Rehearsal . . .

This is going to have to be done. . . eventually.  Blood Brother will be one of the tracks on OHO's forthcoming, tentatively titled 'Male Pattern Radness'.

Practice makes perfect, right???


Blood Brother
© 1998 Raymond M. Jozwiak




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Rehearsing . . .

 . . . sing along with us now. . .


Round every corner and fade into blue
The Angelus rings, she comes into view
Nine is her number
In nine she is due
She will never fail you

Singing creation, look into her eyes
Out of her mouth she is speaking the sky
Circling heaven, higher than high
She in time is movement

Why should I move from her world vibration?
Molding this clay into
Paleolithic Goddess Figurines

Streaming to rivers, she floats on the sea
Gathers her children who sit on her knee
Showing and telling them where they are free
She is softly speaking

Holding the line when she seems unpleasant
Molding this clay into
Paleolithic Goddess Figurines

There is no real dilemma
She has her own agenda
Though there's a vulture hovering above our heads
Go on and trust the pattern
Her sun and moon are lanterns
Painting the firmament with stars

She is the vision of attention engaged
Breaking the spell of automaton rage
A circuit of heaven, a luminous wave
All is seen before her

Why should I move from her world vibration?
Molding this clay into
Paleolithic Goddess Figurines

Round every corner and fade into blue
The Angelus rings, she comes into view
Nine is her number
In nine she is due
She will never fail you


Paleolithic Goddess Figurine
(rehearsing for the Johnny's gig) by OHO - Jay Graboski, David Reeve and Ray Jozwiak



What do you think?
Tell me at
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OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak

My latest solo release, '2014' of original, instrumental piano music, can be downloaded digitally at:

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak4)

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Is This Draggin' You, Man? . . .

(from Straight, No Chaser; The Life and Genius of Thelonious Monk by Leslie Gourse)
". . . Invited to witness a rehearsal with Monk and Charlie Rouse, (Robert) Kotlowitz (for Harper's) wrote:

Monk feeds . . . Rouse . . . a note or phrase at a time, a mouthful to be digested to bewildered shakings of the head. It can take the entire two hours to get one full minute of music set between the two. Monk and Rouse say their notes, as though music were the simplest, most direct language available to man, and even more, as though B-C sharp, played on an instrument, means something as precise and unmistakable as C-A-T. Throughout the rehearsal, Monk directs with short comments. "You're not making it," he says placidly after the seventh repetition of an octave jump. "Dig it" Well into the next phrase, Monk says, "Don't tough the note, hit it.  And when you it it, augment it."

When he was satisfied, Monk said slowly, "Solid"  To Kotlowitz, who was listening to the repetitions, he said, "This dragging you?" . . . "

What do you think?
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My latest release, Black & White Then Back,
can be downloaded digitally at:

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

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Update . . .

. . . from Oho rehearsals. . .


You’re living your ninth life time is running out
The blood of the lamb has dried and lost its clout
If you show no mercy, no mercy will be your
You’re dated and done for the dot’s on your door

On day one they marked you, put you on the list
Embroidered a burning red letter on your bib
You move with caution, the trap’s laced with lure
You’re dated and done, there’s a dot on your door

Cowards die a thousand times, the brave die only once
If ignorance is bliss, may your joy be out to lunch
If you were meant to hang in life then you will never drown
Dodging the left, the right one brings you to the ground

You’re using the right words, getting the response
Newton was right, you’re life’s a renaissance
Your impedimenta pile up on the floor
You’re locked in this room, There’s a dot on your door

Cowards die a thousand times, the brave die only once
If ignorance is bliss, may your joy be out to lunch
If you were meant to hang in life then you will never drown
Dodging the left, the right one brings you to the ground

Kissing your mother, digging in the dirt
Hoping something of your life will take root and give birth
The vine seeks the light, branches reaching through the clouds
Where love will prune and crown you, relieve you of your shroud

You’re living your ninth life time is running out
The blood of the lamb has dried and lost its clout
If you show no mercy, no mercy will be your
You’re dated and done for the dot’s on your door

Cowards die a thousand times, the brave die only once
If ignorance is bliss, may your joy be out to lunch
If you were meant to hang in life then you will never drown
Dodging the left, the right one brings you to the ground


Dot On Your Door
by John P. Graboski (Oho rehearsal recording of July 11, 2012)





What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html

My latest release, Black & White Then Back,
can be downloaded digitally at:

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

Also, be sure to visit:
http://www.rayjozwiak.com

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If my memory serves. . .

. . . my old band-members Jay (guitar/vocals), Jeff (drums), Greg (sax/vocals) and myself (keyboard/vocals) undertook a string of private affairs and wedding receptions. Soon we decided to dedicate ourselves to the pursuit of a regular engagement, most desirably at a nightclub. Our one weak point however in pursuit of this lofty goal was our repertoire. Our rehearsals were few and far between. In fact, I now cannot remember an actual rehearsal with this incarnation of Ful Treatment. To our chagrin, and self-deceiving disbelief, club owners actually wanted the bands they hired to play the current top-forty popular favorites to which the audience could dance. We, in our haughty laziness (or was it lazy haughtiness?) refused to do that. In fact we simply continued to play as much of our uptempo (and preferably 'newer') material instead of succumbing to the current trend of disco music brought about by the recent resurgent popularity of the Bee Gees thanks to the film Saturday Night Fever. In our defense, we did learn a new number or two, just simply not enough to market ourselves as a top-forty act. Another improvement that we opted not to pursue was the hiring of a fifth band member to play the bass guitar, a definite enhancement to a combo's authenticity when reproducing dance music (as well as rock music in general), and mainly for the reason that it would have resulted in another party with whom to share the money.




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