Handsome. . .

. . . but excessive? . . .



(from http://www.newportmansions.org/explore/kingscote)
Kingscote is a landmark of the Gothic Revival style in American architecture. Its appearance in Newport marked the beginning of the "cottage boom" that would distinguish the town as a veritable laboratory for the design of picturesque houses throughout the 19th century.

In 1839 Southern planter George Noble Jones commissioned architect Richard Upjohn to design a summer cottage along a country road, known as Bellevue Avenue, on the outskirts of town. Upjohn created a highly original "cottage orne," or ornamental cottage, in the Gothic Revival style. The general effect was romantic- a fanciful composition of towers, windows, Gothic arches and porch roofs inspired by medieval tournament tents.

At the outbreak of the Civil War, the Jones family left Newport never to return, and the house was sold in 1864 to China Trade merchant William Henry King. His nephew David took over the house in 1876, and several years later decided to enlarge Kingscote. He engaged the firm of McKim, Mead and White to make the renovations, including the new dining room. The room combines Colonial American details with exotic ornament - reflecting the architects' interest in combining eastern and western motifs. The innovative use of materials was also important, such as cork tiles as a covering for the wall frieze and ceiling, and an early installation of opalescent glass bricks by Louis Comfort Tiffany.

The house remained in the King family until 1972, when the last descendant left it to the Preservation Society. Today, Kingscote is a National Historic Landmark. It is a rare example of a Gothic Revival house and landscape setting preserved intact with original family collections.

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Missed It . . .

. . .  only by a month. . .


(from wikipedia.com)
The Newport Jazz Festival is a music festival held every summer in Newport, Rhode Island, USA. It was established in 1954 by socialite Elaine Lorillard, who, together with husband Louis Lorillard, financed the festival for many years. The couple hired jazz impresario George Wein to organize the event to help them bring jazz to the resort town.

Most of the early festivals were broadcast on Voice Of America radio and many performances were recorded and have been issued by various record labels.

The Newport Jazz Festival moved to New York City in 1972 and became a two-site festival in 1981 when it returned to Newport and also continued in New York. The festival was known as the JVC Jazz Festival from 1984 to 2008. During the economic downturn of 2009, JVC ceased its support of the festival and was replaced by CareFusion.As of 2012 the festival is sponsored by Natixis Global Asset Management.

The festival is hosted in Newport at Fort Adams State Park, and is often held in the same month as its sister festival, the Newport Folk

In 1954 the first Newport Jazz Festival (billed actually as the "First Annual American Jazz Festival") was held at Newport Casino in the Bellevue Avenue Historic District of Newport, Rhode Island. It incorporated academic panel discussions and featured live musical performances. The live performances were set outdoors, on a lawn. These performances were given by a number of notable jazz musicians including Billie Holiday. The festival was hailed by major magazines and newspapers. Some 13,000 attended between the two days. In general, the festival was regarded as a major success.

In 1955 organizers were planning a second year for the festival but needed to find a new venue. The Newport Casino would not again host the festival since its lawn and other facilities did not stand up well to such a large event. Festival backer Elaine Lorillard, with her husband, purchased "Belcourt", a large estate which was available locally, in hopes of hosting the festival there. The neighborhood would disallow that plan, citing concerns about potential disturbance. The festival went forward at Freebody Park, an arena for sports near the casino. The workshops and receptions would be held at Belcourt, and the music presented at Freebody Park.

Some in upper-class Newport were opposed to the festival. Jazz appreciation was not common within the established upper-class community. The festival was organized mostly by younger members of the elite group populating Newport. The festival brought crowds of commoners to Newport. Many were students who, in the absence of sufficient lodging, slept outdoors wherever they could, with or without tents. Newport was at first not accustomed to this. And, many of the musicians and their fans were African American. Racism too was a factor in Newport as it commonly was across the land during that era. Traffic gridlock and other contention near the downtown venue were legitimate concerns, and were raised.

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