Thin . . .

. . . man


(from http://www.filmsite.org/thin.html)
The Thin Man (1934) is the first installment of a popular series of films casting a sophisticated, glamorous, pleasure-seeking, and urbane husband-wife detective team (William Powell and Myrna Loy as Nick and Nora Charles). Director W.S. Van Dyke had previously directed Manhattan Melodrama (1934), in which stars Powell and Loy had displayed their unique and charming chemistry in their first of 14 film pairings. The film's mystery story takes a back seat to the romantic screwball comedy, featuring the splendid, snappy and flirty banter between the rich, carefree married couple. They are known for sleuthing, solving murders, wisecracking one-liners, affectionate witticisms, delightful teasing and one-upmanship, alcoholic fun with plenty of martinis, a wire-haired terrier named Asta (actually named Skippy), and a loving relationship - often punctuated with quick kisses and slight hiccups. The story is taken from Dashiell Hammett's 1934 detective novel of the same name, with a married couple that was supposedly modeled on the author's relationship with longtime love and playwright Lillian Hellman. [This was Hammett's fifth and final novel, written following The Maltese Falcon and The Glass Key.] The 'thin man' is actually the murder victim in the novel and film, and only appeared in the initial film. This low-budget MGM film, that was shot in less than three weeks (14 days) and earned over $2 million, is the best of the bunch. It launched a series of five more lucrative Thin Man movies (from 1936 to 1947), some of which had their screenplays also written by Dashiell Hammett. Albert Hackett and Frances Goodrich were responsible for co-writing the screenplays for the first three Thin Man films.

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Point. . .

I think sometimes, probably more so during the year-end holiday season (Thanksgiving, Christmas and New Years for all of the 'religiously-persecuted') that we as a species have arrived at a particularly crucial point in our development.

On the one hand,  the more educated and sophisticated we become, the greater our preoccupation with our self-realization.  As this takes place, we find ourselves less involved with the intricacies of our extended families.  In fact, sometimes we find that while we love the members of our extended family we don't, in truth, like them as much as other, more-similarly (within the realms of intellectual, artistic, political, and humanitarian areas) disposed people.

So as we attain greater freedom, movement, awareness and development, we lose the commitment, duty, obligation to care for our family members who, in tribal times long gone, we would have spent our entire lives with- day in and day out.

I don't know what or where the happy medium between these two extremes exists.  I most certainly understand and appreciate the value of existence at both ends of this spectrum.

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I can't help it. . .

. . . I have to mention Michelle Bachmann again, and I realize it's old news, but. . .

Let me get this straight. 'GOD' is sending us a message? An earthquake and a hurricane are (separately, or as a 'package'?) a message from 'GOD' that we, as a nation, are spending too much? That's CLEAR! Isn't it????

The bigger question here is, was she really joking as her campaign spokesperson said? Or was that a bit of damage control after the fact. (Were she and her husband joking as well when speaking of their efforts to 'convert' gays to heterosexuality?) One commentator stated that Bachmann does not let criticism of these gaffes get to her. She does not respond or retaliate, like a Sarah Palin, when the press latches on to her outrageous outbursts. The commentator says this is how a 'seasoned' politician behaves. For Bachmann, that's good. Right?

I say to that commentator, and to the press at large, PLEASE, PLEASE, PLEASE cover the news. ASK Michelle Bachmann if she was joking. Give us the real Michelle Bachmann. Is she, in fact, Michelle Bachmann- sophisticated, urbane wit? Or is she Michelle Bachmann- hayseed, fundamentalist, tribal, pre-scientific rube?

I really want to know.




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