Christmas gift suggestions:
To your enemy, forgiveness.
To an opponent, tolerance.
To a friend, your heart.
To a customer, service.
To all, charity.
To every child, a good example.
To yourself, respect.
-Oren Arnold
(http://www.billboard.com/articles/news/5812320/gene-kellys-singin-in-the-rain-suit-up-for-sale)
A memorabilia collector is selling the gray wool suit Gene Kelly wore as he joyously danced in a downpour in the Hollywood musical "Singin' in the Rain."
The suit is expected to sell for more than $20,000 when Heritage Auctions offers it up Friday in Dallas. Memorabilia collector Gerry Sola has had the suit for more than four decades after buying it for $10 at a 1970 sale of MGM props and wardrobe items following the sale of the studio to financier Kirk Kerkorian.
"I think it's one of these pieces that people are really excited to see go up on the block," said Margaret Barrett, director of the entertainment and music memorabilia department at Heritage Auctions. "Even if you've never seen this movie, you probably know the scene. You've seen Gene Kelly dancing around, singing in the rain, swinging on that lamp post."
(from http://www.rollingstone.com/music/news/bob-dylans-newport-guitar-sells-for-nearly-a-million-bucks-20131206#ixzz2n4N8FrP3)
Epic rock memorabilia brings epic money: Bob Dylan's sunburst Fender Stratocaster, first unsheathed at the 1965 Newport Folk Festival, sold at auction for a record-breaking $965,000 on Friday, according to the Associated Press.
Dropping nearly a cool million on an axe might seem excessive, but this guitar is one of the most iconic instruments in music history. Dylan's three-song Newport performance is the stuff of legend: Many folk diehards booed the set, viewing the switch to amplified rock as a sell-out (and labeling Dylan a traitor to the folk movement).
Despite the historical importance of the instrument, Christie's auction house wasn't expecting such a massive price: pre-auction estimates for the guitar (which also included the original leather strap and hardshell case) were between $300,000 and $500,000. Within the case itself was another hidden gem: early-draft lyrics to three Dylan tunes ("Absolutely Sweet Marie," "I Wanna Be Your Lover" and two others). Those pieces were estimated between $3,000 and $30,000 by the auction house.
(from www.wikipedia.com)
". . . Recording sessions took place at Columbia's 30th Street Studio over the course of three days in August 1969. [Miles]Davis called the musicians to the recording studio on very short notice. A few pieces on Bitches Brew were rehearsed before the recording sessions, but at other times the musicians had little or no idea what they were to record. Once in the recording studio, the players were typically given only a few instructions: a tempo count, a few chords or a hint of melody, and suggestions as to mood or tone. Davis liked to work this way; he thought it forced musicians to pay close attention to one another, to their own performances, or to Davis's cues, which could change at any moment. On the quieter moments of "Bitches Brew", for example, Davis's voice is audible, giving instructions to the musicians: snapping his fingers to indicate tempo, or, in his distinctive whisper, saying, "Keep it tight" or telling individuals when to solo.
Davis composed most of the music on the album. The two important exceptions were the complex "Pharaoh's Dance" (composed by Joe Zawinul) and the ballad "Sanctuary" (composed by Wayne Shorter). The latter had been recorded as a fairly straightforward ballad early in 1968, but was given a radically different interpretation on Bitches Brew. It begins with Davis and Chick Corea improvising on the standard "I Fall in Love too Easily" before Davis plays the "Sanctuary" theme. Then, not unlike Davis's recording of Shorter's "Nefertiti" two years earlier, the horns repeat the melody over and over while the rhythm section builds up the intensity. The issued "Sanctuary" is actually two consecutive takes of the piece.
Despite his reputation as a "cool", melodic improviser, much of Davis's playing on this album is aggressive and explosive, often playing fast runs and venturing into the upper register of the trumpet. His closing solo on "Miles Runs the Voodoo Down" is particularly noteworthy in this regard. Davis did not perform on the short piece "John McLaughlin". . . "
. . . and political activist. . . true to his convictions. . . NO ONE's "owned" politician . . .
