". . . Invited to witness a rehearsal with Monk and Charlie Rouse, (Robert) Kotlowitz (for Harper's) wrote:
Monk feeds . . . Rouse . . . a note or phrase at a time, a mouthful to be digested to bewildered shakings of the head. It can take the entire two hours to get one full minute of music set between the two. Monk and Rouse say their notes, as though music were the simplest, most direct language available to man, and even more, as though B-C sharp, played on an instrument, means something as precise and unmistakable as C-A-T. Throughout the rehearsal, Monk directs with short comments. "You're not making it," he says placidly after the seventh repetition of an octave jump. "Dig it" Well into the next phrase, Monk says, "Don't tough the note, hit it. And when you it it, augment it."
When he was satisfied, Monk said slowly, "Solid" To Kotlowitz, who was listening to the repetitions, he said, "This dragging you?" . . . "
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