Showing posts with label clarity. Show all posts
Showing posts with label clarity. Show all posts

Friday, May 22, 2020

Clarity . . .


You said our love would last forever
It depends on what you mean by ‘forever’
You said we’d always be together
It depends on what you mean by ‘together’
You said you’d always want me near
And if I’d ever leave you’d welcome me back
It depends on what you mean
It depends on what you mean by that

You’re not distracted by another
It depends on what you mean by ‘distracted’
You took a vow said you’d be faithful
It depends on what you think
‘Make a vow’ means
You told me never have a fear
Nothing would change
No matter how the cards were stacked
It depends on what you mean
It depends on what you mean by that

I always hoped that you would be
Able to stop
And turn around in your tracks
It depends on what you mean
It depends on what you mean by that



Clarity
©2015 Raymond M. Jozwiak
from Just More Music



Monday, April 8, 2019

Clarity . . .




Ray Jozwiak rayjozwiak1@gmail.com

Mar 13, 2019, 10:09 AM (13 days ago)
to artists
I am in the process of reviewing your contract.

Can you kindly explain the following clause:

Joining the XXXXXXX LICENSING service requires: (1) the prior publication by the
Artist of at least one (1) Work on XXXXXXX.COM.

and how I can accomplish this?

artists

Mar 25, 2019, 9:42 AM (21 hours ago)
to me
Hello Ray, 

As long as BMI didn't give you the go by email you won't be able to access XXXXXXX. 

The first step is to write to BMI and wait for their answer, like we explained in our last email. 

Cheers,



The Music Team




at XXXXXXX.com



!






From: Ray Jozwiak <rayjozwiak1@gmail.com>
Sent: Wednesday, March 13, 2019 2:09 PM


Ray Jozwiak rayjozwiak1@gmail.com

7:24 AM (3 minutes ago)
to artists
Thank you very much.  I did understand that item from your previous email. 

I am currently reviewing your contract and requested an explanation of the clause,

"Joining the XXXXXXX LICENSING service requires: (1) the prior publication by the

Artist of at least one (1) Work on XXXXXXX .COM"



This reminds me of the dilemma, 'I can't be hired without experience while I have no experience
because no one will hire me'

Can you kindly clarify how I get (1) prior publication of at least one (1) work on XXXXXXX .com, if I 
cannot register with XXXXXXX  without (1) prior publication of at least one (1) work on XXXXXXX .com?

Thanks in advance.

Clarity

©2000 Raymond M. Jozwiak



What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html  or at
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Other Ray Jozwiak Offerings



(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/Artist/RayJozwiak)

Get your copy of OHO's  Where Words Do Not Reach now!
Watch The Ocean City Ditty Video on YouTube
Also, be sure to visit: www.rayjozwiak.com and www.ohomusic.com


Thursday, February 26, 2015

Pitch . . .


(from http://attunedvibrations.com/432hz/)
". . . According to Brain T. Collins, a musician and researcher, the standard pitch (A=440 Hz) does not harmonize on any level that corresponds to cosmic movement, rhythm, or natural vibration. . . There’s a growing musical and metaphysical movement for recovering optimal integrity in the music industry and spirituality through the 432Hz tuning.  . . In April 2008 Dutch journalist Richard Huisken founded the ‘back to 432 Hz’ committee, claiming that this original tuning was used in ancient cultures and is found on antique instruments like the Stradivarius violin. According to Huisken, music tuned to 432 Hz is softer and brighter, giving greater clarity and is easier on the ears. . . 432 Hz seems to work at the heart chakra, “the feeling”, and therefore could have a good influence on the spiritual development of the listener. Some people who are not able to distinguish the 8hz difference claim they can feel the music warmer due to the longer wavelength. . . Researchers and musicians . . .report that they feel calmer, happier and more relaxed when playing music at 432Hz. . ."

(from http://en.wikipedia.org/wiki/A440_%28pitch_standard%29)
". . . Prior to the standardization on 440 Hz, many countries and organizations followed the Austrian government's 1885 recommendation of 435 Hz. The American music industry reached an informal standard of 440 Hz in 1926, and some began using it in instrument manufacturing. In 1936 the American Standards Association recommended that the A above middle C be tuned to 440 Hz. This standard was taken up by the International Organization for Standardization in 1955 (reaffirmed by them in 1975) as ISO 16. . ."






What do you think?
Tell me at


OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak.  Please Visit http://www.ohomusic.com 


My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music will be released April 7, 2015  Just More Music by Ray Jozwiak
(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser:  http://http://www.cdbaby.com/Artist/RayJozwiak)

Also, be sure to visit:



 PIANOGONZOLOGY - Blogged My 
Zimbio

Tuesday, January 27, 2015

It Depends . . .


