Monday, July 18, 2011

The media and the message. . .

. . . do not always arrive in optimal fashion. The news media, in particular, have evolved over the past thirty years, but not necessarily for the better. And our 'leaders', well, they're even worse. (Fortunately, our current president is head and shoulders above his predecessor in this regard. We do, however, need a better class of 'leaders', in general.)

First, the media. . .
From "America- Our Next Chapter" by Chuck Hagel, Republican (yes, Republican) Senator from Nebraska. . .
"Right alongside them (legislators), kind of like backup singers in a rock group, we have the pundits. They are supposed to be sage fonts of political wisdom; just ask them. When they are not shouting at one another, they are little more than partisan mouthpieces who have learned their talking points by rote. Collectively these "chattering classes" create a hostile, venomous atmosphere, raising the temperature until any politician with a sense of moderation and balance risks appearing as a wimp next to these high-octane blowhards. But reasonableness doesn't push ratings and low ratings hurt the bottom line of the media corporations.

Then, the message. . .
Again, from "America- Our Next Chapter" by Chuck Hagel, Republican (yes, Republican) Senator from Nebraska. . .
"America has always gravitated toward leaders who talk straight, who refuse to constantly calibrate their responses based on the advice of political handlers, polling, and focus groups. Harry Truman, Dwight Eisenhower, John Kennedy, and Ronald Reagan were leaders who simply and straightforwardly spoke the facts as they saw them. . . We need leaders who can articulate a vision of where we want to take this nation and then lead us there; honest, competent, accountable leadership is what has always mattered most."



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Sunday, July 17, 2011

That much. . .

"Whenever you call me and I'm not on the phone; if you have a problem and you find me at home; you know you can count on me that much. If you say you need me; just a couple days, I'm there. I'll drop what I'm doing if it's something I don't care about. You can count on me that much.

Ours is just like one of those fairytales. Ours is just like one of those shows. One thing 'bout our love that's different, it's not the kind that grows.

I'll always be with you when there's nothing else to do. When everyone's busy, there'll be only me and you. It's clear you can count on me that much.

Would you say it's all you've been hoping for? Would you really prefer something new? Where else could you get this much attention devoted to you?

So don't think you're not special. You're kind of special to me. There's no one else like you. Well, maybe there's just two or three. But be sure you can count on me that much.


THAT MUCH (from CHROMATOSE)
©2003 Raymond M. Jozwiak



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Saturday, July 16, 2011

I can't help it. . .

. . . I just want to. . . PLAY!

Have you ever seen Monty Python and the Holy Grail? It's a hilarious spoof from the early 70's starring, written, directed, produced, conceived and whatever-else-you-can-think-of by Monty Python's Flying Circus (Michael Palin [no relation to you-know-who], John Cleese, Terry Gilliam, Terry Jones, Eric Idle and the late Graham Chapman) of King Arthur and the Knights of the Round Table mythology and their quest for the Holy Grail. There is a scene where a wealthy landowner has a son that he keeps sequestered in a tower as a result of his embarrassment. The son, who obviously does not measure up to the father's expectations of what a son should be, frequently states his ambition to SING! . . . at which time the father addresses the camera and puts the kabosh on the music swell that begins each time the son mentions his intention, and we hear the music die as if a turntable was switched off in the middle of the music.

Well, the piano is that way for me, like the son's burning desire to SING. What I mean is, I well understand the son's desire to SING! When I am creating music at the piano, I am taken away from all that is earthly. (Getting heavy here.) But seriously, music somehow has the ability to make me transcend my mortal circumstances and somehow soar to a place that's difficult to describe, but one that I like to visit frequently. The only (musical) thing better than that is doing the very same thing in front of an audience of people who are actually listening and apparently, somehow, moved also. (Hellava thing!)

