". . . Monk walked away to another part of the studio where Weller's props lay. He saw a little red wagon and decided to park there for a moment. The image was striking. There was Monk, sporting a clean dark three-button suite, dark tie, crisp white shirt, handkerchief, bamboo-framed sunglasses and plaid driving cap. Bacon reluctantly asked Monk if it was OK to shoot him sitting in the wagon. Thelonious agreed. "I told them I would pose in a wagon, because I have actually composed while sitting in my kid's wagon on the front sidewalk." To further underscore the point, Thelonious added his own props-his brief case, a sheet of staff paper and a long pencil. . . "
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