(from http://thateventuality.tumblr.com/post/65262409680/ive-said-it-before-but-one-of-the-real-reasons-i)
". . .I’ve said it before, but one of the real reasons I started getting into composing is that I thought: ‘Well, if John and Paul can write songs…’…The hang-up of playing my songs to John and Paul always used to hold me back, as I’ve said, because I knew how it would sound finished, and I had to try and convince them in one play. For that reason, there are a lot of numbers of mine that I decided not to do anything about. It was a shyness - a withdrawal - and I always used to take the easy way out. . . Now? Well, maybe I’m cocky! Because now, I don’t care if nobody else likes it. It’s a matter of taste. And maybe I don’t like some of their songs, either. What I still do, though, is to bring out the numbers I think are the easiest to get across. The ones I think will take the shortest time to make an impact… the ones that’ll sound the nicest tunes…Summing me up, I don’t mind admitting that I definitely USED TO BE self-conscious. But now I’ve got less hang-ups about everything, not just music. . ."
(from http://www.nbcnews.com/politics/2016-election/biography-george-h-w-bush-slams-iron-ass-cheney-rumsfeld-n457911)
". . . The Republican Party still hasn't resolved George W. Bush's legacy. . . it's a problem for the entire party. . . the Republican Party's biggest challenge in winning back the White House in 2016 is resolving -- once and for all -- what happened from 2001-2008. . . "In interviews with his biographer, [George H.W. Bush] said that Mr. Cheney had built 'his own empire' and asserted too much 'hard-line' influence within George W. Bush's White House in pushing for the use of force around the world. Mr. Rumsfeld, the elder Mr. Bush said, was an 'arrogant fellow' who could not see how others thought and 'served the president badly,'" . . . "
My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music is now available at - Just More Music by Ray Jozwiak
(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser: http://http://www.cdbaby.com/Artist/RayJozwiak)
(from http://en.wikipedia.org/wiki/Jihadi_John)
". . . [Mohammed]Emwazi was given his pseudonym as John by a group of his hostages. The hostages have said that he was part of a terrorist cell described as "The Beatles", and that he guarded Western hostages while handling communications with their families. The pseudonym makes reference to John Lennon of the Beatles, and other members of the cell are known as "George", "Paul" and "Ringo", in reference to the Beatles' other members. The cell members all had English accents. The pseudonyms "Jihadi John" and "Jailer John" were created by the British press. . ."
(from http://www.dailymail.co.uk/news/article-2743813/Ringo-Starr-disgusted-ISIS-Brits-nicknamed-The-Beatles-It-s-b-t-They-against-stood-for.html#ixzz3SwYKYyME)
". . . Ringo Starr is disgusted that British jihadis in Syria have been nicknamed 'The Beatles', claiming ISIS is against everything his former band stood for. The nickname was revealed by a former ISIS captive who said the gang of British extremists had been compared to the group from Liverpool because of their accents. The man thought to be responsible for beheading American journalists James Foley and Steven Sotloff has been dubbed 'Jihadi John', while two other British jihadis are being called Paul and Ringo. . ."
OHO's "Ocean City Ditty," the CD single is now available at http://www.cdbaby.com/cd/oho4
(and, if you're in town, at Trax On Wax on Frederick Rd. in Catonsville, MD) OHO is Jay Graboski, David Reeve & Ray Jozwiak. Please Visit http://www.ohomusic.com
My latest solo offering, Just More Music by Ray Jozwiak, featuring original, instrumental piano music will be released April 7, 2014 Just More Music by Ray Jozwiak
(To Access all Ray Jozwiak - Gonzo Piano music you can copy-and-paste this URL directly to
your browser: http://http://www.cdbaby.com/Artist/RayJozwiak)
(from wikipedia.com)
". . . George Duke attended Tamalpais High School in Mill Valley before earning a bachelor's degree in trombone and composition with a minor in contrabass, from the San Francisco Conservatory in 1967. Playing initially with friends from garages to local clubs, Duke quickly eased his way into session work, which refined his abilities and expanded his approach to music. (He later earned his Masters Degree in composition from San Francisco State University. His website mentions a short stint teaching a course on Jazz And American Culture at Merritt Junior College in Oakland). Beginning in 1967 Duke experimented further with jazz fusion, playing and recording with violinist Jean-Luc Ponty, as well as performing with the Don Ellis Orchestra, and Cannonball Adderley's band, while he acquainted himself with the avantgarde musician Frank Zappa. Duke appeared on a number of Frank Zappa's albums in the early and mid-1970s, including Chunga's Revenge, 200 Motels, Waka/Jawaka, The Grand Wazoo, Apostrophe, Over-Nite Sensation, One Size Fits All, Bongo Fury and Roxy & Elsewhere.
