Tuesday, January 1, 2013

Rare. . .

. . . flower. . .

(from F.A.M.E. [Frederick Acoustic Music Enterprise] January 2013 Newsletter by Tom Kohlhepp)
". . Pete Seeger... Man! Where do I start? No I'm serious, where do I start? Pete will be 94 in May and his career has seen 13 U.S. presidents come and go (think about that for a minute), and he's still going strong. I'll get some of the basic information out of the way first, and then get into some of the lesser known interesting facts that I’d like to share.

Pete was born May 3, 1919 in Patterson NY. He grew up in a household filled with both music and political activism. Both his parents served on the faculty at Julliard. His mother was a violinist and his father was a musicologist and conductor who was also a member of the Industrial Workers of the World and a conscientious objector during WWI. At the age of 17 Pete heard the 5 string banjo for the first time at a Folk song festival in North Carolina and his life was changed forever. He enrolled at Harvard University (his father’s Alma mater) and after two miserable years, he left in the spring
of 1938. He had Folk music in his blood by then and it was pounding away in head.

On March 3, 1940, a date that folklorist Alan Lomax once said could be celebrated as the beginning of modern Folk music, Pete Seeger met Woody Guthrie at a “Grapes of Wrath” migrant worker benefit concert. The duo formed “The Almanac Singers” who recorded many labor union songs among others. In 1942, Pete was drafted into the army and spent most of his time performing for the troops in the South Pacific. He married in 1943. It's said that behind every great man there's a great woman, and Toshi is that woman. They have been married now for nearly 70 years. In an interview once, she joked that she wished that Pete chased women instead of causes so she could leave him.

In 1948 Seeger helped form “The Weavers” made up of Fred Hellerman, Lee Hays, and Ronnie Gilbert. I remember the first time I saw the Weavers sing. Ronnie Gilbert would throw her head back and just belt out the song like there was an old deaf lady in the back row that she was singing too. God, she was great! In 1958 the Weavers and Pete Seeger parted ways and he started out on his solo career.

Pete was never in music for the money, but for the ability to make a statement and change people’s hearts and minds. The inscription on his banjo reads “This machine surrounds hate and forces it to surrender.” Most people don't know that the reason he left the Weavers was because the other members agreed to do a cigarette commercial and Pete was against smoking. He stands for his principles. Granted, you might not agree with them, but you have to tip your hat to the man for his passion. His adherence to the sanctity of folk music came to a boiling point in 1965 when he literally tried to run over and pull the plug on a very electrified set of Bob Dylan at the Newport Folk Festival.

One of Pete’s most famous songs is “Where Have All The Flowers Gone.” There's a great story about it that I'd like to share with you. He was at home reading a book called “All Quiet Flows the Don.” It's about the Don River in Russia and the Cossacks who lived along it in the 19th century. The Cossacks would gallop off to join the Czar's army, singing as they went. There were three lines from the book he liked so much he scribbled them down. “Where are the flowers? The girls plucked them. / Where are the girls? They're all married. / Where are the men? They’re all in the army.” Later, on an airplane flight, he was dozing and thought of the line “long time passing” that he had written for future use and scribbled down in his note book. He thought it would sing well with it. Then he said to himself, “When will they ever learn?” and shook his head. All of a sudden the light bulb went off and in 20 minutes he had the song. He had three verses taped to the microphone and sang it at Oberlin College in 1955. I said he had three verses. Where did the other ones we know come from? Ahh, read on Grasshopper...

One of the students in the audience at Oberlin had a summer job as a camp counselor. He took the song to the camp and sang it to the kids. It was very short and he gave it rhythm, which Pete didn't do. The kids played around with it and the counselor added two actual verses: “Where have all the soldiers gone? / Gone to grave yards everyone. / Where have all the grave yards gone? / Covered with flowers everyone.” The counselor’s name is Joe Hickerson and to this day Pete Seeger gives him 20% of the royalties from the song. How cool is that!. . ."




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Monday, December 31, 2012

Calculate. . .


The + Super Radical/Acousitic x show/Matt Graboski@Joe Squared = (133 West North Avenue  Baltimore, MD 21201) - (410) 545-0444 + joesquared.com/ + OHO Duo =  (Jay Graboski+David Reeve+Ray Jozwiak) - David Reeve < OHO @ 10:00PM [January 2nd, 2013] =

FUN

Please visit ohomusic.com
and joesquared.com/
 
SHOUTS IN THE STREET by John P. Graboski
Performed by Oho (rehearsal recording)




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Sunday, December 30, 2012

One . . .


(from 'God Is Not Great' by Christopher Hitchens)
". . . "Make me one with everything."  So goes the Buddhist's humble request to the hot-dog vendor.  But when the Buddhist hands over a twenty-dollar bill to the vendor, in return for his slathered bun, he waits a long time for his change.  Finally asking for it, he is informed that "change comes only from within."  All such rhetoric is almost too easy to parody, as is that of missionary Christianity.  In the old Anglican cathedral in Calcutta I once paid a visit to the statue of Bishop Reginald Heber, who filled the hymn books of the Church of England with verses like these:

What though the tropic breezes
Blow soft o'er Ceylon's isle
Where every prospect pleases
And only man is vile
What though with loving kindness
The gifts of God are strown
The heathen in his blindness
Bows down to wood and stone

It is partly in reaction to the condescension of old colonial boobies like this that many westerners have come to revere the apparently more seductive religions of the Orient. . . "




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Saturday, December 29, 2012

Baggage. . .

