. . . is formed when temperatures are low and there is moisture - in the form of tiny ice crystals - in the atmosphere. When these tiny ice crystals collide they stick together in clouds to become snowflakes. If enough ice crystals stick together, they'll become heavy enough to fall to the ground.
(from wikipedia.com)
". . . Jan Hammer produced the original score for Cocaine Cowboys, a 2006 documentary depicting the infamous Miami drug trade scene of the 1980s. Hammer's soundtrack of the film was released in 2007. Also in the fall of 2004 Hammer released the album The Best of Miami Vice on the Reality label in the U.S. The Best of Miami Vice contains newly recorded versions of "Miami Vice Theme" and "Crockett’s Theme", as well as one bonus track never before released on CD. In February 2005, after years of anticipation, Universal Studios Home Entertainment finally released the first season of Miami Vice on three double-sided DVDs. One of the package’s discs contained bonus material, including an extensive interview and archival footage of Hammer creating music for the show back in 1985. To coincide with the release of the DVD, Reality Records released a newly recorded version of "Crockett’s Theme" to AC (Adult Contemporary) radio in America. In 2006 Hammer was asked to collaborate with the singer/rapper TQ for a brand new version of his song "Crockett's Theme". The result of their work was The Jan Hammer Project Featuring TQ (Terrance Quaites): Crockett's Theme. A CD single of this new version climbed up the charts in Europe, hitting #1 on the iTunes Europe download list. In an interview, Jan Hammer indicated that he is working on a compilation of unreleased works - which by early 2014 has yet to appear. . ."
OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak. Please Visit http://www.ohomusic.com
My latest solo release, '2014' of original, instrumental piano music, can be downloaded digitally at:
(or you can copy-and-paste this URL directly to
your browser: http://www.cdbaby.com/cd/rayjozwiak4)
Carlos Alomar and Nile Rodgers, former collaborators with David Bowie, recently commented on the latter's work habits during his creative heyday. “In order for him to stay up all night and finish the tasks at hand, it (cocaine) was a huge factor. Its function was to keep you alert, and that’s what he was doing. It did not stop his creativity at all.” Alomar admitted that it occasionally affected their concerts. If Bowie forgot a lyric, it fell to Alomar to pick up the lead vocal until Bowie could find his place in the song. Bowie gave up drugs in the late ’70s, but by then they had already done some permanent damage. Rodgers, the Chic mastermind who produced Bowie’s smash hit 1983 album, ‘Let’s Dance,’ said, “He told me there are years of his life that he doesn’t remember. He said, ‘I know that’s me singing, I know that’s my record and my picture, but I don’t remember writing the songs, I don’t remember going into the studio.’”
Bowie came to the public's attention in 1969 when his song "Space Oddity" reached the top five of the UK Singles Chart. After a three-year period of experimentation he re-emerged in 1972 during the glam rock era with the flamboyant, androgynous alter ego Ziggy Stardust, spearheaded by the hit single "Starman" and the album The Rise and Fall of Ziggy Stardust and the Spiders from Mars. Bowie challenged rock music conventions of his time and created the largest cult in popular culture. But in true creative fashion, Ziggy was only one facet of a career marked by continual reinvention, musical innovation and striking visual presentation.
In 1975, Bowie achieved his first major American crossover success with the number-one single "Fame" and the hit album Young Americans, which Bowie himself characterized as "plastic soul". The radical shift in style initially alienated many of his UK devotees. He then confounded the expectations of both his record label and his American audiences by recording the minimalist album Low (1977)—the first of three collaborations with Brian Eno over the next two years. Low, "Heroes", and Lodger, the so-called "Berlin Trilogy" albums, all reached the UK top five and received lasting critical praise. In the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes", its parent album Scary Monsters (and Super Creeps), and "Under Pressure", a 1981 collaboration with Queen. He then reached a new commercial peak in 1983 with Let's Dance, which yielded several hit singles. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including blue-eyed soul, industrial, adult contemporary, and jungle. Bowie's latest studio album The Next Day was released in March 2013.
(thanks to http://ultimateclassicrock.com/david-bowie-cocaine/?trackback=tsmclip and wikipedia.com)
OHO's
"Ocean City Ditty," the
CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if
you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak
My latest solo release, '2014' of original, instrumental piano music, can be downloaded digitally at:
(or you can copy-and-paste this URL directly to
your browser: http://www.cdbaby.com/cd/rayjozwiak4)
