The return of the duo. OHO (duo- Jay Graboski and Ray Jozwiak) appear at Harvest Tide Steakhouse, Lewes DE, Fri, Apr 29 @ 5:00PM. Some songs you may hear that day -
Submitting my forthcoming album "Grains" for a review. If you must concentrate on only one track, #6 Elephants, #7 Perfidy or #11 Baggage are recommended. Bio: The acoustic, baby grand piano is my tool of choice for constructing my original jazz melodies and improvisational piano music. But I also incorporate electronics, midi, synths, samples, etc into my recordings. When I'm not at the piano, I revel in the opportunity to make music with my long-time friends Jay (Graboski) and David (Reeve) as OHO, in the sacred tradition of that formidable, Baltimore-area musical collective.
Grains - forthcoming from Ray Jozwiak - Gonzo Piano
". . . The quiet nature of the piano’s birth around 1700, therefore, comes as something of a surprise. The first true piano was invented almost entirely by one man—Bartolomeo Cristofori (1655–1731) of Padua, who had been appointed in 1688 to the Florentine court of Grand Prince Ferdinando de’ Medici to care for its harpsichords and eventually for its entire collection of musical instruments. A 1700 inventory of Medici instruments mentions an “arpicimbalo,” i.e., an instrument resembling a harpsichord, “newly invented by Bartolomeo Cristofori” with hammers and dampers, two keyboards, and a range of four octaves, C–c”’. The poet and journalist Scipione Maffei, in his enthusiastic 1711 description, named Cristofori’s instrument a “gravicembalo col piano, e forte” (harpsichord with soft and loud), the first time it was called by its eventual name, pianoforte. A contemporary inscription by a Florentine court musician, Federigo Meccoli, notes that the “arpi cimbalo del piano e’ forte” was first made by Cristofori in 1700, giving us a precise birthdate for the piano. . ."
(from Donald Trump V. The United States: Inside the Struggle to Stop a President by
Michael S. Schmidt)
". . . the day after his inauguration. . . Trump not only had failed to grasp the new realities and sensibilities of Washington but also had entered into "another dimension of reality." The toys of the White House . . . had turned Trump into a child who sounded as if he had just opened his birthday presents. . . "I have the best toys, you won't believe the toys, and I have the best Secret Service, they will kill anybody and follow you around everywhere-there's nothing like them" . . . "