". . . "And they're constantly trying to come up with a new – people go to a hospital and they catch – they go for a heart operation – that's no problem, but they end up dying from – from problems. You know the problems I'm talking about. There's a whole genius to it.". . . “We’re fighting – not only is it hidden, but it’s very smart. Okay? It’s invisible and it’s hidden, but it’s – it’s very smart.”. . . "
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(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
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(from A Very Stable Genius; Donald J. Trump's Testing of America by Philip Rucker and Carol Leonnig)
". . . The first couple was set to take a private tour of the USS Arizona Memorial, which sits just of the coast of Honolulu and straddles the hull of the battleship that sank into the Pacific during the Japanese surprise bombing attack in 1941. As a passenger boat ferried the Trumps to the stark white memorial, the president pulled (John) Kelly aside for a quiet consult . . . "Hey, John, what's this all about? What's this a tour of?" Trump asked his chief of staff. . . Kelly was momentarily stunned. Trump had heard the phrase "Pearl Harbor" and appeared to understand that he was visiting the scene of a historic battle, but he did not seem to know much else. . . "He was at time dangerously uninformed," said one senior former advisor. . . "
". . . When President Donald Trump's pick for ambassador to the Bahamas testified before Congress to make the case for his nomination, he incorrectly stated that the island nation was part of the U.S. It is an independent country. . . For ambassador to the United Arab Emirates — a job so sensitive in the tense Middle East that every previous president gave it to a career diplomat — Trump picked a wealthy real estate developer with no diplomatic experience. . . The ambassador to Morocco? A well-heeled car dealer. The nominee for Iceland? While well-traveled, he had never been to that Nordic country. For Melania Trump's native country of Slovenia? The founder of an evangelical charity who frequently reposted false far-right social media posts on her Facebook page. . . None have diplomatic experience, but they share one trait: All were big donors to Trump's presidential inaugural committee, which is now under federal investigation. . . "
". . . (Trump's claim of) lifetime of success in business, TV and politics “would qualify as not smart, but genius . . . and a very stable genius at that!”. . . ?
(from https://www.newsweek.com/donald-trump-says-finland-doesnt-have-california-wildfires-problem-because-1220911)
". . . In a press conference Saturday afternoon in Northern California President Donald Trump did not blame climate change for the deadliest wildfire the nation has seen in a century, but said instead that Finland doesn’t have the same problem because “they spend a lot of time on raking” leaves. . ."
(from http://www.irasullivanjazz.com/#!bio)
Hyperbole surrounds Ira Sullivan. It is evident in both his music and his life. His talent has been called "Pure lyric," "Fire," "Formidable," "Complex," "Ornate," "Unparalleled," "Haunting," or, more simply, "Legend." Some reviewers say he is a musical genius; others say this is an understatement. They cite his ability to pick up a strange instrument and, within a few days, to be as conversant with it as if he had been playing it for years. World class multi-instrumentalist Ira Sullivan plays trumpet, flugelhorn, peckhorn, tenor, alto, and soprano saxophones, flute, and an occasional round of drums, all of them impeccably and not as a gimmick. A master of almost the entire range of brass and reed instruments, he is known for his ability to come in cold and turn in a stellar performance. Ira is widely recorded and tours on the national and international jazz circuits. A five-time Grammy nominee, he serves as a panelist for the National Endowment for the Arts. As a clinician, lecturer, and adjudicator in jazz workshops at universities and schools across the country and abroad, he finds that the History of Jazz programs that he initiated while attending high school in Chicago are now being replicated in many of these institutions. One if his current projects is an ensemble he calls the INTER/OUTER CONTINENTAL JAZZ QUINTET. Together, this unique and multi-ethnic group expresses a wide spectrum of the jazz milieu, dipping freely into both traditional and uncommon territory. Ira Sullivan feels that music is one of the finest gifts God has bestowed upon mankind. One of his greatest joys is leading Jazz Vespers at the many churches he plays, where the congregations share his belief that there is a dynamic spiritual connotation to this most American of musical styles. It is this spiritual impulse that most clearly defines Ira Sullivan's music. For forty years, he has ended his performances all over the world with the venerable hymn "Amazing Grace," a soulful salute to the Spirit within.
