Wednesday, February 12, 2014

Just Squeeze. . .



(http://en.wikipedia.org/wiki/Piano_accordion)
The first accordion to feature a piano keyboard was probably the instrument introduced in 1852 by Bouton of Paris. Another source claimed the first piano accordion was introduced in 1854 at the Deutsche Industrieausstellung in München. It was showcased by the instrument builder Mattäus Bauer and quickly became a serious competitor to button accordions.

In the United States, the piano accordion dramatically increased in popularity between 1900-1930 based on its familiarity to students and teachers, and its uniformity, whereby accordion dealers and instructors did not have to support different styles of accordions for many European immigrant groups. The piano keyboard layout was also promoted by the fame of Vaudeville performers Guido Deiro and his brother Pietro who premiered the instrument on stage, recordings and radio. After the Deiro's success, popular chromatic button accordionist Pietro Frosini chose to disguise his accordion's buttons to look like a piano keyboard so as not to appear "old-fashioned." 

As of 1972 it could be largely said that the piano system dominated the English-Speaking North American continent, Scotland, and certain East European countries, while differing button systems are generally to be found in Scandinavia, France, Belgium and former Soviet countries. The piano accordion is also predominant in Italy, New Zealand, and Australia.
Comparison to chromatic button layout

Compared to a chromatic button layout, the advantages of using a piano layout on an accordion would be the layout's logical simplicity, the relative size of the buttons for fast legato flows, and its layout compared to standard notation. However, it has a smaller range, is too big to reach notes far apart, such as two octaves, and requires more finger movement to operate.


(We [OHO] are working on Jay's composition 'Paleolithic Goddess Figurine' and are working on adding - an accordion track!)

Paleolithic Goddess Figurine
written by John P. Graboski
performed by OHO- Jay Graboski, David Reeve and Ray Jozwiak





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