Setting . . .

. . . the tone . . .



(http://www.msn.com/en-us/news/politics/trump-dismisses-criticism-by-flake-and-corker/ar-AAu1poX?li=BBmkt5R&ocid=ientp)
". . . On the Senate floor . . . (R-Sen Jeff) Flake denounced the "complicity" of his own party in what he called an "alarming and dangerous state of affairs" under Trump, blaming the President for setting the tone. In his speech, Flake assailed a "flagrant disregard for truth or decency" and attacked a "regular and casual undermining of our democratic norms.". . . "When such behavior emanates from the top of our government, it is something else: It is dangerous to a democracy," Flake said. . . Corker, meanwhile, said he wouldn't support Trump for president if given the opportunity again, saying he has "great difficulty with the truth" and that "debasing" the US would be his prime legacy as President. . . "I think many of us, me included, have tried to, you know, intervene, and I have had a private dinner and have been with him on multiple occasions to try and create some kind of aspirational approach, if you will, to the way that he conducts himself," Corker said. "I don't think that that's possible. He's obviously not going to rise to the occasion as president.". . ."

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Blue . . .

. . . Fix . . .


To the one with the key can this thing be known
She’s in tune and in time and she sings with tone
Back to the truth of her core
Back where she waits evermore to shine

Night of vast silence held in suspense
Hints at the content the sense and tense
There in the beam of her moon
Inspiring just the right loon for tunes

Gravitate to the place where no one but you
Believes that it’s holy
Spin around and around until you fall down
Because you’re so dizzy
Spitting into the face of the fate you’d escape
By loving ascension
Older than death closer than breath
Before there were symbols and sounds

How to unstick from the fix you’re in?
With your ear to the sky call the voice of the wind
Gathering kernels and seeds
Forming silk furrows where they’ll be sown
Recalling in keenness of mind
A word that is older than thought and time

Discovering fire again
In a thunderbolt sent through a pen
Pure word


Blue Fix
Recorded live at the compound by OHO (Jay Graboski, David Reeve & Ray Jozwiak)





What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html  or at
http://www.ohomusic.com 

Get your copy of OHO's  Where Words Do Not Reach now!

The Ocean City Ditty Video is now on YouTube

My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music is now available at - Just More Music by Ray Jozwiak

(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser:  http://http://www.cdbaby.com/Artist/RayJozwiak)

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Marshall . . .

 . . . your attention . . .

(from http://www.sunraarkestra.com/1-main.html)
". . . In the half-between world,
Dwell they: The Tone Scientists
In notes and tone
They speak of many things...
The tone scientists:
Architects of planes of discipline
Mathematically precise are they:
The tone-scientists
(Sun Ra) . . .

Perhaps most significantly, Marshall Allen [Marshall Allen- the tone scientist, and leader of the Sun Ra Arkestra] assumed the helm of the Sun Ra Arkestra in 1995 after the ascension of Sun Ra in 1993 and John Gilmore in 1995. Mr. Allen continues to reside at the Sun Ra Residence in Philadelphia, composing, writing and arranging for the Arkestra much like his mentor, totally committed to a life of discipline centered totally on the study, research, and further development of Sun Ra's musical precepts. . .Marshall maintains the Sun Ra residence as a living museum dedicated to the compilation, restoration and preservation of Sun Ra's music, memorabilia, and artifacts. Marshall has launched the Sun Ra Arkestra into a dimension beyond that of mere "ghost" band by writing fresh arrangements of Sun Ra's music, as well as composing new music for the Arkestra. He works unceasingly to keep the big-band tradition alive, reworking arrangements of the music of Fletcher Henderson and Jimmie Lunceford for the Arkestra to play, along with many other American standards. . . "



Tone scientist, Bowling Green or Saturn. . . WHO CARES???!!!  Listen. . . listen . . . listen. . .

What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html  or at
http://www.ohomusic.com 


OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak.  Please Visit http://www.ohomusic.com 


My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music is now available at - Just More Music by Ray Jozwiak

(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser:  http://http://www.cdbaby.com/Artist/RayJozwiak)

Also, be sure to visit:
http://www.rayjozwiak.com

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Fixing . . .

. . . up our performance of Blue Fix . . . 

