pianogonzology: fantasy

Showing posts with label fantasy. Show all posts

Tuesday, October 17, 2017

Fantasy . . .

(from https://www.theguardian.com/commentisfree/2017/sep/28/hugh-hefner-pimp-sue-playboy-mansion - by Suzanne Moore)
". . . Now that he’s (Hugh Hefner) dead, the disgusting old sleaze in the smoking jacket is being spoken of as some kind of liberator of women. Kim Kardashian is honoured to have been involved. Righty ho. . .I don’t really know which women were liberated by Hefner’s fantasies. I guess if you aspired to be a living Barbie it was as fabulous as it is to be in Donald Trump’s entourage. . ."

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Monday, December 5, 2016

How . . .

Waited all these nights for the day to come
Nevermore will I ever suck my thumb
Imaginary pains from my misery
Merely phantoms peopling my fantasy
I believe again in everything good
Though my body feels its decrepitude

How is where we go.
Where is how we go.

Severing the strings of the puppeteer
No longer victimized by the petty fears
Swinging round the pole of infinity
Now I am “in the know”

How is where we go, where we go.
Where is how we go, how we go.
How is where we go, where we go.
Where is how we go, how we go.

Cupid hurled his dart; aim was true, hit its mark.
I know that I will never be the same.
Writes across my soul in a secret, sacred code,
Pouring cream so sweet into my tea
Chiming bells ring. See this living take wing.

My identity’s been revealed to me.
I am in accord with my mystery.
How is where we go, where we go.
Where is how we go, how we go.
How is where we go, where we go.
Where is how we go, how we go.

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Monday, October 17, 2011

That takes a lot of brass. . .

. . . and ALSO in October (11th, 1941), Joe's brother Lester was born in the historic village of Bartonsville in Frederick, Maryland, Bowie grew up in St Louis, Missouri. At the age of five he started studying the trumpet with his father, a professional musician. He played with blues musicians such as Little Milton and Albert King, and rhythm and blues stars such as Solomon Burke, Joe Tex, and Rufus Thomas. In 1965, he became Fontella Bass's musical director and husband. He was a co-founder of Black Artists Group (BAG) in St Louis.

In 1966, he moved to Chicago, where he worked as a studio musician, and met Muhal Richard Abrams and Roscoe Mitchell and became a member of the AACM. In 1968, he founded the Art Ensemble of Chicago with Mitchell, Joseph Jarman, and Malachi Favors. He remained a member of this group for the rest of his life, and was also a member of Jack DeJohnette's New Directions quartet. He lived and worked in Jamaica and Africa, and played and recorded with Fela Kuti. Bowie's onstage appearance, in a white lab coat, with his goatee waxed into two points, was an important part of the Art Ensemble's stage show.

In 1984, he formed Lester Bowie's Brass Fantasy, a brass nonet in which Bowie demonstrated jazz's links to other forms of popular music, a decidedly more populist approach than that of the Art Ensemble. With this group he recorded songs made popular by Whitney Houston, Michael Jackson, Marilyn Manson, and the Spice Girls, along with more "serious" material. His New York Organ Ensemble featured James Carter and Amina Claudine Myers. (from Wikipedia.com)

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