Undead? . . .

(from Cecil Adams' The Straight Dope)
". . . Myths about the undead have been around for millennia, and the relatively harmless automata of Haitian folklore have been getting the Hollywood treatment for the past century. But the current popular concept of zombies as shuffling reanimated corpses with a hunger for humans was inarguably forged by George Romero in his 1968 film Night of the Living Dead. For decades after, zombies were merely part of the fright-movie pantheon, which also included slashers, aliens, and so on. Their ascent to the top of the horror heap is quite recent. Newspaper articles in 2006 noted an upswing in zombies’ cultural presence, but in retrospect the ball had just gotten rolling. Browsing through Google search-term trends from 2004 to the present, we find “zombie” and “zombies” showing sudden increases towards the end of 2008, as does “zombie apocalypse,” with a pronounced increase in early 2011. Meanwhile, searches for “ghost,” “witch,” “werewolf,” “demon,” “vampire,” and variants thereof stayed relatively flat.
What accounts for the heightened fascination? Theories abound:

1. Decaying corpses are horrifying. Get out, all monsters are horrifying. That’s why we call them monsters.
2. Decaying reanimated corpses are really horrifying. This gets closer. The scariest moment of my postcollegiate moviegoing experience was watching the Terminator come back to life, or whatever it is homicidal robots come back to after they’ve been to all appearances annihilated and you’re getting ready to head for the toilets.
3. “Zombie narrative presents us with a postcolonial consideration of identity and power, which allows us to challenge social and cultural hierarchies and power structures.” Please, professor, save it for the faculty lounge.
4. Let me throw in my own theory: If not zombies, then what? Vampires? Vampires have been the alpha pop-culture monster for at least 46 years. (See Barnabas Collins, Dark Shadows, 1967.) But let’s face it, the vampire = decadent sex metaphor, notwithstanding its ongoing box-office success, is surely running on fumes. We need zombies because they are relatively fresh.
5. Another hypothesis is that zombie films are more common when the U.S. faces war or societal upheaval. My assistant Una has charted 492 zombie films by year of release from 1910 to the present; she finds modest annual production until a spike of 15 zombie flicks in 1973, followed by fluctuating but fairly high output till 2003, when zombie filmmaking went through the roof. The 1973 jump coincides with Watergate, and I suppose 2003 might be a delayed reaction to 9/11, but more precisely it’s the year we invaded Iraq. Not to harp on this, but was there ever a time when we were more desperately in need of brains?
6. Paging through the scholarly journals, we find claims that zombies are a Marxist metaphor for the human face of capitalist monstrosity, or tap into a latent desire for racial violence, or somehow are connected with Hurricane Katrina. . ."

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Let's. . .

. . . all agree. . . NO MORE LOOPHOLES!

 (By Scott Stump, TODAY contributor http://todaynews.today.com/_news/2013/02/13/16925098-activists-pols-how-did-mentally-ill-killer-amass-an-arsenal?lite&lite=obnetwork)
In 1995, when Minnesota teen Christian Phillip Oberender killed his mother with a shotgun, he was deemed mentally ill and dangerous by a juvenile court and committed to a psychiatric hospital. Eight years later, at age 22, Oberender was released after living in a halfway house. But in January, 13 guns were discovered in his home, including an AK-47, a Tommy gun and shotguns, according to court documents. He was charged with being a felon in possession of firearms.

“I think everyone was quite scared to be honest with you,’’ Oberender’s neighbor, Dennis Hilk, told NBC News.

Police also found a chilling note addressed to Oberender’s deceased mother, according to court documents.

“I feel the good part of me fade away,’’ he wrote in the note. “I don’t know how long I can hold it in for. The monster want out. I know what happens when he comes out. He only been out one time and someone die.”

Oberender’s arrest has left gun control activists and local politicians vowing to close the loopholes that allowed Oberender to amass an arsenal.

“In the polarized world that we're in right now it seems as if you're either for quote-unquote gun control or for addressing the mental health issues when the reality is that we need to reduce gun violence by doing both,’’ Minneapolis mayor R.T. Rybak told NBC News.

Oberender, 32, is believed to have obtained a legitimate firearms permit due to a number of snafus, including the fact that the Bureau of Criminal Apprehension had no record of him murdering his mother (an issue that is currently being investigated). Oberender’s attorney did not respond to an interview request by NBC News.

Police were tipped off to his weapons stash when Carver County Sheriff Jim Olson, who was a young detective 18 years ago when Oberender was sentenced, heard that the man had posted pictures of guns on his Facebook page. Olson went online and found photos of Oberender toting weapons and posts expressing sympathy for the shooters in the school massacres at Columbine High School and Newtown, Conn., according to court documents. A warrant was obtained to search the house, which led to the discovery of Oberender's arsenal.

“He should not have guns posted on Facebook,’’ Olson told NBC News. “He should not have guns.’’

Olson shudders to think what could have happened if the name Christian Phillip Oberender had not rung a bell when he heard about the Facebook page.

“This certainly could have turned out differently for us — for Carver County, for Minnesota, and for America,’’ he said.

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