Tuesday, January 14, 2014

Ties . . .


One of my favorite parts about visiting the Songwriters Showcase at Brewer's Alley in Frederick (MD) every month, apart from playing my Gonzo tunes and improvisation for the appreciative crowd and seeing (and now frequently accompanying) some wonderful people, is discovering a musical talent of immense proportion.  No, I don't mean overweight, I mean that special, musical artist that actually moves me.  And this week, I have found another . . . Korby Lenker. 


(from http://www.korbylenker.com/index.php/bio#bio)
An abbreviated list of Lenker's achievements so far includes: a significant amount of airplay on the legendary Seattle indie rock station KEXP; a BBC 2 interview with Bob Harris, which is only about the highest honor a rootsy singer-songwriter touring the U.K. can get; opening slots for acts ranging from Willie Nelson to Ray LaMontagne, Nickel Creek, Keith Urban, Susan Tedeschi and Tristan Prettyman; a successful run with one of the hottest young West Coast bluegrass bands of the aughts; and wins in the Merlefest folk songwriting contest as well as the Kerrville Folk Festival's elite New Folk songwriting competition. . .

"I like it simple," says Lenker. "I just do. As soon as there's a weird chord, I'm like, 'Why? That's all been done. Who cares?' What's really hard is to hit people in the heart and to reach them. That's what I'm trying to do: make music that's easily likeable, but with a kind of secret sophistication. I'm always trying to write a song that you can hum along with on the first listen. You're like, 'Yeah, I'd like to hear that again.' Then maybe you hear it 20 times and you're like, 'Damn, that's actually something I'm going to think about now.'". . .

"I like it tight," he offers about his experience fronting the 5 piece bluegrass outfit, which SPIN magazine called "The Young Riders of the bluegrass revolt". "I like the solos short and I like harmonies in tune...it was all song-driven for me.". . .

Deep down, Lenker is drawn both to the sort of unadorned expression the discerning folkie crowd treasures and to the sort of playful pop embellishment and electronic textures that may land one of his tracks in a primetime T.V. show or film any day now. . .

And there's nothing at all wrong with having it both ways musically when it comes this naturally. "I can't abandon either one of them," Lenker says, "because they're both so me. One of my favorite musicians in the world, bassist and composer Edgar Meyer once said in an interview 'The boundaries of music have been and always should be limitless.' I couldn't agree more."






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Monday, January 13, 2014

A Heavy fifth . . .

(from http://www.planetmellotron.com/revd2.htm)
"Dark Side were, essentially, a continuation of Baltimore's avant-gods OHO, although the musical path they chose was utterly different. Imagine a 1980-style 'noo wave' band, with pointed, ironic lyrics, a scratchy, punkish approach to their playing and dollops of Farfisa all over everything, and you won't be too far out. They released one album, the now-so-rare-I-can't-even-find-a-cover-scan-on-the-'Net Rumours in Our Own Time, Legends in Our Own Room, which should probably have done an awful lot better than it did. Just think; what if The Cars had had brains? Decent enough material, although Back On The Streets clearly deliberately rips off (Sittin' On The) Dock Of The Bay, for some unknown reason. Mellotron on one track, Down The Tubes, with some background strings that don't really make that much difference.

As part of a general OHO reissue programme, the whole album was released on CD in 2005 as Odd Fellows on an Even Day: Anthology 1977-1995, expanded to double its original length. Y'know, you've got to really like this stuff to want to listen to an entire album of it... That's not to dismiss it in any way, however; it's good at what it does, just doesn't really hold the attention of one not into the style for over an hour."



Inspiration comes when, and from where you least expect it.   Listen to Oho trying out a heavy, Beethoven and Dark Side-influenced new piece containing several warts but with ample potential from a recent rehearsal . . .



The 5th
(working title references the musical quote from which it comes)
written by John P. Graboski
(OHO rehearsal recording-
Jay Graboski, David Reeve and Ray Jozwiak are OHO)







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Sunday, January 12, 2014

The 2014 Edition. . .

        . . . of the Brewer’s Alley Songwriters’ Showcase . . .
                              Tomy Wright


. . . continues with  Ray Jozwiak - Gonzo Piano opening the January 13th show @ 7:30PM

Brewer's Alley Restaurant & Brewery
124 North Market Street Frederick, MD 21701
Telephone: 301-631-0089 Fax: 301-631-1874
http://www.brewers-alley.com/

 Monday Night Songwriters' Showcase is now in its ninth year!) The program starts at 7:30 pm with a piano prelude, followed by three or four songwriters doing three songs each (lots of variety). The featured songwriter for the evening goes on around 9 pm for around an hour, followed by two or three more three-song performers. Somewhere in the mix we may throw in some poetry. Our MCs are Ron Goad, Todd C. Walker and Tomy Wright, frequently interrupted by Rod Deacey on sound.

