Showing posts with label machine. Show all posts
Showing posts with label machine. Show all posts

Saturday, August 9, 2014

Facebook . . .

 . . . politics
 
Thecla . . . When I worked for a Lobbyist in DC, I saw how the system really works. At the time, I thought...if people really knew how the political machine works, they would be sick.
36 mins · Like

Ray Jozwiak . . . Tell me more, Thecla.  Tell ALL OF US MORE!  We need to be sick. . . sick and tired enough to ACT.  Vote appropriately.  Don't be buffalo-ed into thinking you 'wasted' your vote.  You MUST vote your heart and your conscience or nothing will ever change!  It won't happen in this election.  Or the next.  Or for a LONG time.  BUT it has to start SOMEWHERE!!  Let it start with us.
6 hrs · Like · 1



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OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD)

My latest solo release, '2014' of original, instrumental piano music, can be downloaded digitally at:

Ray Jozwiak: 2014

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Sunday, February 23, 2014

Soft . . .

. . . Machine

Robert Wyatt was a founding member of the Soft Machine, who along with Pink Floyd Helped to transform the late sixties psychedelic scene in the UK into something more lasting. Through successive albums, Soft Machine soon moved toward a more jazz-based fusion with rock music, punctuated by Wyatt's distinctive drumming and vocals, attracting a massive following across Europe. After extensive touring, Wyatt left intending to pursue a solo career, but instead assembled Matching Mole who released two critically acclaimed LP's before disbanding prematurely. In 1973, Wyatt fell from a third floor window during a party, leaving him paralysed from the waist downwards. From that day onwards he has concentrated his efforts into solo recordings, mixing simple and effective keyboard melody lines with poignant lyrics, often filled with personal and political references. The results have proved both haunting and reflective, even producing two chart hits - his 1974 re-working of 'I'm a Believer', and the 1983 Falklands War indictment 'Shipbuilding' written especially for him by Elvis Costello.





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My latest release, Black & White Then Back,
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Ray Jozwiak: Black & White Then Back

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Friday, August 30, 2013

Letters . . .


(from Illustrissimi by Albino Luciani [Pope John Paul I])

[from a letter to G. K. Chesterton. . . ]
". . . Progress that involves men who don't recognize a singe Father in God becomes a constant danger: without a parallel moral progress, which is continuous and internal, it develops what is lowest and  cruellest in man, making him a machine possessed by machines, a number manipulated by numbers; he becomes what Papini called 'a raving savage, who, to satisfy his predatory, destructive, and licentious instincts, no longer uses a club, but has the immense forces of nature and mechanical invention to draw upon.'

Yes, I know there are plenty of people who think the opposite of this,  They consider religion a consoling dream, invented by oppressed people who imagine another world, a non-existent  world in which they can later find what is stolen from them today by their oppressors.  These oppressors have arranged the whole thing for their own benefit, to keep the oppressed underfoot and to quieten the instinct towards a class struggle, an instinct that, were it not for religion, would urge them to fight.

It is no good reminding these people that the Christian religion itself favours the revival of proletarian awareness, that is exalts the poor and foresees a just future. . ."






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My latest release, Black & White Then Back,
can be downloaded digitally at:
Ray Jozwiak: Black & White Then Back

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

Also, be sure to visit:
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Wednesday, October 31, 2012

Righteous. . .

 . . . and true. . .


(from http://www.npr.org/2012/10/27/163728141/at-93-pete-seeger-keeps-the-fire-burning-low)
". . . Tall and lean, in faded Levi's and corduroy shirt, Pete Seeger still pretty much looks like he did when the young Harvard dropout met the man who helped him find his life's work: Woody Guthrie.

"I was working in Washington, D.C., at the time with Alan Lomax, the folklorist," Seeger says. "And in Alan's house I met Woody, and he found that I could follow him in any song he played. I had a good ear and I stayed in tune, played the right chord, didn't play anything too fancy. So pretty soon, I was tagging along with him."

Seeger says Guthrie taught him not only lots of songs but also how to play in saloons, get paid first, how to ride the rails — carefully — and that no matter the consequences, to stick with your beliefs.

In a spoken-word track on his new Guthrie tribute album, Pete Remembers Woody, Seeger tells the story of Guthrie's famous slogan.

"He went through WWII with a piece of cardboard pasted to the top of his guitar: 'This machine kills fascists,' " Seeger says on the recording. "He really wanted his guitar to help win the war against Hitler. When Woody went into a hospital in 1952 ... I put something similar on my banjo: 'This machine surrounds hate and forces it to surrender.' ". . . "




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