Another What . . .

. . . I believe . . .


The church of music
Holds no ham and oyster suppers
We're all just deacons
With our boots upon the ground
Marching into mystery
In command but
Still can't quite see

The church of music
Won't require your weekly presence
You'll find it stays with you
No matter where you are
No dogmatic postulates
No demands on
Your fidelity

It can end the darkest night
Carry you through the hours
Know not if it’s wrong or right
Make no mistake
It’s divine
This church of mine

There are no fiery demons
In what I believe
It’s not for me to say
Who’s  what and where they go
All things flowing naturally
No controlling
Power over you or me

Stricly spiritual
No trace of any politics
Lurking in the mix or in the fabric
Only what is good
No room for hate and no deceit
Honesty
Sincerity will move you
And me

This church won’t interfere
With what you think or do
Your body and your mind are
Yours and yours alone
No one tells you what to say
No one criticizes
What you feel inside

It can heal the deepest wound
Shine a light in the darkness
Warm a chill in any room
Make no mistake
It’s divine
This church of mine

Church
©2016 Raymond M. Jozwiak

What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html  or at
http://www.ohomusic.com 


Other Ray Jozwiak Offerings

(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/Artist/RayJozwiak)

Get your copy of OHO's  Where Words Do Not Reach now!
Watch The Ocean City Ditty Video on YouTube
Also, be sure to visit: www.rayjozwiak.com and www.ohomusic.com

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Learning . . .

. . . from the past . .

(from Doctor Faustus by Thomas Mann, translation by John E. Woods)
". . . One can call what came to light here the dark possibilities within human nature in general-but is was in fact tens of thousands, hundreds of thousands of Germans who committed the acts before which humanity shudders, and whatever lived as German stands now as an abomination and the epitome of evil. What will it be like to belong to a nation whose history bore this gruesome fiasco within it, a nation that has driven itself mad, gone psychologically bankrupt, that admittedly depairs of governing itself . . . that will have to live in isolated confinement, like the Jews of the ghetto, because the dreadfully swollen hatred all around it will not permit it to step outside its borders-a nation that cannot show its face? . . ."

What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html  or at
http://www.ohomusic.com 

My latest solo offering, No Frills, is now available at - No Frills

(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser:  http://http://www.cdbaby.com/Artist/RayJozwiak)

Get your copy of OHO's  Where Words Do Not Reach now!
The Ocean City Ditty Video is now on YouTube
Also, be sure to visit: www.rayjozwiak.com and www.ohomusic.com

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Solstice . . .

(from http://www.independent.co.uk/news/science/winter-solstice-2014-what-is-it--and-why-will-mornings-still-get-darker-9938160.html)
The Winter Solstice occurs in December in the Northern Hemisphere, and in June in the Southern Hemisphere. The date itself is not fixed:  the phenomenon doesn't always occur on 21 December in the Northern Hemisphere. Sometimes it arrives in the early hours of 22 December, which will happen next year. The hour also fluctuates: last year's Solstice arrived at 17:11, whereas next year's is predicted to be at 04:38.

A solar day is rarely 24 hours exactly.  The sun therefore lags behind the clock for part of the year, and speeds ahead of it for another. The length of a solar day varies because the axis of the Earth's rotation is tilted - 23.5 degrees from vertical - and because its speed fluctuates as it orbits the sun, accelerating when it is closer to the star's gravitational pull and decelerating when further away.
It takes a while for the clock and the solar days to align: evenings draw in towards their earliest sunset a couple of weeks before the shortest day, and mornings continue to get darker until a couple of weeks after.

What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html  or at
http://www.ohomusic.com 


OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak.  Please Visit http://www.ohomusic.com 


My latest solo release, '2014' of original, instrumental piano music, can be downloaded digitally at:

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak4)

Also, be sure to visit:
http://www.rayjozwiak.com

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Graffiti - Art?. . .

Banksy is a pseudonymous United Kingdom-based, graffiti artist, political activist, film director, and painter.