There is no admission charge per se, but there is a collection for the featured performer. If you don't want to put money in the hat, you don't have to. And you don't have to give a reason, or you can simply say “I can't spare anything this week” or words to that effect. That is totally fine as people’s circumstances change all the time.

If you CAN afford to put cash in the hat, please give generously – most touring songwriters live on an unbelievably small amount of money. They often drive all night to their next gig because they can't afford a motel. It is not an easy life. And all the tip money goes to the featured songwriter – no money is siphoned off for Ron, Todd or Rod, or for Tomy, Walt or John Holly, or for any of the cameo players, who perform for nothing. It actually costs them money to put on the shows, but they keep doing it for mysterious reasons that they have yet to fathom!

Featured songwriters are a mix of national and regional touring performers, with many award winners from all genres.






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Saturday, January 11, 2014

Were The Tables . . .

. . . turned. . .
. . . how would we, in America, handle such wealth? . . .


(from http://www.nbcnews.com/business/norway-everyone-now-millionaire-thanks-oil-2D11884040)
Everyone in Norway became a theoretical millionaire on Wednesday in a milestone for the world's biggest sovereign wealth fund that has ballooned thanks to high oil and gas prices.

A preliminary counter on the website of the central bank, which manages the fund, rose to 5.11 trillion crowns ($828.66 billion), fractionally more than a million times Norway's most recent official population estimate of 5,096,300.

It was the first time it reached the equivalent of a million crowns each, central bank spokesman Thomas Sevang said.

Set up in 1990, the fund owns around 1 percent of the world's stocks, as well as bonds and real estate from London to Boston, making the Nordic nation an exception when others are struggling under a mountain of debts.

Not that Norwegians will be able to access or spend the money, squirreled away for a rainy day for them and future generations. Norway has resisted the temptation to splurge all the windfall since striking oil in the North Sea in 1969.

Norway has sought to avoid the boom and bust cycle by investing the cash abroad, rather than at home. Governments can spend 4 percent of the fund in Norway each year, slightly more than the annual return on investment. . .







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Friday, January 10, 2014

Two. . .


. . . from Churchill (and more)


"Sure I am of this, that you have only to endure to conquer."
 
"Never, never, never, never give up."
Winston Churchill

"Some men give up their designs when they have almost reached the goal; While others, on the contrary, obtain a victory by exerting, at the last moment, more vigorous efforts than ever before."
Herodotus

"If I had to select one quality, one personal characteristic that I regard as being most highly correlated with success, whatever the field, I would pick the trait of persistence. Determination. The will to endure to the end, to get knocked down seventy times and get up off the floor saying, Here comes number seventy-one!"
Richard M. DeVos

"Great works are performed not by strength, but by perseverance."
Samuel Johnson

"Perseverance is not a long race; it is many short races one after another."
Walter Elliott



. . . and OHO perseveres in its quest for perfection in performance of
Slough of Despond
written by John P. Graboski and David Reeve
(OHO rehearsal recording-
Jay Graboski, David Reeve and Ray Jozwiak are OHO)

Do note the sound of Jay's 'new El Capistan delay pedal basting the riffs w/ extra boss-ness'





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Thursday, January 9, 2014

Really True . . .

. . . grit, whistleblowers and more. . .


(from http://www.nytimes.com/2014/01/07/us/burglars-who-took-on-fbi-abandon-shadows.html?_r=0)
The perfect crime is far easier to pull off when nobody is watching.
So on a night nearly 43 years ago, while Muhammad Ali and Joe Frazier bludgeoned each other over 15 rounds in a televised title bout viewed by millions around the world, burglars took a lock pick and a crowbar and broke into a Federal Bureau of Investigation office in a suburb of Philadelphia, making off with nearly every document inside.

They were never caught, and the stolen documents that they mailed anonymously to newspaper reporters were the first trickle of what would become a flood of revelations about extensive spying and dirty-tricks operations by the F.B.I. against dissident groups.

The burglary in Media, Pa., on March 8, 1971, is a historical echo today, as disclosures by the former National Security Agency contractor Edward J. Snowden have cast another unflattering light on government spying and opened a national debate about the proper limits of government surveillance. The burglars had, until now, maintained a vow of silence about their roles in the operation. They were content in knowing that their actions had dealt the first significant blow to an institution that had amassed enormous power and prestige during J. Edgar Hoover’s lengthy tenure as director.