OHO's
"Ocean City Ditty," the
CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if
you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak
My latest solo release, '2014' of original, instrumental piano music, can be downloaded digitally at:
(or you can copy-and-paste this URL directly to
your browser: http://www.cdbaby.com/cd/rayjozwiak4)
The captain (Beefheart, that is), was indeed a talented individual. He was creative, eccentric and daring. But genius is a very strong word. . .
ge·nius
noun \ˈjēn-yəs, ˈjē-nē-əs\
1 [count] a : a very smart or talented person : a person who has a level of talent or intelligence that is very rare or remarkable
▪ Albert Einstein and Isaac Newton were great scientific geniuses. ▪ a musical/artistic/creative genius ▪ You don't have to be a genius to see that this plan will never work.
b : a person who is very good at doing something
▪ He was a genius at handling the press.
(by By Rob Chalfen from http://blogs.laweekly.com/westcoastsound/2010/12/captain_beefheart_facts.php)[excerpted and inverted by me]
". . . 1. his 1970 & 1982 music videos, both rejected by tv as too far out, are both in the collections of the Museum of Modern Art.
2. In 1976 I interviewed Stiv Bators of the Dead Boys, who very enthusiastically claimed Don as a key influence. "A case of the punks!"
3. Zappa helped jumpstart his career, incorporating him into his touring ensemble, though complained Beefheart couldn't cut the arrangements. Several of Zappa's sidemen later defected to the Magic Band.
4. in the mid 70s he wandered in an aesthetic wilderness - his label dropped him, he fell in with some sharp operators connected with the band Bread (!) and tried to record 'safe' pop. His Magic band left him, and he toured with a pick up group. One older cat Ellis Horn had played clarinet with Lu Waters Jazz Band in the 40s and had a feature playing 'Sweet Georgia Brown" on an old albert-style clarinet, upturned at the bell. "He sucked up a cosmic particle into his horn," opined Don.
5. opening acts, in Boston at any rate, included Mississippi Fred McDowell, the NY Dolls, Larry Coryell, Bonnie Raitt/Dave Maxwell, Dr. John & a trained monkey vaudeville act. "Did you like the Dolls? Oh, balls!"
6. Zappa produced the Magic Band's masterpiece, Trout Mask Replica, in 1969, initially as a sort of Folkways-type anthropological field recording at the band's commune. Later Don insisted that it all be re-recorded in the studio, convinced that Zappa had been trying to do it on the cheap. (some of the home tapes made it onto the record anyway) . In the studio, he refused to wear phones, syncing his vocals with the band only via the faint leakage through the thick plate glass.
7. he composed implausibly complex solo guitar pieces like modern acid madrigals.
8. ran his band as a sort of hothouse commune/cult of domineering personality, one veteran later describing the experience as "my Vietnam". He communicated musical ideas via cassettes of his piano playing, singing and late night whistlings over the phone. The musicians were then expected to transcribe these fragments verbatim, and assemble them perfectly into intricate 4-dimensional musical constructions.
9. claimed shamanistic & supernatural abilities; on one occasion the drummer in my band, following around Don & Dr John, witnessed the glass panes of a hotel lobby mysteriously turn opaque as they passed. He was a life-long defender of the rights of animals & wildlife.
10. in the late 60s fused delta blues, beat poetics, Dada/Surrealist techniques, avant jazz, R&B & the kitchen sink into a metaphysics of the imagination that tore a giant hole in the ozone of pop-artistic possibility. Like an American Van Gogh he seemed to open up new landscapes of consciousness as much as of music. . . "
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