Passion . . .

Social media, email and the Internet have not only brought about the quick and convincing scare syndrome and the quick-spread falsehood but it has also brought about the passionate reactionary.  Witness Hans Groiner.  No, he's not a passionate reactionary.  He is however, a very clever entertainment presentation from the clever and talented Larry Goldings, who is not may I mention, a comic by trade.

The passion, both rational and not, enters the picture when you read the commentaries of the YouTube offerings of Hans Groiner.  In short, the fictional Mr. Groiner is a musician who, although he does not like jazz, has undertaken the project of 'correcting' the music of Thelonious Monk. The result is a new-age-y, benign, vaguely familiar tune chock-full of major chords and 'straight' rhythms.  But Larry's shtick is very SNL-ish or Christopher Guest/Rob Reiner parody-like and every bit as witty.

 What do you think?
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OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak

My latest solo release, '2014' of original, instrumental piano music, can be downloaded digitally at:

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Ain't No Drag . . .

Bassist Larry Ridley recalls . . .


(from Straight No Chaser; The Life and Genius of Thelonious Monk by Leslie Gourse)
". . . He was cool with me.  We'd talk about a lot of things. He would always have interesting kinds of ways of being very succinct and candid about his insights. One time someone made a comment to us-during the civil rights days, and things were pretty touchy, black power and all.  I had a big Afro and dashikis. We were very conscious of this whole movement. This white guy said something about "you boys" this and "you boys" that to me. I turned to Thelonious and said, "I'm tired of these motherfuckers calling us boys. They don't have to go through all that. We're men." Thelonious said to me, "Ain't no drag, Larry, because everybody wants to be young." I said, "Okay, I'll think on that one." So he could really turn things into nothing with a few words. And there I was, upset, with my fist up in the air about respect. It was interesting. . . "

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My latest release, Black & White Then Back,
can be downloaded digitally at:

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

Also, be sure to visit:
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Is This Draggin' You, Man? . . .

(from Straight, No Chaser; The Life and Genius of Thelonious Monk by Leslie Gourse)
". . . Invited to witness a rehearsal with Monk and Charlie Rouse, (Robert) Kotlowitz (for Harper's) wrote:

Monk feeds . . . Rouse . . . a note or phrase at a time, a mouthful to be digested to bewildered shakings of the head. It can take the entire two hours to get one full minute of music set between the two. Monk and Rouse say their notes, as though music were the simplest, most direct language available to man, and even more, as though B-C sharp, played on an instrument, means something as precise and unmistakable as C-A-T. Throughout the rehearsal, Monk directs with short comments. "You're not making it," he says placidly after the seventh repetition of an octave jump. "Dig it" Well into the next phrase, Monk says, "Don't tough the note, hit it.  And when you it it, augment it."

When he was satisfied, Monk said slowly, "Solid"  To Kotlowitz, who was listening to the repetitions, he said, "This dragging you?" . . . "

What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html

My latest release, Black & White Then Back,
can be downloaded digitally at:

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

Also, be sure to visit:
http://www.rayjozwiak.com

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