. . . and when it may return nobody knows.
Our gig at this blue-collar hotspot was quite a gravy job. We played four hours, with three twenty-minute breaks, every Friday and Saturday night, beer was free and we were paid $120 ($30 per man). That may sound laughable now (it does to me), but being a twenty-something still in college in 1977, this was one hell of a deal. And to make matters even better, the owner installed a Hammond B3 organ (with Leslie tone cabinet) in the club, or maybe it belonged to the Thursday musician but it was never clarified and was available for our (read: MY) use. Any keyboardist knows well the value of this perk, particularly in pre-digital-sample-lightweight-inexpensive-keyboard times. And yet in spite of all these wonderful things available to us during this period, we (can you believe it?) received an offer of a higher-paying gig (I believe it was $40 per man) at a club with a more convenient location to us all, and in a neighborhood where the probability of chairs being broken over patrons' heads was only slightly less. The owner of this bar actually hired us to 'discourage' the patronage of an 'undesirable' younger element that had begun frequenting the establishment and the owner thought he had found in our band/music, just the thing to accomplish this. Years after these events, other members of the group enjoy fondly recalling the job for which we were hired to 'drive customers away.' Poetic justice indeed!
We did take the job. Ten more dollars and much less mileage were certainly well worth it. Needless to say, it was back to playing my cheesy, or should I say sub-par instrument of economic necessity. If memory serves however, this arrangement did not last very long and we ended up with a long-running, relatively prestigious gig at the local American Legion hall for comparable pay and the only stringent requirement being to play God Bless America sometime during the last set of the evening. Being truly devoted veterans and family members thereof, everyone always stood respectfully as we played it in these pre-nine-eleven days. But the place seemed like home. It was cleaner than just about ANY other place we played, the staff was friendly and the clientele attentive and appreciative.
What do YOU think?
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Showing posts with label magnus organ. Show all posts
Showing posts with label magnus organ. Show all posts
Saturday, November 19, 2011
On and on it goes. . .
Wednesday, June 8, 2011
My friend David. . .
. . . introduced me to what later became one of my major musical influences way back in the seventh grade. Our little, urban Catholic elementary school was, I'm sure, like most others. When we were young, many of our parents' generation (of the Catholic persuasion) had horror stories about 'discipline' in Catholic schools involving everything but water-boarding. To this day I'm not sure if these graphic stories were concocted merely to frighten us or if they actually were, in fact, true. Irrespective of the veracity of those tales, we (happily) never experienced the 'extreme' version of discipline on our school. I don't even remember a teacher (nun, priest or 'civilian') laying a hand on a student in my eight year Catholic education.
But back to David. Sister Mary Agnes just happened to have a Magnus organ in her classroom. (You can read about this magnificent instrument HERE) David had been playing this arpeggiated pattern on the Magnus during lunch period on a rainy day when we could not indulge in the usual dodge-ball game outside, which sounded like Bach (or Beethoven- not that I would have known the difference way back then); a sophisticated yet complex and compelling combination of broken chords. I insisted that David teach the pattern to me, which he did. I'd like to say that I clearly remember mastering the entire little song on the spot, but that would be a LIE. But I do know that I did learn it. David told me that it was called "Colour My World" by Chicago (now shortened from Chicago Transit Authority). I investigated the music of this wonderful, new (it was about 1971-2, so they may have been around for about 5 years by that time) rock band. And I can still say that Chicago (1968 - 1974) is most certainly one of my favorite rock (now 'historical' rock, I guess) bands and without a doubt, one whose music had a profound influence on my musical development.
Visit Doug Alan Wilcox's Website
Doug Alan Wilcox with Ray Jozwiak, Frederick Coffee Company, June 11 @ 8PM
Download your
very own copy of
ANOTHER SHOT
by Ray Jozwiak
Please Visit
http://www.rayjozwiak.com
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But back to David. Sister Mary Agnes just happened to have a Magnus organ in her classroom. (You can read about this magnificent instrument HERE) David had been playing this arpeggiated pattern on the Magnus during lunch period on a rainy day when we could not indulge in the usual dodge-ball game outside, which sounded like Bach (or Beethoven- not that I would have known the difference way back then); a sophisticated yet complex and compelling combination of broken chords. I insisted that David teach the pattern to me, which he did. I'd like to say that I clearly remember mastering the entire little song on the spot, but that would be a LIE. But I do know that I did learn it. David told me that it was called "Colour My World" by Chicago (now shortened from Chicago Transit Authority). I investigated the music of this wonderful, new (it was about 1971-2, so they may have been around for about 5 years by that time) rock band. And I can still say that Chicago (1968 - 1974) is most certainly one of my favorite rock (now 'historical' rock, I guess) bands and without a doubt, one whose music had a profound influence on my musical development.
Visit Doug Alan Wilcox's Website
Doug Alan Wilcox with Ray Jozwiak, Frederick Coffee Company, June 11 @ 8PM
Download your
very own copy of
ANOTHER SHOT
by Ray Jozwiak
Please Visit
http://www.rayjozwiak.com
Tweet
Labels:
catholic,
discipline,
magnus organ,
music,
school
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