Friday, October 5, 2012
Let's check. . .
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economic,
fact check,
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medicare,
money,
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Thursday, October 4, 2012
Big News! . . .
(headline from http://www.nbcnews.com/?OCID=ggl|NBC+News+awareness|NBC+News|nbc+news|Exact)
"Zuckerberg: 'I wear the same thing every day'"
W T F??!!
If this is news, something's wrong here.
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"Zuckerberg: 'I wear the same thing every day'"
W T F??!!
If this is news, something's wrong here.
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Labels:
news,
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zuckerberg
Wednesday, October 3, 2012
Tis the season. . .
. . . tisn't it?
OHO
[Not HoHo]
but OHO
Friday, October 19, 2012 @ 9:00PM at
Bread & Circuses Bistro
27 E. Chesapeake Avenue
Towson, MD 21286
410-337-5282 http://bandcbistro.com/
OHO? Aha! That's a name that rings bells. Baltimore's answer to Pink Floyd, an American underground icon, a band that came out of nowhere playing music the chroniclers swore was years ahead of its time. OHO sneaks around the musical conventions that have mummified so many others, unleashing sliders where you'd expect curve balls, fast balls where you'd expect change-ups. Part of its their sense of humor, part of it their unerring humanity.
OHO is Jay Graboski, David Reeve and Ray Jozwiak
Also, please visit:
http://www.ohomusic.com
LIMOUSINE
(from BRICOLAGE by Oho)
© Copyright-OHO Music
Record Label: OHO Music
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OHO
[Not HoHo]
but OHO
Friday, October 19, 2012 @ 9:00PM at
Bread & Circuses Bistro
27 E. Chesapeake Avenue
Towson, MD 21286
410-337-5282 http://bandcbistro.com/
OHO? Aha! That's a name that rings bells. Baltimore's answer to Pink Floyd, an American underground icon, a band that came out of nowhere playing music the chroniclers swore was years ahead of its time. OHO sneaks around the musical conventions that have mummified so many others, unleashing sliders where you'd expect curve balls, fast balls where you'd expect change-ups. Part of its their sense of humor, part of it their unerring humanity.
OHO is Jay Graboski, David Reeve and Ray Jozwiak
Also, please visit:
http://www.ohomusic.com
LIMOUSINE
(from BRICOLAGE by Oho)
© Copyright-OHO Music
Record Label: OHO Music
What do YOU think?
http://www.rayjozwiak.com/guestbook.html
You can NOW download your
very own copy of Ray Jozwiak's
newest release:
AMBIENCE & WINE
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Labels:
band,
bread and circuses,
david,
humor,
icon,
Jay,
music,
OHO,
pink floyd,
Ray
Tuesday, October 2, 2012
A story . . .
. . . that may never, and possibly should never, be told. It's not a story of a long lost love newly found. Nor is it the hear-wrenching tale of a family's struggle to survive or to cope with the loss or illness of one of its members. Not a love story or an account of injustice righted or never righted. It's actually a story of a fungus.
The story is also one about integrity, honesty, enthusiasm, communication, timing and ignorance. It began innocently with curiosity at the sighting of an unusual fungal growth which produced a much larger physical manifestation than one normally encounters on a lawn, wood or otherwise green area. And since there was sincere doubt as to the true identity of the specimen, a curious (have I used the word innocent yet?) the layman which encountered it chose to physically probe or otherwise accost the specimen in question out of sheer curiosity. In so doing, the uninitiated soul, without malice or intention of destruction, put an abrupt end to the life of the initially-mentioned fungal being without realizing the full range of implications, mainly as the result of past encounters with such earthly phenomena, albeit of much smaller stature and girth, which were clearly, or practically obviously, not beneficial to humankind as either nourishment or ornamentation.
Not long after the above described encounter, the party involved discovers through casual and friendly discourse, that someone possesses an enthusiastic and affectionate fascination with the very fungus by whom the former was confronted the very day prior. Turns out the specimen is (most likely) beneficial to humankind as nourishment and may also, in the individual matter of one's own subjective opinion, be perceived as quite beautiful. In fact, the subject of the confrontation was brought up by the very one that accosted the fungus. After conversationally mentioning the encounter with the object and it's particularly impressive dimensions, the culprit learned that the appearance of this particular species had been eagerly anticipated by another party close to the situation and that he would be absolutely thrilled to learn of its whereabouts so that it could be further nurtured and possibly soon harvested.
Due to the phrasing of the initial casual observation and impression, as well as the ardent response that revelation prompted, the culprit was at a loss to relate the details of the complete encounter, i.e. the disengaging of the life form from it root/base. And that inability haunted the culprit for an indeterminate amount of time with its accompanying feelings of guilt, dishonesty, disingenuousness and lack of integrity.
Due to the phrasing of the initial casual observation and impression, as well as the ardent response that revelation prompted, the culprit was at a loss to relate the details of the complete encounter, i.e. the disengaging of the life form from it root/base. And that inability haunted the culprit for an indeterminate amount of time with its accompanying feelings of guilt, dishonesty, disingenuousness and lack of integrity.
