Showing posts with label sexy. Show all posts
Showing posts with label sexy. Show all posts

Thursday, October 13, 2011

Talk about 'Gonzo'. . .

. . . sixty four years ago this month a little-known eccentric, introverted pianist walked into the young Blue Note record label's New York studios to make his first solo recordings.

Thelonious Monk may not have been officially or popularly described as 'Gonzo', but what better descriptive to convey the esoteric, cerebral, attractive and (some say) sexy music that he conceived and performed. Monk and Duke Ellington hold the distinction of being the 'most recorded' of jazz composers. Ellington's compositions numbered about 1,000. Monk wrote 70 tunes. Truly an original, even the beret and sunglasses of the beboppers' wardrobe were originated by Monk.

From Wikipedia. . . "At the time of his signing to Riverside, Monk was highly regarded by his peers and by some critics, but his records did not sell in significant numbers, and his music was still regarded as too "difficult" for mass-market acceptance. Indeed, with Monk's consent, Riverside had managed to buy out his previous Prestige contract for a mere $108.24. He willingly recorded two albums of jazz standards as a means of increasing his profile. The first of these, Thelonious Monk Plays the Music of Duke Ellington, featuring bass innovator Oscar Pettiford and drummer Kenny Clarke, included Ellington pieces "Caravan" and "It Don't Mean A Thing (If It Ain't Got That Swing)".

On the 1956 LP Brilliant Corners, Monk recorded his own music. The complex title track, which featured tenor saxophonist Sonny Rollins, was so difficult to play that the final version had to be edited together from multiple takes. The album, however, was largely regarded as the first success for Monk; according to Orrin Keepnews, "It was the first that made a real splash.""

Monk was one of my original portals into bebop and jazz. The reason, I now think after many years of additional perspective, that his music compelled me so, was what I perceived to be its similarity to much of the progressive, 'art' rock in which I was so interested at the time, with it's unusual angles, unique accents, unbounded energy, incessant rhythm and sheer magnetism. Truly great music.




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