) and Michael Stephens (guitar). This was a soul and blues band, with Anderson on vocals and harmonica – he had yet to take up the flute.
At this time Anderson abandoned his ambition to play electric guitar, allegedly because he felt he would never be "as good as Eric Clapton". As he himself tells it in the introduction to the video "Live at the Isle of Wight", he traded his electric guitar in for a flute which, after some weeks of practice, he found he could play fairly well in a rock and blues style. According to the sleeve notes for the first Tull album, "This Was", he had been playing the flute only a few months when the album was recorded. His guitar practice was not wasted either, as he continued to play acoustic guitar, using it as a melodic as well as rhythmic instrument. As his career progressed, he added soprano saxophone, mandolin, keyboards and other instruments to his arsenal.
As a flautist, Anderson is self-taught; his style, which often includes a good deal of flutter tonguing and occasionally singing or humming (or even snorting) while playing, was influenced by Roland Kirk. In 2003 he recorded a composition called Griminelli's Lament in honour of his friend, the Italian flautist Andrea Griminelli. In the 1990s he began working with simple bamboo flutes. He uses techniques such as over-blowing and hole-shading to produce note-slurring and other expressive techniques on this otherwise simple instrument.
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