In hindsight, the best clear, concise, honest way the culprit could and should have related the original thought would have been to include the part about disengaging the thing from its trunk at the very beginning. But, after all is said and done, a simple and heartfelt apology, although the dastardly deed was done innocently, would certainly not have hurt a thing.
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Labels:
communication,
curiosity,
enthusiasm,
fungus,
honesty,
ignorance,
integrity,
timing
Sunday, September 30, 2012
By the glass? . . .
(from wikipedia.com)
". . . Pinot noir's home is France's Burgundy region, particularly in Côte-d'Or. It is also planted in Austria, Argentina, Australia, Azerbaijan, Canada, Chile, north parts of Croatia, the Republic of Georgia, Germany, Italy, Hungary, Kosova, the Republic of Macedonia, Moldova, Greece, Romania, New Zealand, South Africa, Serbia, Slovenia, Switzerland, Bulgaria, Czech Republic, United States, Uruguay, Ukraine and Slovakia. The United States has increasingly become a major Pinot noir producer, with some of the best regarded coming from the Willamette Valley in Oregon and California's Sonoma County with its Russian River Valley and Sonoma Coast appellations. Lesser known appellations can be found in Mendocino County's Anderson Valley as well as the Central Coast's Santa Lucia Highlands appellation and the Sta. Rita Hills American Viticultural Area in Santa Barbara County. In New Zealand, it is principally grown in Martinborough, Marlborough, Waipara and Central Otago.
The leaves of Pinot noir are generally smaller than those of Cabernet Sauvignon or Syrah and the vine is typically less vigorous than either of these varieties. The grape cluster is small and conico-cylindrical, vaguely shaped like a pine cone. Some viticultural historians believe this shape-similarity may have given rise to the name. In the vineyard Pinot noir is sensitive to wind and frost, cropping levels (it must be low yielding for production of quality wines), soil types and pruning techniques. In the winery it is sensitive to fermentation methods, yeast strains and is highly reflective of its terroir with different regions producing sometimes very different wines. Its thin skin makes it susceptible to bunch rot and similar fungal diseases of the bunch. The vines themselves are susceptible to powdery mildew, and in Burgundy (and elsewhere) infection by leaf roll and fanleaf viruses causes significant vine health problems. These complications have given the grape a reputation for being difficult to grow: Jancis Robinson calls Pinot a "minx of a vine" and André Tchelistcheff declared that "God made Cabernet Sauvignon whereas the devil made Pinot noir." It is much less tolerant of hard, windy, hot and dry, harsh vineyard conditions than the likes of Cabernet Sauvignon, Syrah, Merlot, or Grenache. . . "
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". . . Pinot noir's home is France's Burgundy region, particularly in Côte-d'Or. It is also planted in Austria, Argentina, Australia, Azerbaijan, Canada, Chile, north parts of Croatia, the Republic of Georgia, Germany, Italy, Hungary, Kosova, the Republic of Macedonia, Moldova, Greece, Romania, New Zealand, South Africa, Serbia, Slovenia, Switzerland, Bulgaria, Czech Republic, United States, Uruguay, Ukraine and Slovakia. The United States has increasingly become a major Pinot noir producer, with some of the best regarded coming from the Willamette Valley in Oregon and California's Sonoma County with its Russian River Valley and Sonoma Coast appellations. Lesser known appellations can be found in Mendocino County's Anderson Valley as well as the Central Coast's Santa Lucia Highlands appellation and the Sta. Rita Hills American Viticultural Area in Santa Barbara County. In New Zealand, it is principally grown in Martinborough, Marlborough, Waipara and Central Otago.
The leaves of Pinot noir are generally smaller than those of Cabernet Sauvignon or Syrah and the vine is typically less vigorous than either of these varieties. The grape cluster is small and conico-cylindrical, vaguely shaped like a pine cone. Some viticultural historians believe this shape-similarity may have given rise to the name. In the vineyard Pinot noir is sensitive to wind and frost, cropping levels (it must be low yielding for production of quality wines), soil types and pruning techniques. In the winery it is sensitive to fermentation methods, yeast strains and is highly reflective of its terroir with different regions producing sometimes very different wines. Its thin skin makes it susceptible to bunch rot and similar fungal diseases of the bunch. The vines themselves are susceptible to powdery mildew, and in Burgundy (and elsewhere) infection by leaf roll and fanleaf viruses causes significant vine health problems. These complications have given the grape a reputation for being difficult to grow: Jancis Robinson calls Pinot a "minx of a vine" and André Tchelistcheff declared that "God made Cabernet Sauvignon whereas the devil made Pinot noir." It is much less tolerant of hard, windy, hot and dry, harsh vineyard conditions than the likes of Cabernet Sauvignon, Syrah, Merlot, or Grenache. . . "
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Labels:
france,
glass,
pinot noir,
wine
Saturday, September 29, 2012
Inspired. . .