This Monday Night, I will again appear at the Songwriters Showcase at Brewer's Alley Restaurant & Brewery in Frederick.
(124 North Market Street, Telephone: 301-631-0089, http://www.brewers-alley.com/) where I intend to impose Fractured Jazz and Improvisational Terror Tactics on the audience, much like this. . .



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Thursday, July 14, 2011

Shame. . .

. . . our representatives appear to have failed us. Journalist from both sides of the camp weighed in. . .

Huffington Post. . .
One of the most-respected and economically intelligent publications in the world, The Economist, has turned against the Republican party for its disgraceful behavior with respect to the US debt-ceiling negotiations. The Republicans, the Economist points out, would rather disrupt the US economy and put the country into default than compromise on a long-term deficit and debt reduction plan. This behavior is an abdication of the Republicans' responsibilities as elected officials. It puts the Republicans' self-interest ahead of the country's. The Republicans' stance on the debt-ceiling has now gone so far, in fact, that the Republicans appear to be trying to disrupt the economy in order to improve their chances in the next elections, rather than address an economic crisis that threatens to affect millions of Americans. This is not practical or responsible. It's also not patriotic. It's traitorous.

Business Insider. . .
Finally, someone in Washington DC is taking a sensible approach to the US's massive debt and deficit crisis: President Obama. The Republicans continue to stick to their ludicrous plan to fix our problems by slashing spending immediately and raising no additional revenue. Over the long haul, spending does need to be cut, but slashing it suddenly will deliver a hammer blow to an already frail economy. The country will plunge back into recession, unemployment will soar, and--importantly from a budget perspective--government revenues will drop. The latter outcome, which we're seeing in Greece, the UK, and other countries that have tried "austerity" as a solution, will defeat the whole purpose of trying to balance the budget by cutting spending.

The National Review. . .
"Reagan may have resisted calls for tax increases, but he ultimately supported them. In 1982 alone, he signed into law not one but two major tax increases. The Tax Equity and Fiscal Responsibility Act (TEFRA) raised taxes by $37.5 billion per year and the Highway Revenue Act raised the gasoline tax by another $3.3 billion. According to a recent Treasury Department study, TEFRA alone raised taxes by almost 1 percent of the gross domestic product, making it the largest peacetime tax increase in American history. An increase of similar magnitude today would raise more than $100 billion per year. In 1983, Reagan signed legislation raising the Social Security tax rate. This is a tax increase that lives with us still, since it initiated automatic increases in the taxable wage base. As a consequence, those with moderately high earnings see their payroll taxes rise every single year.
In 1984, Reagan signed another big tax increase in the Deficit Reduction Act. This raised taxes by $18 billion per year or 0.4 percent of GDP. A similar-sized tax increase today would be about $44 billion. The Consolidated Omnibus Budget Reconciliation Act of 1985 raised taxes yet again. Even the Tax Reform Act of 1986, which was designed to be revenue-neutral, contained a net tax increase in its first 2 years.

MediaMatters for America, County Fair. . .
From Will Bunch, author of, “Tear Down This Myth:
The Right-Wing Distortion of the Reagan Legacy,” 2009
What the American people have been news-fed instead has been an ideology loosely based on Reagan, called Reaganism – a notion that has led to the Tea Party’s hatred of anything involving government and the bogus ideas that taxes can only be cut or that diplomacy with America’s rivals is for wimps. With each passing election, more and more of the electorate is too young to have remembered or experienced the real Ronald Reagan, yet are searching for an idealized president based on these right-wing perpetrated fallacies. Many of the worst aspects of the George W. Bush presidency – more tax cuts for the rich, soaring deficits, and “axis of evil” bluster – were rooted in this legend of a man who wasn’t there.




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Wednesday, July 13, 2011

The apple doesn't fall. . .

. . . far from the tree.

from Factcheck.org. . .