(from http://thinkprogress.org/home/2013/12/06/3030781/nelson-mandela-believed-people-wont-talk/)
1. Mandela blasted the Iraq War and American imperialism. Mandela called Bush “a president who has no foresight, who cannot think properly,” and accused him of “wanting to plunge the world into a holocaust” by going to war in Iraq. “All that (Mr. Bush) wants is Iraqi oil,” he said. Mandela even speculated that then-Secretary-General Kofi Annan was being undermined in the process because he was black. “They never did that when secretary-generals were white,” he said. He saw the Iraq War as a greater problem of American imperialism around the world. “If there is a country that has committed unspeakable atrocities in the world, it is the United States of America. They don’t care,” he said.
2. Mandela called freedom from poverty a “fundamental human right.” Mandela considered poverty one of the greatest evils in the world, and spoke out against inequality everywhere. “Massive poverty and obscene inequality are such terrible scourges of our times — times in which the world boasts breathtaking advances in science, technology, industry and wealth accumulation — that they have to rank alongside slavery and apartheid as social evils,” he said. He considered ending poverty a basic human duty: “Overcoming poverty is not a gesture of charity. It is an act of justice. It is the protection of a fundamental human right, the right to dignity and a decent life,” he said. “While poverty persists, there is no true freedom.”
3. Mandela criticized the “War on Terror” and the labeling of individuals as terrorists without due process. On the U.S. terrorist watch list until 2008 himself, Mandela was an outspoken critic of President George W. Bush’s war on terror. He warned against rushing to label terrorists without due process. While forcefully calling for Osama bin Laden to be brought to justice, Mandela remarked, “The labeling of Osama bin Laden as the terrorist responsible for those acts before he had been tried and convicted could also be seen as undermining some of the basic tenets of the rule of law.”
4. Mandela called out racism in America. On a trip to New York City in 1990, Mandela made a point of visiting Harlem and praising African Americans’ struggles against “the injustices of racist discrimination and economic equality.” He reminded a larger crowd at Yankee Stadium that racism was not exclusively a South African phenomenon. “As we enter the last decade of the 20th century, it is intolerable, unacceptable, that the cancer of racism is still eating away at the fabric of societies in different parts of our planet,” he said. “All of us, black and white, should spare no effort in our struggle against all forms and manifestations of racism, wherever and whenever it rears its ugly head.”
5. Mandela embraced some of America’s biggest political enemies. Mandela incited shock and anger in many American communities for refusing to denounce Cuban dictator Fidel Castro or Libyan Colonel Muammar Gaddafi, who had lent their support to Mandela against South African apartheid. “One of the mistakes the Western world makes is to think that their enemies should be our enemies,” he explained to an American TV audience. “We have our own struggle.” He added that those leaders “are placing resources at our disposal to win the struggle.” He also called the controversial Palestinian Liberation Organization leader Yasser Arafat “a comrade in arms.”
6. Mandela was a die-hard supporter of labor unions. Mandela visited the Detroit auto workers union when touring the U.S., immediately claiming kinship with them. “Sisters and brothers, friends and comrades, the man who is speaking is not a stranger here,” he said. “The man who is speaking is a member of the UAW. I am your flesh and blood.”
Banksy is a pseudonymous United Kingdom-based, graffiti artist, political activist, film director, and painter.
His satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stencilling technique. Such artistic works of political and social commentary have been featured on streets, walls, and bridges of cities throughout the world.
Banksy's work was made up of the Bristol underground scene which involved collaborations between artists and musicians. According to author and graphic designer, Tristan Manco, and the book Home Sweet Home, Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher, but became involved in graffiti during the great Bristol aerosol boom of the late 1980s." Observers have noted that his style is similar to Blek le Rat, who began to work with stencils in 1981 in Paris, Jef Aerosol, who sprayed his first street stencil in 1982 in Tours (France), and members of the anarcho-punk band Crass, which maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. Banksy says, however, that he was inspired by "3D", a graffiti artist who later became a founding member of Massive Attack.
