Showing posts with label YouTube. Show all posts
Showing posts with label YouTube. Show all posts

Wednesday, June 18, 2014

Jack . . .


. . . of all trades. . .


Master of very few.

One of the most difficult things about being an independent artist, or maybe I should say LOTS of the most difficult things about being an independent artist, are those THINGS other than making the music.

I mean now we've got (and have had) YouTube which, don't get me wrong, is a wonderful thing but . . . . . .

"Recommended bitrates, codecs, and resolutions, and more
Container: .mp4

    No Edit Lists (or you may lose AV sync)
    moov atom at the front of the file (Fast Start)

Audio Codec: AAC-LC

    Channels: Stereo or Stereo + 5.1
    Sample rate 96khz or 48 khz

Video Codec: H.264

    Progressive scan (no interlacing)
    High Profile
    2 consecutive B frames
    Closed GOP. GOP of half the frame rate.
    CABAC
    Variable bitrate. No bitrate limit required, though we offer recommended bit rates below for reference
    Color Space: 4.2.0

Frame rates
Frame rates should match the source material. For example, content shot in 24fps should be encoded and uploaded at 24fps. Content recorded at 30fps should be uploaded at 30fps. Content shot in 720p60, should be uploaded at 720p60. Content at 1080i 60, should be deinterlaced, going from 60 interlaced fields per second to 30 progressive frames per second before uploading.
Bitrates
Standard quality uploads
Type     Video Bitrate     Mono Audio Bitrate     Stereo Audio Bitrate     5.1 Audio Bitrate
2160p (4k)     35-45 Mbps     128 kbps     384 kbps     512 kbps
1440p (2k)     10 Mbps     128 kbps     384 kbps     512 kbps
1080p     8,000 kbps     128 kbps     384 kbps     512 kbps
720p     5,000 kbps     128 kbps     384 kbps     512 kbps
480p     2,500 kbps     64 kbps     128 kbps     196 kbps
360p     1,000 kbps     64 kbps     128 kbps     196 kbps

High quality uploads for creators with enterprise quality internet connections
Type     Video Bitrate     Mono Audio Bitrate     Stereo Audio Bitrate     5.1 Audio Bitrate
1080p     50,000 kbps     128 kbps     384 kbps     512 kbps
720p     30,000 kbps     128 kbps     384 kbps     512 kbps
480p     15,000 kbps     128 kbps     384 kbps     512 kbps
360p     5,000 kbps     128 kbps     384 kbps     512 kbps
Resolutions

YouTube uses 16:9 aspect ratio players. If you are uploading a non-16:9 file, it will be processed and displayed correctly as well, with pillar boxes (black bars on the left and right) or letter boxes (black bars at the top and bottom) provided by the player. If you want to fit the player perfectly, encode at these resolutions:

    2160p: 3840x2160
    1440p: 2560x1440
    1080p: 1920x1080
    720p: 1280x720
    480p: 854x480
    360p: 640x360
    240p: 426x240

The YouTube player automatically adds black bars so that videos are displayed correctly without cropping or stretching, no matter the size of the video or the player.

For example, the player will automatically add pillarboxing to 4:3 videos in the new 16:9 widescreen player size. If the player is re-sized (i.e. when embedded on another website), the same process takes place so that 16:9 videos are letterboxed when the player is sized to 4:3. Similarly, anamorphic videos will be automatically letterboxed when shown in either 16:9 or 4:3 sized players. The player can only do this if the native aspect ratio of the video is maintained.

You can adjust the fit of your video in our player after uploading your video by using formatting tags.

If letterboxing is added to a video before it is uploaded (i.e. in the case of creating a 4:3 video from a 16:9 master), the widescreen player will add pillarbox bars too, resulting in black bars all around the video (windowboxing) and a bad viewing experience (see the diagram below). . .


Is it ME!!!????  or do I detect a need to be a technical wizzz  and an artist at the same time!!! ???. . . 





What do you think?
Tell me at
http://www.rayjozwiak.com/guestbook.html 

OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD)

My latest solo release, '2014', can be downloaded digitally at:

Ray Jozwiak: 2014

(or you can copy-and-paste this URL directly to
your browser:  http://www.cdbaby.com/cd/rayjozwiak4)

Also, be sure to visit:
http://www.rayjozwiak.com

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Saturday, November 3, 2012

Control. . .

I guess it's beyond my control.  

YouTube offers a wonderful opportunity for folks to express themselves, present talents and abilities, show the world practically ANYTHING that they want.  Yeah so it doesn't cost me anything to post my videos on YouTube.  And now they've provided me the option to get paid by allowing ads to run on my videos.  It's truly great.

I do however, resent the fact that the pop-ups that appear on videos are beyond my control.  Let me make this absolutely clear. . .  I would not encourage anyone to contribute $5 (or any amount, for that matter) to Mitt Romney's campaign even though I saw a pop-up on MY OWN VIDEO that urged watchers to do the same.

See if it appears on this one. . .




What do YOU think?
http://www.rayjozwiak.com/guestbook.html

You can NOW download your
very own copy of Ray Jozwiak's
newest release:
AMBIENCE & WINE


Ray Jozwiak: Ambience & Wine
Please visit
http://www.rayjozwiak.com

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Monday, June 18, 2012

Lucky 13 . . .

 . . . or thereabouts. . .
So the Beach Boys have been exploiting (in a good sense) their 50th Anniversary reunion with a new album and 40-city concert tour.  I will probably not attend any of these concerts but I do have a certain respect for the legacy and the longevity of the Beach Boys.

I am amused by some of the latest videos of the BBs, especially the QVC clip which features 13 (by my count) musicians on the stage reproducing (reinventing, replicating. . . whichever you prefer) the sound that five members formerly produced in live performances - which you can also find on YouTube.

Put forth any theory you like on why it is necessary to have 13 people reproduce what 5 used to do quite well.  I suspect that some younger, stronger voices are necessary to ensure the harmonies are audibly accurate.

I say if you can make music, make it!   And make it loud.



What do YOU think?
http://www.rayjozwiak.com/guestbook.html

You can NOW download your
very own copy of Ray Jozwiak's
newest release:
AMBIENCE & WINE

Ray Jozwiak: Ambience & Wine
Please visit
http://www.rayjozwiak.com

PIANOGONZOLOGY - Blogged My 
Zimbio
blog search directory Blog Directory



Tuesday, March 1, 2011

Yesterday. . .

. . . my fingers were faster than the eye
never left my hands

but, nevertheless, pushed 'go' a little before I actually intended.

Great video though. Funny how many comments posted against this video on YouTube were by folks who had no idea that the clip came from a talk show parody called FERNDALE TONIGHT and the co-hosts (Mull & Willard) were INTENTIONALLY acting like idiots. Furthermore, the laughs were more a result of Martin Mull's facial expressions in reaction to the lyrics. And I'll go a step further, although Waits lived the life to write the songs, the act was still THE ACT, and he well knew why they were laughing and he played his part briliantly. (Of course he is an actor as well.)

Do you suppose the reactions posted on YouTube are, as an indication of the sophistication level of the general public, a direct correlation to the quality of popular entertainment today?



(Hear my music at http://www.rayjozwiak.com)



Sunday, February 27, 2011

Coincidentally. . .

. . . it is Sunday. I'm no longer a conventionally-religious person, but on this Sunday morning a recurring issue crossed my mind
and I searched YouTube for some video from one of my heroes.

LISTEN TO THIS MAN. (I think he has the right idea.)

http://www.youtube.com/watch?v=9XL8LvaJ9Rc



(Hear my music at http://www.rayjozwiak.com)