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Tuesday, October 25, 2011
If my memory serves. . .
. . . my old band-members Jay (guitar/vocals), Jeff (drums), Greg (sax/vocals) and myself (keyboard/vocals) undertook a string of private affairs and wedding receptions. Soon we decided to dedicate ourselves to the pursuit of a regular engagement, most desirably at a nightclub. Our one weak point however in pursuit of this lofty goal was our repertoire. Our rehearsals were few and far between. In fact, I now cannot remember an actual rehearsal with this incarnation of Ful Treatment. To our chagrin, and self-deceiving disbelief, club owners actually wanted the bands they hired to play the current top-forty popular favorites to which the audience could dance. We, in our haughty laziness (or was it lazy haughtiness?) refused to do that. In fact we simply continued to play as much of our uptempo (and preferably 'newer') material instead of succumbing to the current trend of disco music brought about by the recent resurgent popularity of the Bee Gees thanks to the film Saturday Night Fever. In our defense, we did learn a new number or two, just simply not enough to market ourselves as a top-forty act. Another improvement that we opted not to pursue was the hiring of a fifth band member to play the bass guitar, a definite enhancement to a combo's authenticity when reproducing dance music (as well as rock music in general), and mainly for the reason that it would have resulted in another party with whom to share the money.
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Friday, October 21, 2011
Oh God. . .
". . . Prayer, I would later surmise, was something like an experience of ritual hypnosis. While everyone said the words, no one was expected to believe them. Religious rituals, I was beginning to learn, were defined as part of the human need to deny, to cope and to pretend that all of these techniques are useful when reality presents us with something that is beyond our ability to manage emotionally. At this point in my life, I simply could not separate the human need to pretend from the human search for truth. Organized religion would also forever fuzz over that distinction.
(from Eternal Life: A New Vision by John Shelby Spong © 2009 by John Shelby Spong)
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(from Eternal Life: A New Vision by John Shelby Spong © 2009 by John Shelby Spong)
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It's like the Hokey-Pokey. . .
. . . "That's what it's all about."
(from msnbc.com staff and news service reports Msnbc.com staff, KCCI.com, and the Times-Republican contributed to this report. updated 10/19/2011)
"An Iowa couple married for 72 years died holding hands in a Des Moines hospital within 70 minutes of each other last week after a car accident that also injured another couple.
"They're very old-fashioned. They believed in marriage 'til death do you part," Dennis Yeager, the son of Gordon and Norma Yeager, told KCCI.com. The accident that claimed Gordon, 94, and Norma Yeager, 90, happened Oct. 12, when the couple left their State Center home for a drive shortly after 8 a.m. At the intersection of Highway 30 and Jessup Avenue, just west of Marshalltown, Gordon pulled "away from the stop sign and failed to yield to a westbound vehicle," according to Sgt. Joel Ehler of the Iowa State Patrol. The driver of the other car, Charles Clapsaddle, 64, of Marshalltown, was unable to stop to avoid a collision, Ehler said.
Yeager was facing pending action by the Iowa Department of Transportation to have his license removed, but citing privacy concerns, said he could release no additional details on what prompted that action. The Yeagers' children told KCCI.com that their parents never liked being apart ever since Norma Stock married Gordon Yeager on May 26, 1939, in State Center. And they were relieved that the couple was able to spend their last moments together at the intensive care unit of the Marshalltown hospital.
"They brought them in the same room in intensive care and put them together — and they were holding hands in ICU. They were not really responsive," Dennis Yeager told KCCI.com.
Gordon died at 3:38 p.m. surrounded by their family and holding hands with Norma.
"It was really strange, they were holding hands, and dad stopped breathing but I couldn't figure out what was going on because the heart monitor was still going," said Dennis Yeager. "But we were like, he isn't breathing. How does he still have a heart beat? The nurse checked and said that's because they were holding hands and it's going through them. Her heart was beating through him and picking it up."
Norma died at 4:48 p.m., according to KCCI.com. "Neither one of them would've wanted to be without each other. I couldn't figure out how it was going to work," the Yeagers' daughter Donna Sheets told KCCI.com. "We were very blessed, honestly, that they went this way."
