. . . to the Speaker of the U.S. House of Representatives which, just today, voted (for the 56th time) to repeal the Affordable Care Act. This time it's a vote on whether to actually take health coverage away from millions of Americans who now have it. They said it was 'symbolic.' I agree. I 'symbolizes' the idiocy of these particular members of our legislative branch of government.
(from http://www.brainyquote.com/quotes/authors/j/john_boehner.html#8tSoiOOmQEugXz0d.99)
I didn't need to be speaker because I needed a fancy title or a big office. I wanted to be speaker so I could lead an effort to deal with the serious issues that are facing our country.
Our manifesto, whatever it will be called, will come from the people who are really in charge of this country, and that's the American people.
Every family in America knows they have to do a budget. Every small business in America knows they have to do a budget. Every local government, every state, knows they have to do a budget.
OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak. Please Visit http://www.ohomusic.com
My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music will be released April 7, 2014 Just More Music by Ray Jozwiak
(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser: http://http://www.cdbaby.com/Artist/RayJozwiak)
(Okay, so the picture is truly superfluous - EXCUSE ME!!!)
Just heard about these guys. I like them. (It doesn't hurt, of course, that my brother will soon be their steel guitarist. GO JOHN!!!!)
(from http://www.reverbnation.com/theupcountyband)
About The Up County Band
The Up County Band
Hometown: Dundalk, MD
Genres: Country / Alt.Country / Americana
Members: Joe Kurek- lead vocals, guitar, harmonica, Nick "Sterling" Stricklin-Lead guitar, vocals, Sean "Bon" Gurney-Bass guitar, vocals, Dave Voss-Drums
We are The Up County Band! We are a country/rock band from the Baltimore area. We are an up beat, in your face, loud and proud country act ... This ain't ya Daddys country! We write all of our own original music, and perform a wide variety of covers, new and old. We love performing covers for the fans but we pride ourselves in our own originals. Thinking outside the box, while staying true to your roots is important to us, so that we are able to create a diverse collection of new unique country music. If you come to see us live, expect to see a fast paced, loud, honky-tonk style show. Our fans have come to know us on stage as the bunch of redneck goofballs that we are. We'll be laughin', drinkin', and shakin' our asses up there and we expect the same from our fans ... we're up there havin' the time of our lives and we want to share it with you. So, check out our tunes, and videos, become a fan, like us on face book, and stay in touch with us so we can see ya out at the next show! Later y'all!
TUCB
OHO's "Ocean City Ditty," the
CD single is available at Trax On Wax (exclusively--or until CD baby
sets up a page for it) on Frederick Rd. in Catonsville (MD). Don't pay any
more than the suggested retail price of $2.99.
My latest solo release, Black & White Then Back,
can
be downloaded digitally at:
(or you can copy-and-paste this
URL directly to
your browser:
http://www.cdbaby.com/cd/rayjozwiak3)
". . .Beginning with the unforgettable "Green Green Grass of Home", Curly Putman has written or co-written an endless stream of smashes, including the million air-play, "My Elusive Dreams", "D-I-V-O-R-C-E", "Blood Red And Going Down", "It Don't Feel Like Sinnin' To Me, "It's A Cheatin' Situation" and "He Stopped Loving Her Today", just to name the #1's.
Curly wasn't born and raised with "great future staring him in the face," like the TV Waltons. Curly was the son of a sawmill man, reared on a mountain that bore that family name. About six or eight families lived on Putman Mountain, mostly descendants of a one-armed Methodist preacher named Jesse Putman, who first brought the holy writ to the mountain. . .
. . . After his discharge (from the service), Curly started picking with a band in Hunstville, AL, and there during one of his gigs, he met his future wife, Bernice. Soon, they started going together and were married in 1956. Thus began a long odyssey of discouragement and frustration remarkably echoed in Curly's "My Elusive Dreams: (You Followed Me To Texas/You Followed Me To Utah/We Didn't Find It There So We Moved On). The places were changed, but the pain was the same. "We moved to Chicago, but I didn't like it there too well, so I moved back to Alabama, working in the sawmill with my dad and going to trade school in Decatur, tried to learn piano tuning…anything to stick to music in some way. "We were barely getting by, so we moved to Huntsville and I went to work for the Thom Mcan Shoe Co. Eventually, Curly had a couple of songs recorded by Marion Worth and Charlie Walker, so he jumped at the chance to sell shoes in Nashville. After a short time in Nashville, however, he was transferred to Memphis. "I was so discouraged about having to leave Nashville," Curly recalls, "that I quit Thom Mcan in Memphis and went back to Huntsville and took a job in a record shop owned by a local radio personality. At night I played steel in a local band.
