OHO is a band from the United States that was formed in 1970 and has come down to the present day with several lineup changes. The new album “Ahora!” was released on July 04, 2022 and contains three long tracks that n make up the parts of a long suite. A dreamy guitar arpeggio and narrative voice open the first section of the album “Ahora! Pt. 1” developed between continuous tempo changes and rich keyboard textures. The structure is elaborate and the vocals warm and expressive, a mixture of classical and modern Symphonic Prog sounds. In the second part, the violin and percussion add a touch of Folk and Baroque to the sound, thanks to very involving melodies. With the return to the central theme, the track closes in a musical crescendo with the last vocal stanzas. The second section “Ahora! Pt. 2” opens with the sweet melodies of the violin and guitar arpeggios, with the narrator introducing us to the track. A track that alternates symphonic and delicate passages with heavier openings, as in the best tradition of Progressive music. The band’s technique and experience is enhanced by a mature songwriting full of quality ideas, as well as the always very intense execution. The tempo changes are an added value, as are the instrumental sections, with excellent guitar and keyboard mixtures, while the vocal parts are dynamic and expressive. The album and the concept are concluded with “Ahora Pt. 3” characterised by an energetic and engaging sound with fine guitar and violin textures. Keyboards give a pompous touch to the sound, developed with lead guitar inserts that accompany us throughout the first part. The second part of the song features vocals, warm and dynamic, while the sound is always rhythmic and engaging. An album that enhances the technique and experience of this band that has been playing prog sounds at a high level for over 50 years. The rhythm section is solid and enriched by the tempo changes, excellent guitar and keyboard mixtures with the addition of the violin and a dynamic and expressive vocal make this album worthwhile. A recommended listen for lovers of Progressive Rock, with a mature sound that combines classical traits with a modern and markedly personal imprinting.
". . . New standard tuning (NST) is an alternative tuning for the guitar that approximates all-fifths tuning. The guitar's strings are assigned the notes C2-G2-D3-A3-E4-G4 (from lowest to highest); the five lowest open strings are each tuned to an interval of a perfect fifth {(C,G),(G,D),(D,A),(A,E)}; the two highest strings are a minor third apart (E,G). . . All-fifths tuning is typically used for mandolins, cellos, violas, and violins. On a guitar, tuning the strings in fifths would mean the first string would be a high B, something that was impractical until recently.[citation needed] NST provides a good approximation to all-fifths tuning. Like other regular tunings, NST allows chord fingerings to be shifted from one set of strings to another. . . NST's C-G range is wider, both lower and higher, than the E-E range of standard tuning in which the strings are tuned to the open notes E2-A2-D3-G3-B3-E4. The greater range allows NST guitars to play repertoire that would be impractical, if not impossible, on a standard-tuned guitar. . . NST was developed by Robert Fripp, the guitarist for King Crimson. Fripp taught the new standard tuning in Guitar Craft courses beginning in 1985, and thousands of Guitar Craft students continue to use the tuning. Like other alternative tunings for guitar, NST provides challenges and new opportunities to guitarists, who have developed music especially suited to NST. . . "
[Lighting in the video is virtually non-existent. The performance however, was noteworthy. Hope you agree]
