Nose . . .

 . . . don't need no clothes. . .

. . . and sound is its own sight. . .


(from http://jazztimes.com/articles/17992-rahsaan-roland-kirk-the-cult-of-kirk)
". . . Steve Turre, who served several stints in Kirk’s bands, assembled a group featuring multi-reedist James Carter for the 2004 Kirk tribute album, The Spirits Up Above (HighNote), and led the all-star band last December at Saint Peter’s Church in New York City that paid tribute to Kirk close to the 30th anniversary of his death. Turre argues that only when people turn away from the visual—and Kirk’s videos are popular items on YouTube—and focus on the aural will they fully grasp Kirk’s achievements. “It’s all about listening,” Turre insists, “though I don’t think kids are taught that today. When I first encountered him, I’d just listen and go with the flow. We used to go up to his hotel room and listen to records in the dark. He was sightless, so he didn’t need the lights. It made me concentrate on the sound. It took me inside Rahsaan’s world and allowed me to experience music as he did.

“Yeah, the unusual aspects of his shows were amazing, but I didn’t let that stop me from hearing the music. His shows were unconventional, but only because he was being himself. It was all about feeling; it wasn’t all mechanical and contrived; it wasn’t different for different’s sake. It wasn’t for an intellectual concept; it was just Rahsaan being Rahsaan.” . . . "

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OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
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 The idea of keeping a journal appeals greatly to me, but I feel like 99% of what I enter is mundane, boring, trite and petty.  No Emerson or Thoreau am I.



(from wikipedia.com)
In appearance he was homely, with a nose that he called "my most prominent feature." Of his face, Nathaniel Hawthorne wrote: "[Thoreau] is as ugly as sin, long-nosed, queer-mouthed, and with uncouth and rustic, though courteous manners, corresponding very well with such an exterior. But his ugliness is of an honest and agreeable fashion, and becomes him much better than beauty." Thoreau also wore a neckbeard for many years, which he insisted many women found attractive. However, Louisa May Alcott mentioned to Ralph Waldo Emerson that Thoreau's facial hair "will most assuredly deflect amorous advances and preserve the man's virtue in perpetuity."

Thoreau contracted tuberculosis in 1835 and suffered from it sporadically afterwards. In 1859, following a late night excursion to count the rings of tree stumps during a rain storm, he became ill with bronchitis. His health declined over three years with brief periods of remission, until he eventually became bedridden. Recognizing the terminal nature of his disease, Thoreau spent his last years revising and editing his unpublished works, particularly The Maine Woods and Excursions, and petitioning publishers to print revised editions of A Week and Walden. He also wrote letters and journal entries until he became too weak to continue. His friends were alarmed at his diminished appearance and were fascinated by his tranquil acceptance of death. When his aunt Louisa asked him in his last weeks if he had made his peace with God, Thoreau responded: "I did not know we had ever quarreled.

What do you think?
Tell me at http://www.rayjozwiak.com/guestbook.html 

OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4 
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD). 


http://www.cdbaby.com/cd/oho4 (and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD). 

My latest solo release, Black & White Then Back,
can be downloaded digitally at:

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak3)

Also, be sure to visit:
http://www.rayjozwiak.com

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The nose may be pleasant. . .

. . . but if you still like it AFTER the finish, regardless of HOW long it lingers, then you will remember it fondly.

Hints of apricot, citrus, petrol, pears and apples on the nose. Crisp and bright; fruity and light with a long, lingering honey finish.

Or notes of blackberry, with cherry, leather and plum with a butterscotch finish.

All delightful, most of very high quality and many downright outstanding winning one prize or another. . .





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