In the fall of 1963 Curly's luck took an abrupt change for the better. While visiting Nashville, during the annual DJ convention, he ran into Tree Publishing company executive Buddy Killen, whom he had known slightly in earlier days. Buddy casually mentioned that Tree might have a song plugging job open after the first of the year. "I came to talk to Buddy and Jack Stapp (the owner of Tree) and started working for them in January of 1964
"I guess I learned as much about writing by plugging songs for Tree as anything else I've ever done," says Curly. Yet month after month was passing and nothing was happening save a few small, inconsequential records. Was the elusive dream about to become undone altogether?
Then, one day about a year later, a bit of sheer magic struck. "One Sunday afternoon, I came up to Tree's office. No one was around. I just started fooling around and suddenly it fell in place. The surprise ending about dreaming made the song. I guess I worked on it for about two hours. I felt like I really had something, because it touched me very deeply. But, I didn't know how commercial it was because it was such a down-home song." The down-home song was "Green Green Grass of Home.
"I played the song for bunches of people over five or six months before it was ever cut, first Johnny Darrell," said curly. Then things began to happen. Porter Wagoner covered the Darrell record and had a top five country hit. Then, Jerry Lee Lewis had a chart record on the song. Tom Jones heard Jerry Lee's cut and was so impressed that he recorded it. His record became a top five pop smash in the united stated and number one almost everywhere else. The Tom Jones record sold between ten and twelve million copies throughout the world. Since then, over four hundred other artists have recorded the song in most of the world's major languages.
Since "Green Green Grass of Home," Curly's songs have been recorded by multitudes, including Charlie Rich, Tammy Wynette, dean martin, Wayne Newton, George Jones, Charley Pride, Conway Twitty, Dolly Parton, Bobbie Gentry, Glen Campbell, Nancy Sinatra, Roger Miller, T.G. Sheppard, The Kendalls, Andy Williams, Jim Nabors, Issac Hayes and Millie Jackson, Johnny Duncan, Bobby Vinton, John Conlee, Roy Clark, Elvis Presley, George Jones and almost every other country artist of consequence. And still, he continues to write, patiently and well, unable to fill the melancholy hole in his heart that refuses to ever let him rest satisfied and content to rejoice in a job well done. . ."
(from allmusic.com)
". . . 1969 was a pivotal year in the musical career of Doug Kershaw (born Douglas James Kershaw). An appearance on the premier broadcast of The Johnny Cash Show, on June 7, brought him to the attention of his largest audience and led to a contract with Warner Brothers/Seven Arts. Two months later, Kershaw's autobiographical tune, "Louisiana Man," became the first song broadcast back to Earth from the Moon by the astronauts of Apollo 12. Kershaw capped the year with a much-publicized, week-long engagement at the Fillmore East in New York as opening act for Eric Clapton's Derek & the Dominos. While it seemed to many rock and pop fans that Kershaw had appeared out of nowhere, he had already sold more than 18 million copies of the records he had done in the early '60s with his brother, Rusty. "Louisiana Man" had been a Top Ten country hit in 1961 and its follow-up, "Diggy Diggy Lo," had done almost as well. The son of an alligator hunter, Kershaw was the seventh born to a family that eventually included five boys and four girls. Raised in a home where Cajun French was spoken, he didn't learn English until the age of eight. By that time, he had mastered the fiddle, which he played from the age of five, and was on his way to teaching himself to play an amazing 28 instruments. His first gig was at a local bar, the Bucket of Blood, where he was accompanied by his mother on guitar. After teaching his brother Rusty (born Russell; February 2, 1938) to play guitar, he formed a band, the Continental Playboys, with Rusty and older brother Peewee in 1948.
Although they initially sang in French, J.D. Miller, owner of the Feature record label, persuaded them to incorporate songs in English into their repertoire. With the departure of Peewee from the group in the early '50s, Doug and Rusty continued to perform as a duo. The brothers quickly built a solid reputation for their high-energy performances of Cajun two-steps and country ballads. In 1955, they recorded their first single, "So Lovely, Baby." Released on the Hickory label, the tune became a Top Five country hit in August 1955. Shortly afterward, they were invited to become cast members of the Louisiana Hayride, a popular radio show broadcast from Shreveport, LA. In 1957, they recorded a Top 40 country hit, "Love Me to Pieces." They became members of the Grand Ole Opry the following year. Despite the demands of his music career, Doug enrolled in McNeese State University and earned an undergraduate degree in mathematics. At the peak of their early career, in 1958, Doug and Rusty decided to simultaneously enlist in the United States Army. They devoted their attention to the military until their dismissal three years later. Picking up where they left off in February 1961, the two brothers recorded "Louisiana Man," a song Doug had written while in the Army. The song was eventually covered by more than 800 artists. By the time their debut album, Rusty and Doug, was released in July 1964, however, the Kershaw brothers had elected to go their separate ways.
