I used to own one of these babies. Tremendous sound, and I was only pushing a Farfisa Fast IV through it. Played a B3 with a Leslie at a dive in Curtis Bay for a brief period with my current OHO bandmates in the mid-seventies. It was a (sonic) blast.
(from https://www.revolvy.com/main/index.php?s=Buzzy%20Linhart&item_type=topic)
". . . In 1963, he moved to New York City and became friends and roommates with John Sebastian. He also became a protégé to the senior guitarist and folk singer Fred Neil. . . released a series of solo albums from the late 1960s to the mid-1970s . . His prowess on the vibraphone found him performing as a session musician on recordings by Buffy Sainte-Marie, Richie Havens, Carly Simon, Cat Mother & the All Night Newsboys, and Jimi Hendrix (on the Cry of Love album and he is credited on Electric Ladyland). . . is joint composer of "(You Got To Have) Friends," a collaboration with Mark "Moogy" Klingman, which became singer Bette Midler's de facto theme song. . . continue(s) to write, record, sing and compose music to this day. . .had significant visibility as an actor in the mid-1970s. He also achieved some notoriety from his appearance in the opening sequence of the cult movie The Groove Tube, as a hippie hitchhiker. He was also a regular on the 1976 television show Cos, starring Bill Cosby. . . "
December 9, 2016 @12:11PM Ray, David & Jay off to The Bratt Studio this evening to work on David's "All There Is," an ambitious romp in 5/4 (chorus in 4/4). Years in the making, we inch closer to the finish line. December 9, 2016 @ 10:57PM The fruits of tonight's labor...
All There Is
by OHO by David Reeve, Jay Graboski & Ray Jozwiak(All Rights Reserved)
At heaven's door we pick the lock
When all we had to do was knock
Though Alice she rattles her train of chains
The fetters are inward all the same
Take a look as you fall
Passing through another wall
Here is where the corn is cut
The wind comes down
Get off the pot
Get off the pot
Get off the pot
It's your world the way that you live
Eats the smile right off your face
You're not in Kansas anymore
I am the sheath I cry for more
Biding trends and waves of shock
The turbulence it turns me on
Nonetheless we're born and rocked
By divas, drunks and Barbie dolls
I signed up for high-wired acts
If I lose my balance just cut me some slack
I'm holding out for what can be
Emc squared possibility
Experience to be alive
The abstract now is literalized
You have dreams and nightmares to explore
Get the goods
Get off the floor
Get off the floor
Get off the floor
(from http://theotherjournal.com/2008/09/16/the-monk-and-the-hymn-encountering-grace-in-the-work-of-thelonious-monk/)
". . . Each of us is continually involved in the co-creation of our story or the performance of our song. A song and a story alike are each common, apt metaphors for our lives, for living both as individuals and within a community. It is in the reality that we are all continually stumbling our way through life that the beauty and truth of Monk’s intentional awkwardness with this song (This Is My Story, This Is My Song) becomes evident. His characteristic discordant notes and unconventional timing are so appropriate as a symbol for our own lives. It aptly expresses our own imperfect faith, our own inconsistent story. . . I hope that I can tell my story in a way that contributes to the story, in a way that offers redemption to the broken world around me, yet my stuttering tongue and broken heart often keep me feeling useless and futile. I want to be able to play my song in a way that points to the beauty of the Kingdom, but my clumsy fingers seem to ruin the power of the melody. It is here that Monk’s performance offers me hope and inspires me within my own believing unbelief, in my own “already, but not yet” song. . ."
. . . That is ideas for songs/compositions/pieces of music . . .
. . . but these days I feel as though I cannot find/make enough time to properly develop them. The reasons are many, varied and boring. But they do say we MAKE time for those things for which we really want to make time. . .
. . . This idea has been floating around my consciousness for a few months now and continues to evolve although it may finally be taking some form now . . .
(of course titles, like the ideas themselves, continue to evolve also_