". . . Liz (daughter of former U.S. Non-Apologetic, Vice Torture-Monger & Marksman, Dick Cheney) Cheney's group quotes U.S. military leaders out of context to attack President Obama's Afghanistan policy. Keep America Safe, which is headed by the daughter of former Vice President Dick Cheney, is airing a TV ad that uses brief video clips of congressional testimony given by Gen. David Petraeus and Adm. Mike Mullen to support its claim that Obama's plan to reduce troop levels in Afghanistan will put U.S. soldiers at greater risk. It's true that both military leaders recommended maintaining higher troop levels. But they supported the president's decision, and their full congressional testimony shows they believe the risk is manageable and won't jeopardize the mission.

The title of the ad — "More Risk" — comes from Mullen's testimony before the House Armed Services Committee on June 23. Mullen, the Joint Chiefs of Staff chairman, was asked about the president's decision to withdraw 33,000 troops from Afghanistan by the end of next summer, including 10,000 of them by the end of this year. The ad quotes Mullen as saying, "It was more aggressive and it has more risk than I recommended." But the full context of his remarks shows that Mullen also said the plan is "well within reason."

Mullen, June 23: I think it’s well within reason for us to be able to do this. As I said in my opening statement, it was more aggressive and it has more risk than, you know, I was originally prepared to — than I — than I recommended. That said, in totality, it’s within the ability to sustain the mission, focus on the objectives and execute. "



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Slowly. . .

. . . my musical development moved closer to the area in which my peers were located. My love for Chicago (Transit Authority) and some of the 'pop' favs at the time (I listened to the radio and was exposed to such delights as KNOCK THREE TIMES by Tony Orlando and Dawn - which I openly admitted to enjoying [how UNCOOL!]), along with my musical appetite, tastes and scope continued to grow. So now, I wasn't a total freak for being a fan of Sonny James and Charles Magnante because I also like Jethro Tull and Three Dog Night.

My good friend Joe, now being of driving age, was more involved with cars than his old American Flyer. He wasn't a mechanic though. He was enamored with the aesthetics, internal and external, of the automobile with his favorites being those manufactured by the Chrysler Corporation. And if one is an afficionado of the sleek lines and contours of the fine, automotive form, what better way to enjoy it than with some. . . MUSIC?!

Joe was a fiend when it came to high-end sound in his cars. The more speakers, Joe theorized, the better the sound. (Joe's Mother once joked that Joe should install two-way speakers in the car seats so that if someone broke wind, everyone else in the car could hear it.) The source of all this wonderful aural confection was an 8-track tape player. And the sounds Joe liked to pump through those speakers included Rare Earth; Blood Sweat & Tears, The Ides of March and Neil Diamond. And just about one, short city block away from Joe, my buddies Michael and Gus were grooving (although in not-nearly as high fidelity as Joe) to Tull, Bloodrock, (more) Chicago and some Jesus Christ Superstar thrown in.



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Monday, July 11, 2011

You never want to hear. . .

. . . another word from me again. Never wanna have to see my face at your door. If there's so much as the mention of my name, you can feel an uncontrollable fit of pain. I'm the one that you said you would love til the bitter end. This must really be, this must really be the end. Nothing could be fitter. This must really be, this must really be the end. Make no mistake, it's bitter.

You never want us to be seen again in public places. Can't explain it to another friend how it goes. You say there's torment that you feel inside from many things. I can tell you that I still don't know what that means. Long ago we were friends far removed from the bitter end. This must really be, this must really be the end. Nothing could be fitter. This must really be, this must really be the end. Make no mistake, it's bitter.

There's no candy coating to make it go down easier; not so simple to digest; no bright colors and no exotic flavors sweetening.
What you see is what you get.

You never want to have to hear a word from me again. If there's so much as the mention of my name, you can feel an uncontrollable fit of pain. With one fell swoop you sent me direct to the bitter end. This must really be, this must really be the end. Nothing could be fitter. This must really be, this must really be the end. Make no mistake, it's bitter.


THE BITTER END from "Chromatose"
©2003 Raymond M. Jozwiak



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