You said our love would last forever
It depends on what you mean by forever
You said we'd always be together
It depends on what you mean by together
You said you'd always want me near
And if I'd ever leave
You'd welcome me back
It depends on what you mean
It depends on what you mean by that

You're not distracted by another
It depends on what you mean by distracted
You took a vow said you'd be faithful
It depends on what you think take a vow means
You told me never have a fear
You'd never leave no matter how the cards were stacked
It depends on what you mean
It depends on what you mean by that

I always hoped that you would be
Able to STOP
And turn around in your tracks
It depends on what you mean 
It depends on what you mean by that



Clarity
(From Just More Music by Ray Jozwiak ©2014 Raymond M. Jozwiak coming to www.cdbaby.com and a plethora of other digital download sites IN APRIL)




What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html  or at
http://www.ohomusic.com 


OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak.  Please Visit http://www.ohomusic.com 


My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music will be released April 7, 2014  Just More Music by Ray Jozwiak
(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser:  http://http://www.cdbaby.com/Artist/RayJozwiak)

Also, be sure to visit:
http://www.rayjozwiak.com



 PIANOGONZOLOGY - Blogged My 
Zimbio

Wednesday, October 5, 2011

If you're not careful. . .

. . . Who knows what can happen???

Wine Tasting. (from http://wine.about.com/od/winebasic1/ht/winetasting.htm)
Here's How:

1. Look: Check out the Color and Clarity.

Pour a glass of wine into a suitable wine glass. Then take a good look at the wine. Tilt the glass away from you and check out the color of the wine from the rim edges to the middle of the glass (it's helpful to have a white background - either paper, napkin or a white tablecloth).

What color is it? Look beyond red, white or blush. If it's a red wine is the color maroon, purple, ruby, garnet, red, brick or even brownish? If it's a white wine is it clear, pale yellow, straw-like, light green, golden, amber or brown in appearance?

2. Still Looking. Move on to the wine's opacity. Is the wine watery or dark, translucent or opaque, dull or brilliant, cloudy or clear? Can you see sediment? Tilt your glass a bit, give it a little swirl - look again, is there sediment, bits of cork or any other floaters? An older red wine will often have more orange tinges on the edges of color than younger red wines. Older white wines are darker, than younger white wines when comparing the same varietal at different ages.

3. Smell:

Our sense of smell is critical in properly analyzing a glass of wine. To get a good impression of your wine's aroma, swirl your glass for a solid 10-12 seconds (this helps vaporize some of the wine's alcohol and release more of its natural aromas) and then take a quick whiff to gain a first impression.

4. Still Smelling. Now stick your nose down into the glass and take a deep inhale through your nose. What are your second impressions? Do you smell oak, berry, flowers, vanilla or citrus? A wine's aroma is an excellent indicator of its quality and unique characteristics. Swirl the wine and let the aromas mix and mingle, and sniff again.

5. Taste:

Finally, take a taste. Start with a small sip and let it roll around your mouth. There are three stages of taste: the Attack phase, the Evolution phase and the Finish.

6. The Attack Phase, is the initial impression that the wine makes on your palate. The Attack is comprised of four pieces of the wine puzzle: alcohol content, tannin levels, acidity and residual sugar. These four puzzle pieces display initial sensations on the palate. Ideally these components will be well-balanced one piece will not be more prominent than the others. These four pieces do not display a specific flavor per se, they meld together to offer impressions in intensity and complexity, soft or firm, light or heavy, crisp or creamy, sweet or dry, but not necessarily true flavors like fruit or spice.

7. The Evolution Phase is next, also called the mid-palate or middle range phase, this is the wine’s actual taste on the palate. In this phase you are looking to discern the flavor profile of the wine. If it’s a red wine you may start noting fruit – berry, plum, prune or fig; perhaps some spice – pepper, clove, cinnamon, or maybe a woody flavor like oak, cedar, or a detectable smokiness. If you are in the Evolution Phase of a white wine you may taste apple, pear, tropical or citrus fruits, or the taste may be more floral in nature or consist of honey, butter, herbs or a bit of earthiness.

8. The Finish is appropriately labeled as the final phase. The wine's finish is how long the flavor impression lasts after it is swallowed. This is where the wine culminates, where the aftertaste comes into play. Did it last several seconds? Was it light-bodied (like the weight of water), medium-bodied (similar in weight to milk) or full-bodied (like the consistency of cream)? Can you taste the remnant of the wine on the back of your mouth and throat? Do you want another sip or was the wine too bitter at the end? What was your last flavor impression – fruit, butter, oak? Does the taste persist or is it short-lived?

9. After you have taken the time to taste your wine, you might record some of your impressions. Did you like the wine overall? Was it sweet, sour or bitter? How was the wine's acidity? Was it well balanced? Does it taste better with cheese, bread or a heavy meal? Will you buy it again? If so, jot the wine's name, producer and vintage year down for future reference.
http://www.videodetective.com/movies/trailers/sideways-scene-are-you-chewing-gum-trailer/882957





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