His satirical street art and subversive epigrams combine dark humour with graffiti executed in a distinctive stencilling technique. Such artistic works of political and social commentary have been featured on streets, walls, and bridges of cities throughout the world.

Banksy's work was made up of the Bristol underground scene which involved collaborations between artists and musicians. According to author and graphic designer, Tristan Manco, and the book Home Sweet Home, Banksy "was born in 1974 and raised in Bristol, England. The son of a photocopier technician, he trained as a butcher, but became involved in graffiti during the great Bristol aerosol boom of the late 1980s." Observers have noted that his style is similar to Blek le Rat, who began to work with stencils in 1981 in Paris, Jef Aerosol, who sprayed his first street stencil in 1982 in Tours (France), and members of the anarcho-punk band Crass, which maintained a graffiti stencil campaign on the London Tube System in the late 1970s and early 1980s. Banksy says, however, that he was inspired by "3D", a graffiti artist who later became a founding member of Massive Attack.

A Banksy mural stenciled on the side of a Hollywood gas station five years ago has fetched $209,000 (£129,000) at auction. The 9ft by 8ft work called Flower Girl shows a little girl holding a basket under the eye of a CCTV camera on a tall stalk. It was bought by a Los Angeles buyer who requested anonymity and was the highlight of a sale of 100 works by 33 street artists at Julien's Auctions in Beverly Hills, the LA Times reported.

(thanks to http://news.sky.com/story/1179022/banksy-mural-on-gas-station-wall-fetches-209k and www.wikipedia.com)

What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html

My latest release, Black & White Then Back,
can be downloaded digitally at:

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

Also, be sure to visit:
http://www.rayjozwiak.com

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One. . .

. . . of a kind. . .

From  Captain Beefheart's (Don Van Vliet) "10 On Guitar". . .

1. Listen to the birds.
That's where all the music comes from. Birds know everything about how it should sound and where that sound should come from. And watch hummingbirds. They fly really fast, but a lot of times they aren't going anywhere.

2. Your guitar is not really a guitar Your guitar is a divining rod.
Use it to find spirits in the other world and bring them over. A guitar is also a fishing rod. If you're good, you'll land a big one.

3. Practice in front of a bush
Wait until the moon is out, then go outside, eat a multi-grained bread and play your guitar to a bush. If the bush doesn't shake, eat another piece of bread.

4. Walk with the devil
Old Delta blues players referred to guitar amplifiers as the "devil box." And they were right. You have to be an equal opportunity employer in terms of who you're bringing over from the other side. Electricity attracts devils and demons. Other instruments attract other spirits. An acoustic guitar attracts Casper. A mandolin attracts Wendy. But an electric guitar attracts Beelzebub.

5. If you're guilty of thinking, you're out
If your brain is part of the process, you're missing it. You should play like a drowning man, struggling to reach shore. If you can trap that feeling, then you have something that is fur bearing.

6. Never point your guitar at anyone
Your instrument has more clout than lightning. Just hit a big chord then run outside to hear it. But make sure you are not standing in an open field.

7. Always carry a church key
That's your key-man clause. Like One String Sam. He's one. He was a Detroit street musician who played in the fifties on a homemade instrument. His song "I Need a Hundred Dollars" is warm pie. Another key to the church is Hubert Sumlin, Howlin' Wolf's guitar player. He just stands there like the Statue of Liberty-making you want to look up her dress the whole time to see how he's doing it.

8. Don't wipe the sweat off your instrument
You need that stink on there. Then you have to get that stink onto your music.

9. Keep your guitar in a dark place
When you're not playing your guitar, cover it and keep it in a dark place. If you don't play your guitar for more than a day, be sure you put a saucer of water in with it.

10. You gotta have a hood for your engine
Keep that hat on. A hat is a pressure cooker. If you have a roof on your house, the hot air can't escape. Even a lima bean has to have a piece of wet paper around it to make it grow.

What do YOU think?
http://www.rayjozwiak.com/guestbook.html


AAAAANNNNNDDDDD. . . . .
My latest release, Black & White Then Back,
can be downloaded digitally at:

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)



Also, be sure to visit:
http://www.rayjozwiak.com

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