The Yeager’s children said the couple complemented each other. "Anybody come over — she was the hostess with the mostess. ... The more she did, the more she smiled," Dennis Yeager told KCCI.com. "Dad would be the center of attention, like, 'Wheee look at me,' and mom was like 'get him away from me!' You know we even got a picture like that." And even though they argued every now and them, "They just loved being together," he said. "He said 'I have to stick around. I can't go until she does because I have to stay here for her and she would say the same thing,'" he said.
The couple reportedly were holding hands Tuesday at their funeral in their casket. Their family said the plan was to cremate them together and mix their ashes."
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(from msnbc.com staff and news service reports Msnbc.com staff, KCCI.com, and the Times-Republican contributed to this report. updated 10/19/2011)
"An Iowa couple married for 72 years died holding hands in a Des Moines hospital within 70 minutes of each other last week after a car accident that also injured another couple.
"They're very old-fashioned. They believed in marriage 'til death do you part," Dennis Yeager, the son of Gordon and Norma Yeager, told KCCI.com. The accident that claimed Gordon, 94, and Norma Yeager, 90, happened Oct. 12, when the couple left their State Center home for a drive shortly after 8 a.m. At the intersection of Highway 30 and Jessup Avenue, just west of Marshalltown, Gordon pulled "away from the stop sign and failed to yield to a westbound vehicle," according to Sgt. Joel Ehler of the Iowa State Patrol. The driver of the other car, Charles Clapsaddle, 64, of Marshalltown, was unable to stop to avoid a collision, Ehler said.
Yeager was facing pending action by the Iowa Department of Transportation to have his license removed, but citing privacy concerns, said he could release no additional details on what prompted that action. The Yeagers' children told KCCI.com that their parents never liked being apart ever since Norma Stock married Gordon Yeager on May 26, 1939, in State Center. And they were relieved that the couple was able to spend their last moments together at the intensive care unit of the Marshalltown hospital.
"They brought them in the same room in intensive care and put them together — and they were holding hands in ICU. They were not really responsive," Dennis Yeager told KCCI.com.
Gordon died at 3:38 p.m. surrounded by their family and holding hands with Norma.
"It was really strange, they were holding hands, and dad stopped breathing but I couldn't figure out what was going on because the heart monitor was still going," said Dennis Yeager. "But we were like, he isn't breathing. How does he still have a heart beat? The nurse checked and said that's because they were holding hands and it's going through them. Her heart was beating through him and picking it up."
Norma died at 4:48 p.m., according to KCCI.com. "Neither one of them would've wanted to be without each other. I couldn't figure out how it was going to work," the Yeagers' daughter Donna Sheets told KCCI.com. "We were very blessed, honestly, that they went this way."
The Yeager’s children said the couple complemented each other. "Anybody come over — she was the hostess with the mostess. ... The more she did, the more she smiled," Dennis Yeager told KCCI.com. "Dad would be the center of attention, like, 'Wheee look at me,' and mom was like 'get him away from me!' You know we even got a picture like that." And even though they argued every now and them, "They just loved being together," he said. "He said 'I have to stick around. I can't go until she does because I have to stay here for her and she would say the same thing,'" he said.
The couple reportedly were holding hands Tuesday at their funeral in their casket. Their family said the plan was to cremate them together and mix their ashes."
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Thursday, October 20, 2011
Literally speaking. . .
. . . The execution squads would have to work overtime to keep up with the number of texts from the Bible that call for the death penalty. Violating the Sabbath (Exod. 35:2), cursing (Lev. 24:13-14) and blaspheming (Lev. 24:16) are among them. Such judgments would fall most heavily on athletic locker rooms used in preparation for Saturday or Sunday football games! But of course no one should be playing football anyway, for Leviticus also prohibits touching anything made of pigskin (Lev. 11:7-8)! Perhaps this great American fall sport should be played with rubber gloves! Even stubborn and rebellious children are at risk of capital punishment, according to the Bible. If children do not obey their parents, if they overseat or drink too much, they are to be stoned at the gates of the city (Deut. 21:18-21). That is a bit stricter than even right-wing biblical moralists and ideologues care to go. Yet if one wishes to search the scriptures sufficiently, this rather bizarre list of texts can be expanded almost endlessly. . . "
(from The Sins of the Scripture, by John Shelby Spong
©2005 John Shelby Spong)
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(from The Sins of the Scripture, by John Shelby Spong
©2005 John Shelby Spong)
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Wednesday, October 19, 2011
Just watched. . .
