Diva
1 a : prima donna 1 b : prima donna 2. 2 : a usually glamorous and successful female performer or personality <a fashion diva>; especially : a popular female singer <pop divas>
Prima Donna
A vain and overly sensitive person who is temperamental and difficult to work with: “That Jenkins girl is a good gymnast, but she certainly is a prima donna.” In opera, the prima donna is the principal female soloist. From Italian, meaning “first lady.”
My latest solo offering, No Frills, is now available at - No Frills
(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser: http://http://www.cdbaby.com/Artist/RayJozwiak)
Definitions
1. Tact Sensitive mental touch; peculiar skill or faculty; nice perception or discernment; ready power of appreciating and doing what is required by circumstances."He had formed plans not inferior in grandeur and boldness to those of Richelieu, and had carried them into effect with a tact and wariness worthy of Mazarin.""A tact which surpassed the tact of her sex as much as the tact of her sex surpassed the tact of ours."
2. Tact The sense of touch; feeling."Did you suppose that I could not make myself sensible to tact as well as sight?""Now, sight is a very refined tact ."
3. Tact <takt> adroitness in managing the feelings of persons dealt with: nice perception in seeing and doing exactly what is best in the circumstances
OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak. Please Visit http://www.ohomusic.com
My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music will be released April 7, 2014 Just More Music by Ray Jozwiak
(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser: http://http://www.cdbaby.com/Artist/RayJozwiak)
. . . a dead horse. . . (also known as bitch, bitch, bitch) . . .
I really am an artist. In most senses of the word. I am very sensitive to everything. But I am not however, one for melodramatics. No false or exaggerated emotions and no pop-culture sentimentality. I find it infinitely amazing and entertaining how some folks can drivel on about the Emmys, Oscars or fartzies, or post endless arrays of kitten and puppy videos much the same as I marvel at the gullibility of some of the most intelligent people when it comes to Internet falsehoods, hyperbole or political hyper-spin. In this day and age when we all have an infinite library at our fingertips, there is simply no excuse to fall for such crap.
I also find no need to be a cheerleader. First, I don't have the looks or the physique. Second, I don't have the motivation. Never did. Never will. If a sports franchise happens to be based in my hometown I do not automatically feel a deep and immediate connection. Guess I've simply learned through the years that my personal time is finite and I still don't have enough to expend it upon things in which I AM interested, let alone those in which I am not. I am not begrudging or criticizing those folks who do take an interest in professional athletics. I have family members who do. But, much as in high school when the mantra of 'school spirit' was preached incessantly to my deaf ears, I simply am not feeling it (sports/pop-entertainment) and my life will be no worse off for any lack thereof.
OHO's
"Ocean City Ditty," the
CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if
you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak
My latest solo release, '2014' of original, instrumental piano music, can be downloaded digitally at:
(or you can copy-and-paste this URL directly to
your browser: http://www.cdbaby.com/cd/rayjozwiak4)
(from http://edwardwillett.com/2009/03/science-shows-musicians-really-are-more-sensitive/)
'Researchers at Northwestern University have found that the more years of musical experience musicians possess, and the earlier the age at which they began studying music, the better their nervous systems are at interpreting the emotional content of sound.
The study was led by doctoral student Dana Strait, who conducts her research in the Auditory Neuroscience Laboratory at the university (and who is herself a pianist and oboe player).
Strait points out that scientists already know that emotion in speech is carried less by the specific meanings of the words being used than by the sound of those words.
. . . Strait and her colleagues enlisted 30 right-handed men and women, with and without music training, between the ages of 19 and 35. The ones with music training were grouped using two criteria–their total years of music experience and whether their training began before or after the age of seven.
Participants watched a subtitled nature film to keep them entertained (“entertained” is apparently a loose term) while listening through headphones to a “scientifically validated emotion sound”–specifically, 250 milliseconds–a quarter of a second–of a distressed baby’s cry.
Sensitivity to the sound, particularly the more complicated part of the sound that contributes most to its emotional content, was measured through scalp electrodes, which allowed the researchers to track brainstem processing of the sound’s pitch, timing and timbre. . . '
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