Two Step Fever
It took another three years before Doug signed a songwriter's contract with BMI. Despite the success of his solo career, Kershaw continued to be plagued by depression and sorrow. His father had committed suicide when he was only seven. Until 1984, Kershaw battled drug and alcohol abuse and he became known for erratic behavior. Although he continued to perform and record, his albums of the 1970s failed to duplicate the commercial success of "Louisiana Man" and "Diggy Diggy Lo." In 1981, Kershaw rebounded with his biggest selling hit, "Hello Woman," which reached the country music Top 40. In 1988, he recorded a duet, "Cajun Baby," with Hank Williams, Jr., that became a Top 50 country hit. Marrying his wife, Pam, at the Astro Dome on June 21, 1975, Kershaw began raising his own family, which included five sons -- Douglas, Victor, Zachary, Tyler, and Elijah -- and two grandsons. His son Tyler plays drums in his band. Kershaw released a French-language album, Two Step Fever, in 1999. Michael Doucet of Beausoleil is featured on the duet "Fievre de Deux Etapes." Hot Diggity Doug was released in mid-2000 and Still Cajun After All These Years followed in early 2001. Easy appeared from Cooking Vinyl in 2002. . . "
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Rules were made to be broken. Constitutions were written at specific points in historical time when specific circumstances existed. Many circumstances that existed at that time have CHANGED. That's why females can now vote. That's why slavery no longer exists.
(from Thom Hartmann, Truthout | News Analysis)
". . . The real reason the Second Amendment was ratified, and why it says "State" instead of "Country" (the Framers knew the difference - see the 10th Amendment), was to preserve the slave patrol militias in the southern states, which was necessary to get Virginia's vote. Founders Patrick Henry, George Mason, and James Madison were totally clear on that . . . and we all should be too.
In the beginning, there were the militias. In the South, they were also called the "slave patrols," and they were regulated by the states.
In Georgia, for example, a generation before the American Revolution, laws were passed in 1755 and 1757 that required all plantation owners or their male white employees to be members of the Georgia Militia, and for those armed militia members to make monthly inspections of the quarters of all slaves in the state. The law defined which counties had which armed militias and even required armed militia members to keep a keen eye out for slaves who may be planning uprisings.
As Dr. Carl T. Bogus wrote for the University of California Law Review in 1998, "The Georgia statutes required patrols, under the direction of commissioned militia officers, to examine every plantation each month and authorized them to search 'all Negro Houses for offensive Weapons and Ammunition' and to apprehend and give twenty lashes to any slave found outside plantation grounds."
It's the answer to the question raised by the character played by Leonardo DiCaprio in Django Unchained when he asks, "Why don't they just rise up and kill the whites?" If the movie were real, it would have been a purely rhetorical question, because every southerner of the era knew the simple answer: Well regulated militias kept the slaves in chains.
Sally E. Haden, in her book Slave Patrols: Law and Violence in Virginia and the Carolinas, notes that, "Although eligibility for the Militia seemed all-encompassing, not every middle-aged white male Virginian or Carolinian became a slave patroller." There were exemptions so "men in critical professions" like judges, legislators and students could stay at their work. Generally, though, she documents how most southern men between ages 18 and 45 - including physicians and ministers - had to serve on slave patrol in the militia at one time or another in their lives.
And slave rebellions were keeping the slave patrols busy.
By the time the Constitution was ratified, hundreds of substantial slave uprisings had occurred across the South. Blacks outnumbered whites in large areas, and the state militias were used to both prevent and to put down slave uprisings. As Dr. Bogus points out, slavery can only exist in the context of a police state, and the enforcement of that police state was the explicit job of the militias.
If the anti-slavery folks in the North had figured out a way to disband - or even move out of the state - those southern militias, the police state of the South would collapse. And, similarly, if the North were to invite into military service the slaves of the South, then they could be emancipated, which would collapse the institution of slavery, and the southern economic and social systems, altogether.
These two possibilities worried southerners like James Monroe, George Mason (who owned over 300 slaves) and the southern Christian evangelical, Patrick Henry (who opposed slavery on principle, but also opposed freeing slaves).
Their main concern was that Article 1, Section 8 of the newly-proposed Constitution, which gave the federal government the power to raise and supervise a militia, could also allow that federal militia to subsume their state militias and change them from slavery-enforcing institutions into something that could even, one day, free the slaves.