. . . WAIT UNTIL DARK. You know, the suspense/thriller with Audrey Hepburn, Efrem Zimbalist, Jr., Jack Weston, Richard Crenna (remember Dr. Kildaire? What do you get when you combine Kildaire and Ben Casey? A Pair-a-docs! [Alan Sherman]) and the great Alan Arkin.
Wonderful film. Very suspenseful. Efrem Zimbalist's and Audrey Hepburn's characters are a couple, she who has recently become blind and he, a photographer who is going to great pains to help her adjust to her new, much darker (visually) world. In his efforts (which resemble those of parents attempting to lure their youngsters from moaning, pointing and shaking heads to speaking as a form of communication) to teach her to be independent by not jumping to assist, fetch or otherwise cater to her newly acquired handicap, he sounds as if he is training a dog. "You can do it. Over there. To your left. You can find it."
It's all well and good during the expositional sequences of the film. But after poor Audrey's character suffers the deceitful antics of the 'bad guys' pouring on the the insinuations of infidelity and dishonesty on the part of her dear (dog-trainer) Zimbalist, Arkin has a final, intense scene where he is out-done by the heroine. She ends up, upon the arrival of her heretofore, otherwise engaged-in-business husband, crouched, sniveling behind the open refrigerator door while her antagonist lay bleeding on the floor after her stabbing him after his final, desperate attempt to kill her. And when her 'dearest' arrives and at first thinks she has either fled the scene or is lying dead somewhere, unseen within the apartment, she emerges, ex-refrigerator, and he in his blessed relief and undying gratitude for her unexpected and miraculous safety, says something to the effect of, ". . . over here. You can do it. I'm over here. C'mon over here. I know you can." [paraphrasing, of course]
Somehow, the conclusion of this edge-of-your-seat suspense thriller was rendered comic to me as a result of Efrem Zimbalist's character being so narrowly dogged-cum-insensitive to what must have transpired during his absence, in his single-minded insistence to 'train' Audrey to cope with the world in her still-uncomfortable blindness instead of simply running to her IMMEDIATELY to comfort her and express his happiness for her deliverance from this horrible situation.
I laughed for half an hour! [My wife said, "I'm going to bed."]
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Wonderful film. Very suspenseful. Efrem Zimbalist's and Audrey Hepburn's characters are a couple, she who has recently become blind and he, a photographer who is going to great pains to help her adjust to her new, much darker (visually) world. In his efforts (which resemble those of parents attempting to lure their youngsters from moaning, pointing and shaking heads to speaking as a form of communication) to teach her to be independent by not jumping to assist, fetch or otherwise cater to her newly acquired handicap, he sounds as if he is training a dog. "You can do it. Over there. To your left. You can find it."
It's all well and good during the expositional sequences of the film. But after poor Audrey's character suffers the deceitful antics of the 'bad guys' pouring on the the insinuations of infidelity and dishonesty on the part of her dear (dog-trainer) Zimbalist, Arkin has a final, intense scene where he is out-done by the heroine. She ends up, upon the arrival of her heretofore, otherwise engaged-in-business husband, crouched, sniveling behind the open refrigerator door while her antagonist lay bleeding on the floor after her stabbing him after his final, desperate attempt to kill her. And when her 'dearest' arrives and at first thinks she has either fled the scene or is lying dead somewhere, unseen within the apartment, she emerges, ex-refrigerator, and he in his blessed relief and undying gratitude for her unexpected and miraculous safety, says something to the effect of, ". . . over here. You can do it. I'm over here. C'mon over here. I know you can." [paraphrasing, of course]
Somehow, the conclusion of this edge-of-your-seat suspense thriller was rendered comic to me as a result of Efrem Zimbalist's character being so narrowly dogged-cum-insensitive to what must have transpired during his absence, in his single-minded insistence to 'train' Audrey to cope with the world in her still-uncomfortable blindness instead of simply running to her IMMEDIATELY to comfort her and express his happiness for her deliverance from this horrible situation.
I laughed for half an hour! [My wife said, "I'm going to bed."]
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Monkey see . . .
