Showing posts with label miles. Show all posts
Showing posts with label miles. Show all posts

Sunday, July 10, 2016

Miles . . .


. . . ahead of most of us . . .


I've read 'Miles: The Autobiography by Miles Davis with Quincy Troupe' and came to the conclusion that Miles was a tremendous talent, a hot-tempered, impatient man, something of a racist in word, not so much a racist in deed, a decent, caring person and, most importantly and not surprisingly, a human being.

And this, which I just found on FaceBook, reaffirms the conclusion I reached. . . and I think is, quite frankly . . . inspirational.






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Thursday, October 3, 2013

Lakes. . .

(from wikipedia.com)
". . . Keuka Lake is an unusual member of the U.S. state of New York's Finger Lakes because it is Y-shaped, instead of long and narrow. Because of its shape, it was referred to in the past as Crooked Lake. Keuka means "canoe landing" in the Iroquois language and "lake with an elbow" in the Seneca language. Keuka Lake empties into another Finger Lake, Seneca Lake, from a stream, called Keuka Lake Outlet, at the lake's northeastern end in Penn Yan, New York. The stream empties into Seneca Lake at the village of Dresden. At one time the outlet was developed into a canal, the Crooked Lake Canal, connecting the lakes. This canal was later replaced by a railroad branch line which is now a hiking and cycling trail.

The lake is about 20 miles (32 km) long and varies in width from a half mile to two miles (1–3 km). The length of the shoreline is about 60 miles (96 km). It has a surface area of 11,730 acres (47 km²), and a maximum and mean depth of 186 feet (57 m) and 101 feet (31 m) respectively. This body of water possesses large and healthy populations of lake trout, brown trout, rainbow trout, landlocked salmon, smallmouth bass, largemouth bass, and yellow perch. The productive fishery is supported by huge numbers of baitfish, most notably alewives (sawbellies), and is a very popular lake with area fishermen. . ."


(from http://www.priweb.org/ed/finger_lakes/nystate_geo3.html)
". . . The Finger Lakes originated as a series of northward-flowing rivers that existed in what is now central New York State. Around two million years ago the first of numerous continental glaciers moved southward from the Hudson Bay area, initiating the Pleistocene glaciation, commonly known as the "Ice age."

The Athabasca Glacier in Alberta, Canada, is an example of a present-day glacier. The "Ice age" was really a series of many advances and retreats of glaciers. The Finger Lakes were probably carved by several of these episodes. Ice sheets more than two miles thick flowed southward, parallel but opposite to the flow of the rivers, gouging deep trenches into these river valleys. Traces of most of the earlier glacial events have vanished, but much evidence remains of the last one or two glaciers that covered New York. The latest glacial episode was most extensive around 21,000 years ago, when glaciers covered almost the entire state. Around 19,000 years ago, the climate warmed, and the glacier began to retreat, disappearing entirely from New York for the last time around 11,000 years ago.

The most obvious evidence left by the glaciers are the gravel deposits at the south ends of the Finger Lakes called moraines and streamlined elongated hills of glacial sediment called drumlins. Moraines are visible south of Ithaca at North Spencer, along Route 13 west of Newfield, and near Willseyville. Drumlins are visible northeast of Ithaca at the northern end of Cayuga and Seneca lakes in a broad band from Rochester to Syracuse. . ."


Keuka
©2013 Raymond M. Jozwiak




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Thursday, August 8, 2013

Duke. . .



(from The New York Times)
“I was in a rock band, I played with a bunch of Brazilians, I played R&B with Parliament-Funkadelic and all of that,” he said in an interview before his most recent album, “DreamWeaver,” was released last month. “I mean, I’ve done jazz with Miles Davis and Cannonball Adderley. It’s a goulash. It’s a gumbo.

George Duke, who as a small boy begged his mother to buy him a piano after she took him to see Duke Ellington, began playing professionally at a time when many musicians were interested in blending genres. He played in a trio that backed the singer Al Jarreau while he was still a teenager, then accompanied Dizzy Gillespie and other jazz musicians at clubs in San Francisco. By the early 1970s he had performed and recorded with Adderley, the jazz violinist Jean-Luc Ponty and Zappa’s Mothers of Invention.

Zappa “told me one day that I should play synthesizers,” Mr. Duke wrote on his Web site. “It was as simple as that!” Urged by Zappa, he said, he experimented with a few types of synthesizers before settling on the ARP Odyssey, “purely to be different from Jan Hammer, who was playing the Minimoog.”

Critics sometimes said that Mr. Duke’s music was too smooth, not challenging enough, and that he was too eager to court a broad audience. He disagreed. “I really think it’s possible (and still do) to make good music and be commercial at the same time,” Mr. Duke wrote. “I believe it is the artist’s responsibility to take the music to the people. Art for art’s sake is nice; but if art doesn’t communicate, then its worth is negated. It has not fulfilled its destiny.”





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Ray Jozwiak: Black & White Then Back

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Monday, January 16, 2012

Miles and Miles of quotes. . .



(Quotes from Miles Davis. . . )
"I've changed music four or five times. What have you done of any importance other than be white?"
Davis attended a reception in honor of Ray Charles at Ronald Reagan's White House in 1987. This was his reply to a Washington society lady seated next to him who had asked him what he had done to be invited.

"If somebody told me I only had an hour to live, I'd spend it choking a white man. I'd do it nice and slow."  During an interview, after growing aggravated about questions on the subject of race.

"A legend is an old man with a cane known for what he used to do. I'm still doing it."  On being called a legend.

"Jazz is like blues with a shot of heroin"

"Who's that motherfucker? He can't play shit!"
on Cecil Taylor

"You a motherfucker."  a compliment to Chick Corea, who thought he was about to be fired.

"He plays like somebody is standing on his foot."  on Eric Dolphy

"He could very well be the Duke Ellington of Rock 'n' Roll."  on Prince

"Why'd you put that white bitch on there?"
To George Avakian after seeing the cover chosen by Columbia for Miles Ahead.

"You can't play anything on a horn that Louis hasn't played." and "I love Pops" (Louis' nickname)
on Louis Armstrong in a Playboy magazine interview.

"I’ll play it and tell you what it is later."   During a recording session for Prestige, on the album "Relaxin' with the Miles Davis Quintet" (1956).

"Listen baby, when I say later, I mean it! Later!"  After being approached by a relentless interviewer.

"There are no wrong notes."  My ego only needs a good rhythm section.

On being asked what he looked for in musicians.  "When you are creating your own shit, man, even the sky ain't the limit."

"Try taking the fucking horn out of your mouth."  Davis was questioning the increasing length of John Coltrane solos, and Trane answered "I don't know how to stop."

"Don't play what's there, play what's not there.




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Thursday, June 30, 2011

What's in a name?

The new video that greets you at the homepage of my website http://www.rayjozwiak.com is a performance of my composition entitled IMPRESSIVE, of which the studio version appears on my latest release ANOTHER SHOT (digital-download-only at)
Ray Jozwiak: Another Shot
The title, I would like to explain, is truly not a shameless display of unwarranted ego or any such thing, it is inspired by the John Coltrane piece IMPRESSIONS which has, likewise, a blues-based, modal structure not unlike many tunes on Miles' 'Kind of Blue', and subsequently the title is a corruption of that of its inspiration. (Maybe I should have called it BLUENESS?)



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