Bernie's Belgian waffles
had their start before the sun
though the latter may be hotter
ample warmth from them I won
Buckwheat brown was their apparel
With pecans adorning all
Homemade apple cider syrup
Was their coat now that it's fall
Now the warmer brother working
all its might to light the hours
I embark on new adventures
Plunging depths and climbing towers
Lack of proper nourishment
Can make one feel a might bit slothful
But I'm armed to meet new challenges
full of Bernie's Belgian waffles
What do YOU think?
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AMBIENCE & WINE
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had their start before the sun
though the latter may be hotter
ample warmth from them I won
Buckwheat brown was their apparel
With pecans adorning all
Homemade apple cider syrup
Was their coat now that it's fall
Now the warmer brother working
all its might to light the hours
I embark on new adventures
Plunging depths and climbing towers
Lack of proper nourishment
Can make one feel a might bit slothful
But I'm armed to meet new challenges
full of Bernie's Belgian waffles
What do YOU think?
http://www.rayjozwiak.com/guestbook.html
You can NOW download your
very own copy of Ray Jozwiak's
newest release:
AMBIENCE & WINE
Please visit
http://www.rayjozwiak.com
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Friday, September 28, 2012
Doe, a deer. . .
. . . a female deer. . . Ray. . .
(from wikipedia.com)
". . . Ray Anderson is an independent jazz trombone and trumpet player. Anderson is a boisterous trombonist who is masterful at multiphonics. Trained by the Chicago Symphony trombonists, he is regarded as pushing the limits of the instrument. He is a contemporary and colleague of trombonist/composer George Lewis. Anderson also plays Sousaphone and sings.
After spending study time in California, he moved to New York in 1973 and freelanced. In 1977, Anderson joined Anthony Braxton's Quartet (replacing George Lewis) and started working with Barry Altschul's group. From this point forward he started ranking high in polls and becoming influential himself. In addition to leading his own groups since the late '70s (including the funk-oriented Slickaphonics), Anderson has worked with George Gruntz's Concert Jazz Band. In the '90s, he began taking an occasional good-humored vocal, during which he shows the ability to sing two notes at the same time (a minor third apart).
The prolific Anderson also has demonstrated his special supportive skills on a remarkably wide assortment of albums by David Murray, Charlie Haden's Liberation Music Orchestra, Dr. John, Luther Allison, Bennie Wallace, Gerry Hemingway, Henry Threadgill, John Scofield, Roscoe Mitchell, Randy Sandke's Inside Out Band, Sam Rivers' Rivbea Orchestra, Bobby Previte and others. Anderson is also a member of Jim Pugh's Super Trombone with Dave Bargeron and Dave Taylor. He also received a grant from the National Endowment for the Arts for a series of solo trombone concerts.
While pushing his sound into the future, Anderson has frequently returned to his early love of New Orleans music for inspiration. His Alligatory Band as well as his Pocket Brass Band, featuring tuba great Bob Stewart, are rooted in its tradition.
Since 2003 he has taught and conducted at Stony Brook University. . . "
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(from wikipedia.com)
". . . Ray Anderson is an independent jazz trombone and trumpet player. Anderson is a boisterous trombonist who is masterful at multiphonics. Trained by the Chicago Symphony trombonists, he is regarded as pushing the limits of the instrument. He is a contemporary and colleague of trombonist/composer George Lewis. Anderson also plays Sousaphone and sings.
After spending study time in California, he moved to New York in 1973 and freelanced. In 1977, Anderson joined Anthony Braxton's Quartet (replacing George Lewis) and started working with Barry Altschul's group. From this point forward he started ranking high in polls and becoming influential himself. In addition to leading his own groups since the late '70s (including the funk-oriented Slickaphonics), Anderson has worked with George Gruntz's Concert Jazz Band. In the '90s, he began taking an occasional good-humored vocal, during which he shows the ability to sing two notes at the same time (a minor third apart).
The prolific Anderson also has demonstrated his special supportive skills on a remarkably wide assortment of albums by David Murray, Charlie Haden's Liberation Music Orchestra, Dr. John, Luther Allison, Bennie Wallace, Gerry Hemingway, Henry Threadgill, John Scofield, Roscoe Mitchell, Randy Sandke's Inside Out Band, Sam Rivers' Rivbea Orchestra, Bobby Previte and others. Anderson is also a member of Jim Pugh's Super Trombone with Dave Bargeron and Dave Taylor. He also received a grant from the National Endowment for the Arts for a series of solo trombone concerts.
While pushing his sound into the future, Anderson has frequently returned to his early love of New Orleans music for inspiration. His Alligatory Band as well as his Pocket Brass Band, featuring tuba great Bob Stewart, are rooted in its tradition.
Since 2003 he has taught and conducted at Stony Brook University. . . "
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You can NOW download your
very own copy of Ray Jozwiak's
newest release:
AMBIENCE & WINE
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Labels:
band,
jazz,
multiphonics,
ray anderson,
sound,
tradition,
trombone,
tuba
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