Duke's other high-profile collaborators include Jean-Luc Ponty, Stanley Clarke, Billy Cobham,[citation needed] Cannonball Adderley, his cousin Dianne Reeves, Deniece Williams, Jeffrey Osborne, George Clinton, Anita Baker, Regina Belle, Rachelle Ferrell, Marilyn Scott and Mike Mainieri's jazz fusion group Steps Ahead, for whom he produced the track "Magnetic Love." Duke played on Herb Ellis' album, Soft Shoe (Concord, 1974) with Harry Sweets Edison; Duke played the piano and organ.
He also served as a record producer and composer on two instrumental tracks on Miles Davis albums: "Backyard Ritual" (from Tutu, 1986) and "Cobra" (from Amandla, 1989). He has also worked with a number of notable Brazilian musicians, including singer Milton Nascimento, percussionist Airto Moreira and singer Flora Purim. Sheila E appeared on Duke's late-1970s solo albums Don't Let Go and Master of the Game.
Duke had been fairly visible in the R&B world releasing funk-based songs like "Reach for It" and "Dukey Stick". In 1979 he traveled to Rio de Janeiro, where he recorded A Brazilian Love Affair. He employed singers Flora Purim and Milton Nascimento and percussionist Airto Moreira. The album featured some Latin jazz and jazz-influenced material. From a jazz standpoint, the album's most noteworthy songs include Nascimento's "Cravo e Canela," "Love Reborn," and "Up from the Sea It Arose and Ate Rio in One Swift Bite." In addition was "Brazilian Sugar" which was featured on the 2006 video game Dead or Alive Xtreme 2. Meanwhile, Nascimento's vocal on the ballad "Ao Que Vai Nascer" is an example of Brazilian pop at its most sensuous. This acclaimed album contained a wide variety of genres.
Duke has also worked as musical director at numerous large-scale musical events, including the Nelson Mandela tribute concert at Wembley Stadium, London in 1988. In 1989, he temporarily replaced Marcus Miller as musical director of NBC's acclaimed late-night music performance program Sunday Night during its first season.[4] Duke was also a judge for the 2nd annual Independent Music Awards to support independent artists' careers.
"No Rhyme or No Reason" can be heard during the period of time designated as Quiet Storm.
Duke's songs have been used by a wide variety of contemporary musicians in a wide array of genres. These include: "I Love You More", sampled by house music-act Daft Punk for their hit "Digital Love"; "Guilty", sampled by electronica music artist Mylo in his song "Guilty of Love" on Destroy Rock & Roll. . . "
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. . . and Ray. Well OK. I didn't LITERALLY become one of the Beatles. But I did learn to imitate, to some childish/childlike extent, a Beatles performance of I Want To Hold Your Hand and She Loves You. I used to sing them to the bus driver on the way to school and to any and ALL of my relatives- most of whom were a more than receptive audience.
This Beatles 'experience' led me to my first public performance. My Mother's sister was a member of the 'Ladies Organization' at her church and one of their activities was an annual Mothers' Day breakfast and showcase. The affair was held in the church hall and consisted of a breakfast of bacon, eggs, biscuits, hash browns, fruits and cakes followed a program of Polish folk dancers, an occasional crooner and some 'talented' children or possibly a novelty act. I was recruited to be the youngest member of the Beatles, this incarnation comprised of some older boys, offspring of other of the 'Holy Family' membership, all of whom I had never met.
We all wore wigs, made cleverly and skillfully of black construction paper, picture THAT, if you will. The Beatles record was played, and we all sang along. No Nilly Vanilly lip-synching stuff for us NO SIR! And I even played my little, plywood, Toy Barn acoustic guitar, which I incidentally didn't even really know how to play. I only knew the 'moves'.
But, fortunately for this group of wayward impersonators, the 'moves' were indeed what counted, because as fate would have it, we were A HIT! Of course not for our musical abilities, though. We were a hit because we were the children of members and relations to members of the ladies sodality at the church. But that didn't matter to us. As a matter of fact, I don't believe I ever even saw those other Beatles again, and if I did, it was never again in a Beatles capacity to be sure. Nor do I know whether or not any of them pursued solo careers (certainly none achieved individual success to the extent that McCartney did) but a lasting impression was made upon me.
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