Friday, September 21, 2012

Read. . .

. . . and think [Note to Mitt and friends, you may continue talking amongst yourselves]

 (from NBCNews.com by Jim Maceda, an NBC News foreign correspondent based in London and currently on assignment in Cairo. He has covered the Middle East since the 1970s.)

 ". . . This paroxysm of protest – and violence – had begun in Cairo. But what, really, began there?

Much of the mainstream media has played it as a spontaneous reaction to a disgusting film clip which denigrated Muslims and happened to be made and promoted in the USA.

But New York Times editorialist Ross Douthat argued it had nothing to do with a "genuine popular backlash," but everything to do with old-style power politics. For Jim Clifton, chairman of the pollster Gallup, it wasn't about religion or politics, but rather the desperate expression of young Arab males, deeply humiliated because they couldn't find jobs.

'Political manipulation'
Egyptian analysts seem to be more in agreement: Many protesters outside the U.S. Embassy were genuinely offended by the film. But the real driving force behind the protest – in Cairo and Benghazi – were radical Islamist groups who know how to exploit rage for political gain.

Actors and the assistant director of the film "Innocence of Muslims" told NBC News that the original spoken lines in the screenplay were dubbed over without their knowledge. NBC's Mike Taibbi reports.

"There are still a lot of questions that need to be answered," said Mona Eltahawy, an Egyptian journalist. "For instance, why after two months of being on YouTube did this film suddenly explode on the anniversary of 9/11? That is political manipulation and manufactured outrage that the right wing is all too happy to use.''

Egypt issues arrest warrants for Terry Jones, Coptic Christians over anti-Islam video

By "right-wing" Eltahawy means ultra conservatives – often called Salafists – who practice a strict, puritanical form of Islam and make up the fastest-growing Islamic political and social movement in the world. On the night of the Cairo embassy attacks, the Salafists saw an opportunity to flex their muscles.

"A lot of people went to the U.S. Embassy not just because of the film, and after the film died down, it wasn't about the film anymore," Eltahawy explained. "They went because of anti-U.S. sentiment, because they know in this region how easy it is to fan the flames of anger.". . . "



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