Six AM
The buses aren't nearly as crowded
As the night before
Someone said there was
Music and laughter
Behind all the shutters and doors
What was all of it for

Who needs friends
There's barely a minute for breathing
Everyone here works so hard
There's no party
When I reach my doorstep
I struggle to pull out my key
Where's the meaning for me

You see but you're unaware
There's life on the other side

But there's no bridge to cross
I'm looking through the fog
For some way out of here
I've baggage here to
I've baggage here to toss

Bless my soul
I've read about you in the paper
I've seen your picture somewhere
When you speak it's in volumes and volumes
I can't hear a word that you say
Funny it happens that way
I've been told that envy's the thing I've been feeling
For your kind of work and your play
But to tell you the truth
That it's only a wish
For a new kind of day
When worry and fear melt away

Could be
That a day will come
When you just might understand

But there's no bridge to cross
I'm looking through the fog
For some way out of here
I've baggage here to
I've baggage here to toss

I'd like to go away
and go there to stay
But I can't find the way

So it goes
But change never really comes easy
Resistance is felt all around
But inevitably
Something happens
That makes the old ship run aground
We all stare in awe of what's found

Like me
You appear to be
Looking for some meaning here

But there's no bridge to cross
I'm looking through the fog
For some way out of here
I've baggage here to
I've baggage here to
I've baggage here to toss

Baggage
©2006 Raymond M. Jozwiak




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Friday, December 28, 2012

Plunge. . .

Into 2013 . . .

. . . with the super radical acoustic show Wednesday, January 2, 2013 @ 10:00pm [hosted by Matt Graboski] including the OHO Duo (Oho is Jay Graboski, David Reeve & Ray Jozwiak-two out of three ain't bad)


Joe Squared
Station North
133 W. North Avenue
Baltimore, MD 21201
410-545-0444
http://joesquared.com/

. . . I signed up for high-wired acts
If I lose my balance just cut me some slack
I'm holding out for what can be
EMC squared possibility
Experience to be alive
The abstract now is literalized
You have dreams and nightmares to explore
Get the goods Get off the floor
Get off the floor
Get off the floor 


PLUNGE by John P. Graboski
Performed by Oho (rehearsal recording)




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Thursday, December 27, 2012

More. . .

. . . more, more. . .


I realize the importance of stimulating the economy and economic growth.  I also know that when it comes to increasing profits (or should I say the 'accumulation of wealth'?) the human race is most certainly on board.  Dylan Ratigan (in his book GREEDY BASTARDS) says that there is good, long-term greed - the type where someone provides a valuable product or service of high quality and reasonable price, and profits from it at a reasonable rate over a long term - and then there is bad, short-term greed (the one practiced by the 'bastards') where someone provides something of little to no value (or even swindles through questionable means) and reaps gigantic profits very quickly. I fear that pursuit of the latter type is much more prevalent these days than the former . . .

(from http://www.nbcnews.com/business/economywatch/nervous-retailers-hope-post-christmas-rush-1C7659314)
". . . The biggest holiday of the season is over, but retailers are hoping that you aren’t done with your holiday shopping quite yet.

“The next few days are critical for retailers. They’ve got some catching up to do,” said Marshal Cohen, retail industry analyst with NPD Group.

On Wednesday, big chains including Macy's were already pushing their post-Christmas bargains, while major discounters including Wal-Mart were encouraging shoppers to redeem their gift cards right away. But the fallout from a big Christmas storm could hurt their efforts if shoppers decide they prefer a cozy rest of the week at home instead. . ."




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Fascinating. . .

. . . or just bull puckey? . . .

(source http://www.washingtonpost.com/entertainment/music/im-with-the-band-study-of-rock-star-deaths-finds-solo-artists-at-greater-risk-than-groups/2012/12/20/9d556fbe-4aa6-11e2-8758-b64a2997a921_story.html)

". . .rock and pop musicians are more likely to die prematurely than the general population, and finds that solo artists are twice as likely to die young as members of bands.

Researchers from Liverpool John Moores University and Britain’s Health Department studied 1,489 rock, pop, punk, R&B, rap, electronica and New Age stars who became famous between 1956 and 2006 — from Elvis Presley to the Arctic Monkeys. They found that 137 of the stars, or 9.2 percent, had died, representing “higher levels of mortality than demographically matched individuals in the general population.”. . . "


How about middle-aged, full-time employed, married (with grown children)men who are solo eclectic jazz pianists and also members of rock/prog/folk/jazz-trios struggling to market both music while living the suburban dream and contemplating possible retirement (from the 'non'-music occupation) in another five-to-ten years?

(and while we're on the topic of useless, inconsequential studies, is coffee actually good for me or NOT?!!!)






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