. . . and monkey do
The little monkey looks an awful lot like you
Everybody's seen
The little monkeys in the zoo
And we've all been
In situations where we
Do what we know isn't right
So we follow
And try to do it their way
Can't risk our reputation
And in our heads
We hear our Mothers say
Monkey see and monkey do
The little monkey looks an awful lot like you
Every monkey knows
that what the other monkeys think
Matters the most
If we're not thirsty
We'll still drink
If they would tell us to
Run in circles
And jump through hoops of fire
We couldn't jump much higher
And there's a voice that's ringing
In our ears
Monkey see and monkey do
The little monkey looks an awful lot like you
Monkey is a social animal
Not a predator or cannibal
Wondrous thing is sociability
Life is so much more
Than just one great big cocktail party
Monkeys know the game
Just one good double-dare
Can redirect the blame
For anything that they may do
I can't just turn away
Something pulls me
In closer to the fire
I can't explain about it
They'd think there's
Something wrong if I would say
Monkey see and monkey do
The little monkey looks an awful lot like you
MONKEY SEE
©1996 Raymond M. Jozwiak
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The little monkey looks an awful lot like you
Everybody's seen
The little monkeys in the zoo
And we've all been
In situations where we
Do what we know isn't right
So we follow
And try to do it their way
Can't risk our reputation
And in our heads
We hear our Mothers say
Monkey see and monkey do
The little monkey looks an awful lot like you
Every monkey knows
that what the other monkeys think
Matters the most
If we're not thirsty
We'll still drink
If they would tell us to
Run in circles
And jump through hoops of fire
We couldn't jump much higher
And there's a voice that's ringing
In our ears
Monkey see and monkey do
The little monkey looks an awful lot like you
Monkey is a social animal
Not a predator or cannibal
Wondrous thing is sociability
Life is so much more
Than just one great big cocktail party
Monkeys know the game
Just one good double-dare
Can redirect the blame
For anything that they may do
I can't just turn away
Something pulls me
In closer to the fire
I can't explain about it
They'd think there's
Something wrong if I would say
Monkey see and monkey do
The little monkey looks an awful lot like you
MONKEY SEE
©1996 Raymond M. Jozwiak
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Tuesday, October 18, 2011
Here we go. . .
. . . again.
Is this the same ole same ole OR WHAT???!!!!
(from MSNBC)
. . . Perry said, "Mitt, while you were the governor of Massachusetts ... you were 47th in the nation in job creation," Perry said in a challenge to Romney's economic credentials. "What we need is somebody who can draw a bright line between themselves and President Obama, and let me tell you one thing: I will draw that bright contrast."
Romney responded by dredging up Perry's work as a young Texas politician in support of Al Gore's 1988 presidential campaign.
"With regard to track record and the past, governor, you were the chairman of Al Gore's campaign. And there was a fellow Texan named George Bush running," Romney said. "So if we're looking at the past, I think we know where you were."
(The non-partisan Politifact determined that Perry was not Gore's campaign chairman, but rather, simply a single supporter.)
The showdown between Romney and Perry was, in some respects, the one that political observers had hoped for since Perry entered the race in mid-August. The Texas governor overtook Romney, the campaign's putative frontrunner, in the polls, but has seen his numbers decline since then. . .
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Is this the same ole same ole OR WHAT???!!!!
(from MSNBC)
. . . Perry said, "Mitt, while you were the governor of Massachusetts ... you were 47th in the nation in job creation," Perry said in a challenge to Romney's economic credentials. "What we need is somebody who can draw a bright line between themselves and President Obama, and let me tell you one thing: I will draw that bright contrast."
Romney responded by dredging up Perry's work as a young Texas politician in support of Al Gore's 1988 presidential campaign.
"With regard to track record and the past, governor, you were the chairman of Al Gore's campaign. And there was a fellow Texan named George Bush running," Romney said. "So if we're looking at the past, I think we know where you were."
(The non-partisan Politifact determined that Perry was not Gore's campaign chairman, but rather, simply a single supporter.)
The showdown between Romney and Perry was, in some respects, the one that political observers had hoped for since Perry entered the race in mid-August. The Texas governor overtook Romney, the campaign's putative frontrunner, in the polls, but has seen his numbers decline since then. . .
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