“When you talked to people outside the movement about what the F.B.I. was doing, nobody wanted to believe it,” said one of the burglars, Keith Forsyth, who is finally going public about his involvement. “There was only one way to convince people that it was true, and that was to get it in their handwriting.”

Mr. Forsyth, now 63, and other members of the group can no longer be prosecuted for what happened that night, and they agreed to be interviewed before the release this week of a book written by one of the first journalists to receive the stolen documents. The author, Betty Medsger, a former reporter for The Washington Post, spent years sifting through the F.B.I.’s voluminous case file on the episode and persuaded five of the eight men and women who participated in the break-in to end their silence.

Unlike Mr. Snowden, who downloaded hundreds of thousands of digital N.S.A. files onto computer hard drives, the Media burglars did their work the 20th-century way: they cased the F.B.I. office for months, wore gloves as they packed the papers into suitcases, and loaded the suitcases into getaway cars. When the operation was over, they dispersed. Some remained committed to antiwar causes, while others, like John and Bonnie Raines, decided that the risky burglary would be their final act of protest against the Vietnam War and other government actions before they moved on with their lives.

“We didn’t need attention, because we had done what needed to be done,” said Mr. Raines, 80, who had, with his wife, arranged for family members to raise the couple’s three children if they were sent to prison. “The ’60s were over. We didn’t have to hold on to what we did back then.”

A Meticulous Plan
The burglary was the idea of William C. Davidon, a professor of physics at Haverford College and a fixture of antiwar protests in Philadelphia, a city that by the early 1970s had become a white-hot center of the peace movement. Mr. Davidon was frustrated that years of organized demonstrations seemed to have had little impact.

In the summer of 1970, months after President Richard M. Nixon announced the United States’ invasion of Cambodia, Mr. Davidon began assembling a team from a group of activists whose commitment and discretion he had come to trust.

The group — originally nine, before one member dropped out — concluded that it would be too risky to try to break into the F.B.I. office in downtown Philadelphia, where security was tight. They soon settled on the bureau’s satellite office in Media, in an apartment building across the street from the county courthouse.

That decision carried its own risks: Nobody could be certain whether the satellite office would have any documents about the F.B.I.’s surveillance of war protesters, or whether a security alarm would trip as soon as the burglars opened the door.

The group spent months casing the building, driving past it at all times of the night and memorizing the routines of its residents.

“We knew when people came home from work, when their lights went out, when they went to bed, when they woke up in the morning,” said Mr. Raines, who was a professor of religion at Temple University at the time. “We were quite certain that we understood the nightly activities in and around that building.”

But it wasn’t until Ms. Raines got inside the office that the group grew confident that it did not have a security system. Weeks before the burglary, she visited the office posing as a Swarthmore College student researching job opportunities for women at the F.B.I.

The burglary itself went off largely without a hitch, except for when Mr. Forsyth, the designated lock-picker, had to break into a different entrance than planned when he discovered that the F.B.I. had installed a lock on the main door that he could not pick. He used a crowbar to break the second lock, a deadbolt above the doorknob.

  After packing the documents into suitcases, the burglars piled into getaway cars and rendezvoused at a farmhouse to sort through what they had stolen. To their relief, they soon discovered that the bulk of it was hard evidence of the F.B.I.’s spying on political groups. Identifying themselves as the Citizens’ Commission to Investigate the F.B.I., the burglars sent select documents to several newspaper reporters. Two weeks after the burglary, Ms. Medsger wrote the first article based on the files, after the Nixon administration tried unsuccessfully to get The Post to return the documents.

At The Washington Post, Betty Medsger was the first to report on the contents of the stolen F.B.I. files. Now, she has written a book about the episode. The F.B.I. field office in Media, Pa., from which the burglars stole files that showed the extent of the bureau’s surveillance of political groups. Afterward, they fled to a farmhouse, near Pottstown, Pa., where they spent 10 days sorting through the documents. Other news organizations that had received the documents, including The New York Times, followed with their own reports.

Ms. Medsger’s article cited what was perhaps the most damning document from the cache, a 1970 memorandum that offered a glimpse into Hoover’s obsession with snuffing out dissent. The document urged agents to step up their interviews of antiwar activists and members of dissident student groups.

“It will enhance the paranoia endemic in these circles and will further serve to get the point across there is an F.B.I. agent behind every mailbox,” the message from F.B.I. headquarters said. Another document, signed by Hoover himself, revealed widespread F.B.I. surveillance of black student groups on college campuses.

But the document that would have the biggest impact on reining in the F.B.I.’s domestic spying activities was an internal routing slip, dated 1968, bearing a mysterious word: Cointelpro.