To the one with the key can this thing be known
She’s in tune and in time and she sings with tone
Back to the truth of her core
Back where she waits evermore to shine

Night of vast silence held in suspense
Hints at the content the sense and tense
There in the beam of her moon
Inspiring just the right loon for tunes

Gravitate to the place where no one but you
Believes that it’s holy
Spin around and around until you fall down
Because you’re so dizzy
Spitting into the face of the fate you’d escape
By loving ascension
Older than death closer than breath
Before there were symbols and sounds

How to unstick from the fix you’re in?
With your ear to the sky call the voice of the wind
Gathering kernels and seeds
Forming silk furrows where they’ll be sown
Recalling in keenness of mind
A word that is older than thought and time

Discovering fire again
In a thunderbolt sent through a pen
Pure word


Blue Fix
OHO, rehearsal recording August 2015




What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html  or at
http://www.ohomusic.com 


OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak.  Please Visit http://www.ohomusic.com 


My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music is now available at - Just More Music by Ray Jozwiak

(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser:  http://http://www.cdbaby.com/Artist/RayJozwiak)

Also, be sure to visit:
http://www.rayjozwiak.com

Tweet  

Brew . . .

(from www.wikipedia.com)
". . . Recording sessions took place at Columbia's 30th Street Studio over the course of three days in August 1969. [Miles]Davis called the musicians to the recording studio on very short notice. A few pieces on Bitches Brew were rehearsed before the recording sessions, but at other times the musicians had little or no idea what they were to record. Once in the recording studio, the players were typically given only a few instructions: a tempo count, a few chords or a hint of melody, and suggestions as to mood or tone. Davis liked to work this way; he thought it forced musicians to pay close attention to one another, to their own performances, or to Davis's cues, which could change at any moment. On the quieter moments of "Bitches Brew", for example, Davis's voice is audible, giving instructions to the musicians: snapping his fingers to indicate tempo, or, in his distinctive whisper, saying, "Keep it tight" or telling individuals when to solo.

Davis composed most of the music on the album. The two important exceptions were the complex "Pharaoh's Dance" (composed by Joe Zawinul) and the ballad "Sanctuary" (composed by Wayne Shorter). The latter had been recorded as a fairly straightforward ballad early in 1968, but was given a radically different interpretation on Bitches Brew. It begins with Davis and Chick Corea improvising on the standard "I Fall in Love too Easily" before Davis plays the "Sanctuary" theme. Then, not unlike Davis's recording of Shorter's "Nefertiti" two years earlier, the horns repeat the melody over and over while the rhythm section builds up the intensity. The issued "Sanctuary" is actually two consecutive takes of the piece.

Despite his reputation as a "cool", melodic improviser, much of Davis's playing on this album is aggressive and explosive, often playing fast runs and venturing into the upper register of the trumpet. His closing solo on "Miles Runs the Voodoo Down" is particularly noteworthy in this regard. Davis did not perform on the short piece "John McLaughlin". . . "

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My latest release, Black & White Then Back,
can be downloaded digitally at:

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What if . . .

. . . your host. . .

was. . .

brusque-  blunt in manner or speech often to the point of ungracious harshness

acerbic-  acid in temper, mood, or tone

abrupt-  unceremoniously curt

curt-  marked by rude or peremptory shortness

gruff-  rough, brusque, or stern in manner, speech, or aspect

. . . would YOU return???

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very own copy of Ray Jozwiak's
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AMBIENCE & WINE

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Little . . .

. . . Booker Little, that is. . .

(from Wikipedia.com)
Booker Little, Jr (April 2, 1938 – October 5, 1961) was an American jazz trumpeter and composer
Despite his premature death from kidney failure at the age of 23, Little made an important contribution to jazz. Stylistically, his sound is rooted in the playing of Clifford Brown, featuring crisp articulation, a burnished tone and balanced phrasing. He is considered to be one of the first trumpet players to develop his own sound after Clifford Brown.

He was born in Memphis, Tennessee. He studied at the Chicago Conservatory from 1956 to 1958 and it was during this time that he worked with leading local musicians such as Johnny Griffin. Later, after moving to New York, he became associated with drummer Max Roach and multi-instrumentalist virtuoso Eric Dolphy, recording with them both as a sideman and a leader. With Dolphy, he co-led a residency at the Five Spot club in New York in June 1961, from which three classic albums were eventually issued by Prestige Records. It was during this stint that he began to show promise of expanding the expressive range of the "vernacular" bebop idiom started by Clifford Brown in the mid-1950s. He also appeared on Dolphy's album Far Cry (New Jazz 8270), recorded December 21, 1960. He died of complications resulting from uremia on October 5, 1961 in New York City, New York.

What do YOU think?
http://www.rayjozwiak.com/guestbook.html

You can NOW download your
very own copy of Ray Jozwiak's
newest release:
AMBIENCE & WINE

Please visit
http://www.rayjozwiak.com

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