So much music. . .

. . . so little time. . . 

Here's an instrumental performance of an older, never recorded composition, rife with imperfections.  (You sing it.)


Words are all that I have to express all the things I would
Like to be able to tell you  but don't quite know how
Couldn't before and still can't do it now
During all of this time that's transpired little's changed but
A lot has occurred in my thoughts and my feelings for you
Countless superior intellects have searched for answers
I never gave it a whole lot of thought

Until I tried to let you know how much I feel inside
Until I tried to let you know how much I feel inside
for you

I have always believed that it's true very few things I'll
Ever encounter will be quite as precious as you
The magic between us so rare and so new
Though I'm not one of those that you find who has always the
Need to express to so many  exactly what he has in mind
I find I have this burning that's deep down inside me
For words I never needed before

Until I tried to let you know how much I feel  inside
Until I tried to let you know how much I feel  inside
for you

I can't imagine ever having my life depend upon eloquence
And maybe it doesn't
But after all this time together it seems long overdue
And in the end it probably doesn't make a difference in how you feel
If I never say it

Now I'm daily rehearsing the way to articulate
Every syllable nuance and stress when I say
How much I need to have you here today
And I won't give it up easily I suspect that it's
Just as important to you as it is now to me
The words we use themselves have no meaning
So all the more must I make them right

Now that I try to let you know how much I feel  inside
Until I tried to let you know how much I feel inside
for you


Until I Tried
©2007 Raymond M. Jozwiak





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If my memory serves. . .

. . . my old band-members Jay (guitar/vocals), Jeff (drums), Greg (sax/vocals) and myself (keyboard/vocals) undertook a string of private affairs and wedding receptions. Soon we decided to dedicate ourselves to the pursuit of a regular engagement, most desirably at a nightclub. Our one weak point however in pursuit of this lofty goal was our repertoire. Our rehearsals were few and far between. In fact, I now cannot remember an actual rehearsal with this incarnation of Ful Treatment. To our chagrin, and self-deceiving disbelief, club owners actually wanted the bands they hired to play the current top-forty popular favorites to which the audience could dance. We, in our haughty laziness (or was it lazy haughtiness?) refused to do that. In fact we simply continued to play as much of our uptempo (and preferably 'newer') material instead of succumbing to the current trend of disco music brought about by the recent resurgent popularity of the Bee Gees thanks to the film Saturday Night Fever. In our defense, we did learn a new number or two, just simply not enough to market ourselves as a top-forty act. Another improvement that we opted not to pursue was the hiring of a fifth band member to play the bass guitar, a definite enhancement to a combo's authenticity when reproducing dance music (as well as rock music in general), and mainly for the reason that it would have resulted in another party with whom to share the money.




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