How? . . .

. . . Mitt? . . .

 (from MSNBC http://firstread.msnbc.msn.com/_news/2012/03/19/10765542-romney-best-thing-i-can-do-for-student-debt-is-get-you-a-good-job) at a 'Town Hall' session at Bradley University recently. . .

 "I and my party are also devoted to making sure we don't pass on to you trillions upon trillions of dollars in debt. We have in the Democratic party people who are consumed with giving more and more benefits to me and my generation, and passing on those burdens to you,"

How, Mitt?


"My party, my vision, is about protecting economic freedom for you," Romney said. "I've had it for me. I've had economic freedom. I've achieved beyond my wildest dreams. I want economic freedom for you."

 How, Mitt?


"Well they can go wherever they’d like to go; this is a free society. But here’s what I’d say, which is the federal government should not tax these people to pay for Planned Parenthood," Romney said. "The idea of the federal government funding Planned Parenthood I’m going to say no, we’re going to stop that."

How and why, Mitt?


"Best thing I can do for student debt is get you a good job when you come out," Romney said.

How, Mitt?

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Heart, soul . . .

. . . warmth, grit, poetry. . . Mark McKay

But listen to what some others say. . .

"Surrealistic cowboy poetry. Springsteen on mescaline. Steve Earle on a literary jag. Wilco with grit. . . expansive, exotic Americana, urgent, whiskey-fed melodies topped with lyrics that often seem to consist of a string of vivid images and striking non sequiturs . . . "  - Jason Warburg , The Daily Vault

". . . punchy roots rock fit for prime time. In their incarnation on Hotel, some of these tracks displayed a raw beauty that tended toward sprawl. . . "  - Nick Zaino III , Paste magazine

". . . Combining many traditional American styles, including rock, bluegrass, country, and even a smidge of blues, Mark McKay, continues his style of mellow and melancholy acoustic (or acoustic-type) rock with heavy country influence . . . "  - Sarah Kantor , Emmie Magazine

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Ever wish. . .

. . . you could go back in time?

I have, although not quite THAT far back.  Just far enough to get a 're-do' and prevent the disaster that has now been wrought.  Well, if not quite a disaster, at least one bad night.

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Opening . . .

. . . this week's Brewer's Alley Songwriters Showcase Monday at 7:30PM is . . .
me . . . on piano.

There's a certain warmth, familiarity and appreciation in the air at the old mayor's office in Frederick on Monday evenings.  For me it's like playing for family.  The acoustics enhance the heartfelt music from an array of original regional musicians and poets, with understated yet imperative sonic management by Rod who, on most Mondays, adds subtle, complimentary blues harp to the mix in all the appropriate places.  Tomy and/or  Ron are at the ready with a gentle,  sympatico arsenal of percussion, to enhance the performance of any artist enlisting their superlative skills.  In short, be there.

Monday,  March 19 @ 7:30PM
Brewer's Alley Restaurant & Brewery (Songwriters Showcase-Upstairs)
124 North Market Street Frederick, MD 21701
Telephone: 301-631-0089 Fax: 301-631-1874
http://www.brewers-alley.com/
(For Ray's complete schedule, see http://www.rayjozwiak.com)

[Oh yes, AND LOOKOUT!!!. . . for AMBIENCE & WINE a new digital distribution music release  (www.cdbaby.com) on APRIL 3, 2012]

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This ole world. . .

keeps on turnin' . . .

. . . that's an old song, isn't it??

Pondering our humanity, interactions, inadequacies, imperfections . . . while communicating in REAL TIME on the internet.

Hell of a thing!!!

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A little . . .

for your pleasure . . .

AMBIENCE & WINE, a digital-download release of new music will be available at http://www.cdbaby.com on APRIL 3, 2012. AMBIENCE & WINE contains a palette of aromas and flavours which complement any dish or occasion.  

 Some say. . .
". . .  His playing is technically outstanding and highly imaginative; I am always amazed that he manages to get back to resolve each piece without bursting out to infinity and beyond!"  Rod Deacey, Board Member of the Frederick Acoustic Musicians Enterprise (FAME), Musician, Performer, Writer, Poet, Organizer, Emcee, Bluesman (11/20/11)

". . . consistently creates aural pictures intelligently, pleasantly, and whimsically, and that's just within one song"  (Ron Goad, SAW, FAME, BMI)

". . . conjures the spirits of Thelonious Monk and a host of stride pianists" (John Lewis, Baltimore Magazine)

"His sense and choice of rhythm is always appropriate and interesting. . . "  (Jim Nash, Music Monthly)

". . . one can hear little snippets of this and that running throughout his work, just enough to put you in the mind of a long forgotten favorite before he turns it inside out or upside down. . . "  (Joe Hartlaub, Music-reviewer.com)


from AMBIENCE & WINE
©2011 Raymond M. Jozwiak



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Somebody . . .

. . . knows the truth. . . 

(From Anthony Summers and Dan Christensen Special to msnbc.com)

". . . Former Florida Sen. Bob Graham, who co-chaired Congress’ Joint Inquiry into the 9/11 terrorist attacks, has seen two classified FBI documents that he says are at odds with the bureau’s public statements that there was no connection between the hijackers and Saudis then living in Sarasota, Fla. 

“There are significant inconsistencies between the public statements of the FBI in September and what I read in the classified documents,” Graham said. “One document adds to the evidence that the investigation was not the robust inquiry claimed by the FBI,” Graham said. “An important investigative lead was not pursued and unsubstantiated statements were accepted as truth.”
 
Whether the 9/11 hijackers acted alone, or whether they had support within the U.S., remains an unanswered question -- one that began to be asked as soon as it became known that 15 of the 19 hijackers were Saudi citizens. It was underlined when Congress’s bipartisan inquiry released its public report in July 2003. The final 28 pages, regarding possible foreign support for the terrorists, were censored in their entirety -- on President George W. Bush’s instructions.Graham said the two classified FBI documents that he saw, dated 2002 and 2003, were prepared by an agent who participated in the Sarasota investigation. He said the agent suggested that another federal agency be asked to join the investigation, but that the idea was “rejected."

Graham attempted in recent weeks to contact the agent, he said, only to find the man had been instructed by FBI headquarters not to talk. . . "

There's a lot more here than meets the eye.  A golden opportunity for some enterprising reporter(s), without a doubt. 

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