. . . the box (a work in-progress)
There comes a time when
You’re out of time then
You’re backed in a corner
With no place left to go
So you cut your losses
Don’t look for causes
Don’t say I didn’t warn ya
Because we both know, I told you so…
Unlock the box, like we agreed
It’s full of things we’re going to need
Give me the keys, we’ll drive right now
We got nothing left here, anyhow…
Our days are shrinking
We’re done with thinking
Behind the eight ball
It’s time to cut and run
It’s not so strange
The rate of exchange --
Oh, it never was our call --
It’s settled by the one who holds the gun…
Unlock the box, like we agreed
It’s full of things we’re going to need
Give me the keys, we’ll drive right now
We got nothing left here, anyhow…
So buckle up now, step on the gas
We’ll sneak out via the underpass
We won’t be back, so say goodbye
We’re going to take a little ride
You know we have to do what’s best
We’re heading west, we’re heading west
Unlock the box, we’re good to go
It’s full of things we gotta know
Give me the keys, we’ll drive right now
We got nothing left here, anyhow
We got nothing left here, anyhow
Unlock the box…
Unlock The Box
(piano demo)
lyrics by Rod Deacey
music by Ray Jozwiak
What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html
My latest release, Black & White Then Back,
can be downloaded digitally at:
(or you can copy-and-paste this URL directly to
your browser: http://www.cdbaby.com/cd/rayjozwiak3)
Also, be sure to visit:
http://www.rayjozwiak.com
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Showing posts with label keys. Show all posts
Showing posts with label keys. Show all posts
Wednesday, February 19, 2014
Monday, May 16, 2011
That polarizing musical instrument. . .
. . . the accordion.
I did become exposed to a gamut of music during my accordion education playing Polish folk music (but of course), American folk and pop music, tin pan alley standards, classical, English drinking songs and even rock and roll- envision that on the accordion. When you began accordion lessons at the Maryland Accordion Institute, you were issued a twelve bass piano accordion. What that is, is a small accordion with a 25-key piano keyboard on the right (from the performer's perspective) and twelve buttons on the left. The piano accordion is designed to be a complete musical ensemble. The right hand plays melody while the left plays bass notes and complete major chords on the first and second row of buttons respectively. Of course the bellows are between the two halves
After completing the basic course, I don't recall if that was measured in weeks or an instruction book, you were encouraged to purchase a full-size accordion which was casually called a "hundred and twenty bass" accordion, appropriately named for the one hundred and twenty buttons on the left side. The buttons are arranged in diagonal rows consisting of, in order from left to right, a 'counter bass' note (the third of the root bass note which is next to the right, major chord, minor chord, seventh chord and last, diminished chord. The keyboard on the right being larger, of course, has 41 keys.
So you see it is a complex instrument, mastery of which equips one very well with a fair amount of music theory knowledge. And you can see how the 120 bass instrument provides the player much more versatility and range in what can be played.
Download your
very own copy of
ANOTHER SHOT
by Ray Jozwiak
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I did become exposed to a gamut of music during my accordion education playing Polish folk music (but of course), American folk and pop music, tin pan alley standards, classical, English drinking songs and even rock and roll- envision that on the accordion. When you began accordion lessons at the Maryland Accordion Institute, you were issued a twelve bass piano accordion. What that is, is a small accordion with a 25-key piano keyboard on the right (from the performer's perspective) and twelve buttons on the left. The piano accordion is designed to be a complete musical ensemble. The right hand plays melody while the left plays bass notes and complete major chords on the first and second row of buttons respectively. Of course the bellows are between the two halves
After completing the basic course, I don't recall if that was measured in weeks or an instruction book, you were encouraged to purchase a full-size accordion which was casually called a "hundred and twenty bass" accordion, appropriately named for the one hundred and twenty buttons on the left side. The buttons are arranged in diagonal rows consisting of, in order from left to right, a 'counter bass' note (the third of the root bass note which is next to the right, major chord, minor chord, seventh chord and last, diminished chord. The keyboard on the right being larger, of course, has 41 keys.
So you see it is a complex instrument, mastery of which equips one very well with a fair amount of music theory knowledge. And you can see how the 120 bass instrument provides the player much more versatility and range in what can be played.
Download your
very own copy of
ANOTHER SHOT
by Ray Jozwiak
Tweet
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