This was not an imagined threat. Famously, 12 years earlier, during the lead-up to the Revolutionary War, Lord Dunsmore offered freedom to slaves who could escape and join his forces. "Liberty to Slaves" was stitched onto their jacket pocket flaps. During the War, British General Henry Clinton extended the practice in 1779. And numerous freed slaves served in General Washington's army. . . "
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Shouldn't the PRESIDENTIAL CANDIDATE have the vision for the country and the Vice Presidential candidate SHARE it?
". . . I don't think I have anything for you on the V.P. running mate. Other
than I-- I certainly expect to have a person that has a strength of
character, a vision for the country, that, that adds something to the political discourse about the direction of the country. I
mean, I happen to believe this is a defining election for America; that
we're going to be voting for what kind of America we're going to have. . . "
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I well know the importance of a healthy economy. I know its importance to me personally, to my family and to the future of the country. But it seems to me that the (it's not THE LIBERAL, its just THE) press, not to mention numerous and sundry consultants, economists, pundits and 'forecasters' (which may very well be redundant), are exploiting the details of our current crises and consequently, stirring up some sh. . . . . . let us say anxiety.
Case in point (from MSNBC). . .
"The Labor Department reported Friday that the unemployment rate edged up to 8.2 percent, its first increase in 11 months, as American employers fretted over Europe, higher pump prices and the persistent problems in the housing market. . . " It's first increase in 11 months!!! The first ANYTHING doth not constitute a TREND. And there's the "F" word (no not that one), I mean "fretted". Who would know better about "fret" that these guys/girls who cultivate it like Jimmy Carter does peanuts.
". . . Non-farm payrolls rose by 69,000, the lowest increase in a year and well below the 150,000 jobs that economists had expected. . . " Economists EXPECTED. So what? Until they tell my why, how and everything else about why they expected that, why should I fret about what they say?
". . . "It's an awful number. Not only is it awful in its numerical terms, it comes at a very skittish time in the markets because of the European crisis," said Rick Meckler, president of Libertyview Capital Management. . . A number like this brings concern about a global slowdown. The time has probably come to for some new government action in the U.S., Europe and China," . . . " YEAH! Prolly IS, Rick. (Who the hell is THIS GUY? C'mon press. What makes Libertyview special?) Of course Rick is upset!!! And furthermore, ". . . the time has PROBABLY come to(sic) for some NEW GOVERNMENT action in the U.S. . . "???? I do believe Rick may be a Socialist. (Strange line of business for a Socialist.)
". . . The news came after a government report Thursday that showed the U.S. economy expanded at a 1.9 percent annualized rate in the first quarter, below the initial estimate of 2.2 percent and much slower than the 3.0 percent pace clocked in the fourth quarter. . . " 1.9%; 2.2%; 3%??? A fraction of a percent here and a fraction of a percent there and pretty soon we're talking 3.1%!!!!
". . . "Today's weak jobs report is devastating news for American workers and American families," Romney said in a statement shortly after the data was released. . . " Exactly what I expected Romney would say. What else is new?
". . . The Obama administration said that while the jobs data was unacceptable, Congress needed to act to help the economy. "Congress has to take some action because while we see the unemployment rate where it is, it's not acceptable," Solis told CNBC. . . " (Hilda Solis, U.S. Secretary of Labor) Well put Hilda. What does Congress do anyway?
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Johnny Cash was an American singer-songwriter, actor, and author, who has been called one of the most influential musicians of the 20th century. Although he is primarily remembered as a country music artist, his songs and sound spanned many other genres including rockabilly and rock and roll—especially early in his career—as well as blues, folk, and gospel. This crossover appeal led to Cash being inducted in the Country Music Hall of Fame, the Rock and Roll Hall of Fame, and Gospel Music Hall of Fame. Late in his career, Cash covered songs by several rock artists.
Cash was known for his deep, distinctive bass-baritone voice; for the "boom-chicka-boom" sound of his Tennessee Three backing band; for his rebelliousness, coupled with an increasingly somber and humble demeanor; for providing free concerts inside prison walls; and for his dark performance clothing, which earned him the nickname "The Man in Black". He traditionally started his concerts by saying, "Hello, I'm Johnny Cash." and usually following it up with his standard "Folsom Prison Blues."
Cash, a troubled but devout Christian,has been characterized as a "lens through which to view American contradictions and challenges." A Biblical scholar, he penned a Christian novel titled Man in White, and he made a spoken word recording of the entire New King James Version of the New Testament. Even so, Cash declared that he was "the biggest sinner of them all", and viewed himself overall as a complicated and contradictory man. Accordingly, Cash is said to have "contained multitudes", and has been deemed "the philosopher-prince of American country music".
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