1530s, "change of fortunes," from Middle French variété and directly from Latin varietatem (nominative varietas) "difference, diversity; a kind, variety, species, sort," from varius "various" (see vary). Meaning diversity, absence of monotony" is from 1540s; that of "collection of different things" is from 1550s; sense of "something different from others" is from 1610s. In reference to music hall or theatrical performances of a mixed nature, first recorded 1868, American English.
variation (n.) Look up variation at Dictionary.com
late 14c., "difference, divergence," from Old French variacion "variety, diversity" and directly from Latin variationem (nominative variatio) "a difference, variation, change," from past participle stem of variare "to change" (see vary). The musical sense is attested from 1801. Related: Variational.
I discovered musical variations at quite a young age as my formal music education began at the age of seven. It seems to follow that I would be attracted to (and I now dislike using the word) 'jazz.' I remember reading about (and from) established and up-and-coming musicians within the genre when I took an interest in the mid-seventies. Many expressed a similar dislike, preferring to call their music simply, 'the music.' At the time I did not quite fully grasp the subtlety of that concept. Now I realize that I actually possess a great dislike of categorization of musical styles, although I do understand the necessity of it for commercial purposes and for discussion of music among those that do not personally create music.
So, you may ask, variations on what? I fear that, irrespective of my answer to that, you still will not believe me. Nevertheless, I do hope that you will listen. . .
(from http://www.diversityinc.com/news/dear-trump-not-black-people-live-inner-cities/)
“I would be a president for all of the people, African Americans, the inner cities,” he said. “Devastating what’s happening to our inner cities. . . “You go into the inner cities and — you see it’s 45 percent poverty. African Americans now 45 percent poverty in the inner cities. The education is a disaster. Jobs are essentially nonexistent,” he continued. “And I’ve been saying in big speeches where you have 20 or 30,000 people, ‘What do you have to lose?’ It can’t get any worse.”
(http://www.ontheissues.org/Celeb/Hillary_Clinton_Welfare_+_Poverty.htmSource: 2016 PBS Democratic debate in Wisconsin , Feb 11, 2016)
"I am concerned about what's happening in every community in America, and that includes white communities, where we are seeing an increase in alcoholism, addiction, earlier deaths. I'm going to do everything I can to address distressed communities, whether they are communities of color, whether they are white communities. I particularly appreciate the proposal that Congressman Jim Clyburn has--the 10-20-30 proposal--to spend more federal dollars in communities with generational poverty."
My latest solo offering, No Frills, is now available at - No Frills
(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser: http://http://www.cdbaby.com/Artist/RayJozwiak)
(from wikipedia.com)
Fishbone is a U.S. alternative rock band formed in 1979 in Los Angeles, California, which plays a fusion of ska, punk rock, funk, hard rock and soul. Critics have noted of the band: "Fishbone was one of the most distinctive and eclectic alternative rock bands of the late '80s. With their hyperactive, self-conscious diversity, goofy sense of humor, and sharp social commentary, the group gained a sizable cult following during the late '80s, yet they were never able to earn a mainstream audience."
Fishbone first assembled in 1979 with John Norwood Fisher (bass); his brother Phillip "Fish" Fisher (drums); Angelo Moore, who sometimes uses the stage name "Dr. Madd Vibe" (vocals, saxophones ranging from sopranino to bass, theremin); Kendall Jones (guitar); "Dirty" Walter A. Kibby II (vocals, trumpet); and Christopher Dowd, who sometimes uses the pseudonym "Charlie Down" (keyboards, trombone, vocals). Founding members John Norwood Fisher, Angelo Moore, and Walter Kibby remain with the band as of 2013.
Fishbone got started in 1979 as a "disparate, all-black oddball crew" when the members were in junior high school. The Fisher brothers, Jones, Dowd, and Kibby were all from South Central Los Angeles. and were included in a school busing program that sent them daily to the San Fernando Valley, where they met Moore, who was native to the area. After first using the name Megatron with Titus Norris on vocals, the sextet adopted the name Fishbone and formed a unique stew of different styles that became popular in the Los Angeles club scene and was a great influence on several subsequent alternative bands.[citation needed] They were close friends with Los Angeles bands like the Red Hot Chili Peppers and Thelonious Monster. Fishbone were signed to Columbia Records in 1983 after being spotted at a club gig by producer David Kahne. Their first release was the 1985 single "Party at Ground Zero", followed by a self-titled EP, Fishbone. In 1987, in support of their first full-length album, In Your Face, the band performed "Jamaica Ska" in the Annette Funicello/Frankie Avalon reunion movie Back to the Beach. Fishbone's first major international tour was as the opening act for the Beastie Boys.
Fishbone was mostly considered to be a ska and funk band in their early years, but later became more guitar-driven with a focus on rock and soul music. The 1988 album Truth and Soul brought Fishbone wide critical acclaim. With this album, the band also added left-leaning social commentary to their lyrics, covering important topics such as the breakup of families, early 1990s racism, fascism, nuclear war, and oppression in lower income housing projects. The album was highlighted by a hard rock-inspired version of Curtis Mayfield's classic "Freddie's Dead" from the film Super Fly. The music video, directed by Douglas Gayeton, became the band's first hit on MTV. That same year, the group toured with the Red Hot Chili Peppers and became nationally known in the burgeoning alternative music scene. Also that year, Fishbone and Little Richard recorded the Lead Belly song "Rock Island Line" for the tribute album Folkways: A Vision Shared.
The band added former Miles Davis sideman John Bigham on guitar and keyboards in 1989. The 1991 album The Reality of My Surroundings was a critical and commercial success, reaching #49 on the Billboard albums chart. One month before the album's release, the group played a memorable performance on Saturday Night Live of "Sunless Saturday," a song which later featured an MTV video directed by Spike Lee. The song "Everyday Sunshine" also became a modest hit on radio and MTV.
While the band retained their roots in funk and ska, the 1993 album Give a Monkey a Brain and He'll Swear He's the Center of the Universe included songs with hard rock, punk, and heavy metal elements. At the time of the album's release, the band began to tear apart internally. Just before Fishbone joined the 1993 Lollapalooza tour, guitarist Kendall Jones, reportedly suffering from mental instability, quit the band and joined a religious group. Bassist John Norwood Fisher tracked Jones down in the belief that he needed rescue from the religious group, only to be charged with attempted kidnapping; Fisher was acquitted at trial. A benefit concert to help with Fisher's legal expenses featured Porno for Pyros, Primus, Tool, and Alice in Chains. Keyboardist Christopher Dowd left Fishbone in 1994 and released an album titled Puzzle in 1997 under the name The Seedy Arkhestra, with various guests including Jeff Buckley and N'Dea Davenport. The album included an anti-Fishbone song called "Flog Your Dead Horse."
What
do YOU think?
http://www.rayjozwiak.com/guestbook.html
You can NOW download
your
very own copy of Ray Jozwiak's
newest release:
AMBIENCE & WINE