A Banksy mural stenciled on the side of a Hollywood gas station five years ago has fetched $209,000 (£129,000) at auction. The 9ft by 8ft work called Flower Girl shows a little girl holding a basket under the eye of a CCTV camera on a tall stalk. It was bought by a Los Angeles buyer who requested anonymity and was the highlight of a sale of 100 works by 33 street artists at Julien's Auctions in Beverly Hills, the LA Times reported.
(thanks to http://news.sky.com/story/1179022/banksy-mural-on-gas-station-wall-fetches-209k and www.wikipedia.com)
. . . intentionally, and masterfully perpetrated-with the assistance of ABC, NBC, CBS, NPR, WSJ, NYTs, USA Today, Washington Post, New York Post (you get the 'picture'). . .
(From Wikipedia, the free encyclopedia)
Al-Qaeda translation: "The Base" and alternatively spelled al-Qaida and sometimes al-Qa'ida) is a global militant Islamist organization founded by Osama bin Laden in Peshawar, Pakistan, at some point between August 1988 and late 1989, with its origins being traceable to the Soviet War in Afghanistan. It operates as a network comprising both a multinational, stateless army and a radical Sunni Muslim movement calling for global Jihad and a strict interpretation of sharia law. It has been designated as a terrorist organization by the United Nations Security Council, NATO, the European Union, the United Kingdom, the United States, India and various other countries (see below). Al-Qaeda has carried out many attacks on non-Sunni Muslims, non-Muslims, and other targets it considers kafir. . .
(from http://www.jpost.com/Middle-East/Analysis-Whos-really-calling-the-shots-in-al-Qaida-322309)
. . . the United States killed the second-in-command of affiliate organization al-Qaida in the Arabian Peninsula (AQAP), Abu Sufyan al-Azdi, in a drone strike in Yemen last year. He was reportedly wounded in the October 2012 strike and died a few months afterward. Jihadists recently called for revenge, and the terrorist organization’s affiliates in Iraq and Somalia are expressing their anger over his killing, according to Site, a jihadi monitoring website. There could also be a connection with the recent appointment of a Yemeni AQAP leader, Nasir al-Wuhayshi, as general manager of al-Qaida, effectively making him the No. 2 man in the organization. . .
(from http://whatreallyhappened.com/WRHARTICLES/fakealqaeda.php)
"The truth is, there is no Islamic army or terrorist group called Al Qaida. And any informed intelligence officer knows this. But there is a propaganda campaign to make the public believe in the presence of an identified entity representing the 'devil' only in order to drive the TV watcher to accept a unified international leadership for a war against terrorism. The country behind this propaganda is the US . . ." -- Pierre-Henri Bunel
(http://www.rense.com/general68/alq.htm)
Shortly before his untimely death, former British Foreign Secretary Robin Cook told the House of Commons that "Al Qaeda" is not really a terrorist group but a database of international mujaheddin and arms smugglers used by the CIA and Saudis to funnel guerrillas, arms, and money into Soviet-occupied Afghanistan. Courtesy of World Affairs, a journal based in New Delhi, WMR can bring you an important excerpt from an Apr.-Jun. 2004 article by Pierre-Henry Bunel, a former agent for French military intelligence. "I first heard about Al-Qaida while I was attending the Command and Staff course in Jordan. I was a French officer at that time and the French Armed Forces had close contacts and cooperation with Jordan . . .
(from Ain't Nothing Like Freedom by Cynthia McKinney)
". . . The old 11th District that first sent me to Congress was Georgia's second poorest district. People paid rent, but didn't have running water in their homes. Why was it, then, that when Blacks finally did get representation, the Anti-Defamation League, an organization that purports to be a "civil rights organization," filed an amicus curiae brief on the side of the five White plaintiffs, and against the 649,995 Blacks and Whites who were working together in that district, in a lawsuit designed to dismantle that district and allow insensitive representatives to continue to fail to serve Georgia's poor, rural, and much-neglected Black Belt? Surely, the Anti-Defamation League would support poor Blacks who had never had authentic Congressional representation, right? Wrong.
And as I think about it, it might have also had something to do with me not signing the pledge for Israel. . . "