Neither the Media burglars nor the reporters who received the documents understood the meaning of the term, and it was not until several years later, when the NBC News reporter Carl Stern obtained more files from the F.B.I. under the Freedom of Information Act, that the contours of Cointelpro — shorthand for Counterintelligence Program — were revealed.

Since 1956, the F.B.I. had carried out an expansive campaign to spy on civil rights leaders, political organizers and suspected Communists, and had tried to sow distrust among protest groups. Among the grim litany of revelations was a blackmail letter F.B.I. agents had sent anonymously to the Rev. Dr. Martin Luther King Jr., threatening to expose his extramarital affairs if he did not commit suicide.

“It wasn’t just spying on Americans,” said Loch K. Johnson, a professor of public and international affairs at the University of Georgia who was an aide to Senator Frank Church, Democrat of Idaho. “The intent of Cointelpro was to destroy lives and ruin reputations.”

Senator Church’s investigation in the mid-1970s revealed still more about the extent of decades of F.B.I. abuses, and led to greater congressional oversight of the F.B.I. and other American intelligence agencies. The Church Committee’s final report about the domestic surveillance was blunt. “Too many people have been spied upon by too many government agencies, and too much information has been collected,” it read.

By the time the committee released its report, Hoover was dead and the empire he had built at the F.B.I. was being steadily dismantled. The roughly 200 agents he had assigned to investigate the Media burglary came back empty-handed, and the F.B.I. closed the case on March 11, 1976 — three days after the statute of limitations for burglary charges had expired.

Michael P. Kortan, a spokesman for the F.B.I., said that “a number of events during that era, including the Media burglary, contributed to changes to how the F.B.I. identified and addressed domestic security threats, leading to reform of the F.B.I.’s intelligence policies and practices and the creation of investigative guidelines by the Department of Justice.”

According to Ms. Medsger’s book, “The Burglary: The Discovery of J. Edgar Hoover’s Secret F.B.I.,” only one of the burglars was on the F.B.I.’s final list of possible suspects before the case was closed.

A Retreat Into Silence
The eight burglars rarely spoke to one another while the F.B.I. investigation was proceeding and never again met as a group.

Mr. Davidon died late last year from complications of Parkinson’s disease. He had planned to speak publicly about his role in the break-in, but three of the burglars have chosen to remain anonymous.

Among those who have come forward — Mr. Forsyth, the Raineses and a man named Bob Williamson — there is some wariness of how their decision will be viewed.

The passage of years has worn some of the edges off the once radical political views of John and Bonnie Raines. But they said they felt a kinship toward Mr. Snowden, whose revelations about N.S.A. spying they see as a bookend to their own disclosures so long ago.

They know some people will criticize them for having taken part in something that, if they had been caught and convicted, might have separated them from their children for years. But they insist they would never have joined the team of burglars had they not been convinced they would get away with it.

“It looks like we’re terribly reckless people,” Mr. Raines said. “But there was absolutely no one in Washington — senators, congressmen, even the president — who dared hold J. Edgar Hoover to accountability.”

“It became pretty obvious to us,” he said, “that if we don’t do it, nobody will.”







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Wednesday, January 8, 2014

Don't Drink the Water . . .

. . . or, in this case, don't eat the burgers. . . 
Can't, in any good conscience, endorse the food they serve at that Scottish restaurant on the the clown commercials.  But I can say that the Ronald McDonald House is a breath of fresh air in world where many seem to place continuously decreasing value on the lives of their fellow human beings.  I had the opportunity to provide some Gonzo Piano music at mealtime at one such house and found it a wonderful experience.


(from http://www.rmhc.org/ronald-mcdonald-house)
Many families travel far from home and spend several weeks or months to get treatment for their seriously ill or injured children – a long time to be away or to divide a family. And, for children facing a serious medical crisis, nothing seems scarier than not having mom and dad close by for love and support. A Ronald McDonald House is that “home-away-from-home” for families so they can stay close by their hospitalized child at little or no cost.

Our Houses are built on the simple idea that nothing else should matter when a family is focused on the health of their child – not where they can afford to stay, where they will get their next meal or where they will lay their head at night to rest. We believe that when a child is hospitalized the love and support of family is as powerful as the strongest medicine prescribed.

. . .Families are stronger when they are together, which helps in the healing process. By staying at a Ronald McDonald House, parents also can better communicate with their child’s medical team and keep up with complicated treatment plans when needed. They can also focus on the health of their child, rather than grocery shopping, cleaning or cooking meals.

. . . When your child is sick, you want the best care possible – even if it is hundreds or thousands of miles away. The Ronald McDonald House allows families to access specialized medical treatment by providing a place to stay at little or sometimes no cost. . .






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